La chanteuse Dewey Cox surmonte l'adversité pour devenir une légende musicale.La chanteuse Dewey Cox surmonte l'adversité pour devenir une légende musicale.La chanteuse Dewey Cox surmonte l'adversité pour devenir une légende musicale.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
- Old Bluesman
- (as David Honeyboy Edwards)
- Teenage Band
- (as Jack Saperstein)
- Teenage Band
- (as Taylor Jamison Hubert)
Avis à la une
OVERVIEW:
Like the film Ray (2004), a young boy and his brother frolic in the bucolic wonderland of the American South of the 1930s. Like Walk the Line (2005), a young man leaves his loving mother and hateful father to find solace in his music. Like... well, you get the idea. This film is primarily a send-up of the musical bio-pic, as Dewey Cox (Riley) channels nearly every rock icon that ever took the stage... from Dylan, Cash, Orbison, and Presley to Brian Wilson. Like his fellow rock stars, Dewey is often tempted by drugs and sex. In a hilarious motif, he is constantly opening a door and finding his drummer, Sam (Meadows), behind it with sexy backup singers and the latest drug of choice. "You don't want any part of this s**t," Sam says, and proceeds to tell Dewey all of the drug's benefits. Despite their wayward ways, Dewey and his band are discovered by a trio of Hasidic Jews and begin to record a remarkable string of number-one hits. As he cruises the decades like Forrest Gump with a guitar, Dewey meets all of his legendary contemporaries, played by uncredited actors you are likely to recognize. Watch especially for Lennon, McCartney and Buddy Holly.
REVIEW: 3 out of 4 Java Mugs
What is remarkable about this movie is the way we feel about the main character, Dewey Cox. It's easy to find sympathy for the likes of Johnny Cash and Ray Charles because we knew them as real people. But why do we feel so strongly about a singer we know does not really exist? Some of the credit goes to the filmmakers, who know which emotional buttons to push, but mostly we have Riley to thank. In an amazing portrayal, he takes what could have been a spoof-worthy sap and turns him into a fully developed character we really care about. Riley actually becomes Dewey Cox, by singing his heart out and even helping to write many of the film's songs.
Other performances are also worthy of note, particularly Fischer's sultry Darlene, Wiig's ever-pregnant Edith and Meadows' drug-addled drummer.
Though Riley's singing is quite good, it is still nice to have the likes of Lyle Lovett, Jackson Browne, Jewel, Ghostface Killah and Eddie Vedder playing themselves and singing those Dewey Cox originals. But none of the music was as brilliant as an early scene with Honeyboy Edwards singing the blues.
Initially it looked like the movie would be very cheesy with punchlines being telegraphed well ahead of time. But, even with the punchlines being blatantly set up, it was better to go with the transparent set up instead of the thinly veiled set ups that a lot of comedies use.
Interestingly enough there was not much profanity which made its usage that much funnier. Now, I certainly could've done without the male nudity, but maybe that was only in the unrated version. Even still, by and large John C. Reily held his own and the movie was terrific.
Without getting too much into the details of the movie because I hate spoilers, the thing that made this movie great to me was the unexpected humor. Like Airplane, there are a lot of times when you just don't see the next line coming, and those are the best laughs. Besides John C. Reilly in the lead role, who obviously got a lot of the funniest lines, Tim Meadows as Dewey Cox's drummer really cracked me up, and Paul Rudd as Jon Lennon cracked up the entire theatre.
It was definitely one of those movies where you're recalling a lot of funny parts a day later. So while it may be a different type of movie than the Apatow groups' other work, the sense of funny is still there, and I think this is up there with the best comedies of the year.
-John C Reilly's performance is amazing. Despite the fact that his character is unimaginably out of touch with the world surrounding him, he makes it look so believable. He is the perfect fit for this type of character and you can see, he put a lot of improv in the scenes and made it his own thing.
-The pacing of the movie is great. Its very clever in the way it depicts the cliches of music biography movies. It heavily underlines all the overused motifs in the genre (the neglecting father, the wife/lover perturbations, addiction to fame and money) but but makes them very genuine, in a way that the viewer doesn't get detached from the Dewie's story. -And the biggest star of the movie: The music. The songs are great, they're funny, catchy and really well performed. Each song captures the essence of its times and pushes the story forward. I would dare to say they could easily hang with some of the biggest scores from Hollywood musicals. This why this movie works so much better than the more recent "Popstar" with Adam Sandberg, which made a similar effort in mocking the perks of being a music star. In that movie, the songs are well written and funny, but never seem like the real deal. In "Walk Hard", you can actually see how the songs could be hits in the movie's universe. All of them have great replay value and make the movie very rewatchable. There's the career breaking song, the falling out of fame song, even a Bob Dylan parody witch is hilarious. Its just a clever and enjoyable commentary on the history of music.
All in all you should just watch it, if you haven't. I often skip movies if I see a lower than 7 rating on IMDB. You should not skip this one if you enjoy other Jud Apatow style comedies. Even if you've never been a fan of them, this one might change that!
The surprise of "Walk Hard" is that although it was written by the guys who made "Superbad" and "Knocked Up", and has the "formula spoof" similar to "Scary Movie" and "Epic Movie", this film manages to be quite intelligent, and manages to avoid overly gross out humor. While it has its share of gross out and slapstick gags, it isn't completely idiotic, while movies such as "Epic Movie" or "Talladega Nights" tend to be totally moronic and disgusting. The humor here is very observational, self-parodying, ironic, surreal, dark and often hysterical.
The reason why "Walk Hard" works well is because of its somewhat wicked sense of humor. It manages to ironically "overdue" the jokes to the point that you can see the actual funny part is that it is being overdone and over-the-top. It self implies that something is going to go bad, and makes the audience clearly see what path the scene is heading towards, which is also another part of its sense of humor.
The performances are very good as well. John Reilly plays Dewey very well, and his naive but good natured persona often plays out hysterically in contrast to a society often attempting to harm him. His character does lack some substance and emotional depth, though this is to be expected in the humorous nature of the film, and is the writing, not the acting. He plays the role from ages 14 to 71, and the goofy age difference between Reilly and how old of a character he is playing is another one of the film's ironic self-aware quirky jokes, in which he constantly reminds us of his age throughout the film so we can see this, as well as the purposely awkward looking make-up.
Jenna Fischer is great as his love interest and duet partner, a parody of Reese Witherspoon in "Walk the Line", who falls on and off for Dewey throughout the movie based on his life decisions, another movie formula cliché. Tim Meadows is hysterical as Cox' drug-addict drummer and long time friend, with all of his lines being in a tongue-in-cheek and smart-ass manner, and a hysterical repetition of scenes where he introduces Cox to drugs.
All in all, the only problem with this movie is that it is quite uneven. The movie seems to spend a large time dealing with Dewey's life in the 50's, not spending much time in the 60's, 70's or 90's, and spending no time in the 80's. It jumps into his problem a bit fast and doesn't go into depth into some areas of his life as much as others.
However, despite being somewhat uneven, "Walk Hard" remains a very entertaining, very funny, and witty movie. It is quite tragic that this opening weekend went up against the liking of nearly 4 very popular movies, resulting in a box office failure of this film. Hopefully next week, or in the future to come, this gem of a comedy (A rare thing in 2007), can be seen and gain a reputation among others.
Le saviez-vous
- AnecdotesThe musicians spoofed are: Johnny Cash, Bob Dylan, Ray Charles, David Bowie, Roy Orbison, Queen, Meat Loaf, David Crosby, Jim Morrison, Harry Chapin, Don McLean, Elvis Presley, The Cars, Christopher Ward, Nelly, Tim McGraw, The Beatles, Brian Wilson (during his "SMILE" album period), Stevie Wonder (who lost his sense of smell after a 1973 car crash), and Michael Jackson (with a monkey and giraffe as house pets).
- GaffesDuring his college show for "little man", contemporary cars are visible in the background.
- Citations
[after Dewey accidentally barges in a room filled with smoke and groupies]
Sam: [coughs] Get outta here, Dewey!
Dewey Cox: What are y'all doin' in here?
Sam: We're smoking reefer and you don't want no part of this shit.
Dewey Cox: You're smoking *reefers*?
Sam: Yeah, 'course we are; can't you smell it?
Dewey Cox: [Dewey doesn't have a sense of smell] No, Sam. I can't.
Reefer Girl: Come on, Dewey! Join the party!
[takes a hit off a joint]
Sam: No, Dewey, you don't want this. Get outta here!
Dewey Cox: You know what, I don't want no hangover. I can't get no hangover.
Sam: It doesn't give you a hangover!
Dewey Cox: Wha-I get addicted to it or something?
Sam: It's not habit-forming!
Dewey Cox: Oh, okay... well, I don't know... I don't want to overdose on it.
Sam: You can't OD on it!
Dewey Cox: It's not gonna make me wanna have sex, is it?
Sam: It makes sex even better!
Dewey Cox: Sounds kind of expensive.
Sam: It's the cheapest drug there is.
Dewey Cox: [at a loss and out of excuses] Hmm.
Sam: You don't want it!
Dewey Cox: I think I kinda want it.
Sam: Okay, but just this once. Come on in.
- Crédits fousAfter the credits there is a black&white clip of Dewey Cox performing Walk Hard in 2002, with the words "The actual Dewey Cox"
- Versions alternativesThe extended version released on home video, "American Cox: The Unbearably Long Self-Indulging Director's Cut", runs at 2 hours long.
- Bandes originalesPrelude in G Minor, Op. 28, No. 22
Written by Frédéric Chopin
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Camino Duro: La Historia de Dewey Cox
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 18 317 151 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 174 383 $US
- 23 déc. 2007
- Montant brut mondial
- 20 577 736 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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