Casino Jack

I had a difficult time dealing with this movie, partly because the entire system of lobbying is so despicable in itself, and partly because the writer has done his best to show Jack Abramoff as a fundamentally nice guy who just overreached a little and got caught.

I mean, right at the beginning, after we see Kevin Spacey (superb) talking to himself in a mirror, we hear his explanation of why lobbyists exist. Because they're useful. They give legislators information about subjects the legislators need to know something about in order to do their jobs.

That explanation comes straight out of a now unfashionable school of sociological thought called functionalism. If something exists in a society, it's there for a good reason. Otherwise it wouldn't be there, right? Whores make the streets safe for our wives and children. The Mafia fills in the gaps that the police force can't, and it meets a market demand among consumers of illegal goods. Mass murderers and psychopaths provide us with bad examples that we can point out to our kids so they'll know what not to become.

According to the film, Abramoff just did was everyone else was doing. He only had the misfortune of being caught. Nobody argues that perhaps congressional aides or interns ought to be doing the research instead of paid lobbyists. No explanation is offered for why spending on lobbyists more than doubled between 2000 and 2009.

There are no such reality intrusions. Abramoff is a colorful, funny, very active guy. He works out. He loves his family. He knows everyone. He's religious. He opens a kosher restaurant on K Street and plans to open a Hebrew school.

A second reason I found it hard to assess the movie is that I didn't understand it because I'm too dumb. I couldn't follow all the shenanigans. Okay. In one of his minor deals, towards the beginning, the Chippewa tribe, among whom I once lived as a cultural anthropologist, gave him millions of dollars and the money apparently disappeared. Where? I don't know. I told you I was dumb. I don't know what an expression like "he wants ten percent under the table" means. I don't know why a Greek was killed. I don't know why Jon Lovitz got stabbed with a ball point pen. Tom DeLay has a prominent role and I don't know what he did that was supposed to be bad. Abramoff makes some venomous remark about George W. Bush at the end and I don't know why. And I can hardly credit the notion that Mike Scanlon's (Barry Pepper, with a great twisted face) girl friend dropped the dime on all these enterprises because she found a pair of red alien panties in her boy friend's laundry. It's the kind of movie that someone as stupid as I am needs a little preparation for -- a few hours of studying with a book called "Lobbying for Dummies" or something.

Because except for the murder I couldn't identify a single illegal act in the entire movie. Lobbyists give money to politicians and the politicians do favors in return. It sounds a lot like bribery to me, and I know THAT'S illegal, or at least I think it is, but I don't know why, when it takes one form, it's called "lobbying" and is as kosher as Abramoff's restaurant that serves the best roast beef in the city, and why, when it takes another form, it's called "bribery" and you go to jail.

I do, however, recognize a decent performance when I see one, and three performances are stand outs in this production. Kevin Spacey, a little older and chubbier, gets to do some of his impersonations -- Clinton, Al Pacino, and a few others, and he's good. Barry Pepper as Scanlon is terrific as well, as the emotionally unstable squeal cat. And Jon Lovitz is funny, no matter whether the part calls for a comic presentation or not. He's hilarious in some scenes, which I won't spell out.

Not a masterpiece by any means -- "Barbarians At The Gates" is about leveraged buy outs and it's better -- but worth seeing once. I hope you have better luck in decoding the events than I did.

The most awful thing about Casino Jack is knowing it is true, knowing all the good people being fleeced, taken for a ride, are real, knowing that the central theme of this story is alive, kicking and fuelled for take-off even now.

As a dramatisation it works because we do not have to dwell on the complexity of the deals being set up, who is ripping off who, who is the biggest liar. The film's smart pace allows us to soak up the facts like ink on blotting paper and at our own pace.

Thankfully we can lose ourselves in the characters, all of whom are played to perfection by a very strong cast, and all of whom resonate to the people we see and hear about on TV, in the media, even in show business. These are the folk who have more money than sense, or, more accurately, more credit and no shame if they can get away with making huge profits immorally. Less appealing are the players in real life who really are being torn apart through their desperation for attention, for expressions of interest, where any interest may be better than nothing. In this area we are left to feel morally lacking for not doing more to stop this kind of stuff. But the story simply keeps rolling along and we witness the demise of the main characters Abramoff (Spacey) and Scanlon (Pepper) just as it happened in real life.

The opening of the movie sets the scene well into the plot where much of the twisting and double crossing has already begun to unravel. Then we are witness to the events as they unfold through the deals, the double crosses, and the nasty side of greed (is there a nice side?). As the credits roll we also see a couple of the real life events depicted in the movie played back to us, to allow us to judge authenticity. I wonder if this was the only mistake the film makes. I felt the film spoke for itself.

As distressing and disturbing as the film's subject should be it is played out in such a way as we are information and knowledge gathering much like a media warning about "this is what lobbying really is". It is also a shrewd warning as to how shameless and immoral some people are when they are saying nice things to you, as if we needed a warning! I found it worthwhile to research the subject of lobbying a little more after I had seen this film and found myself disbelieving some of the things I have found out. This alone convinced me the film does not pull any punches.

Watch it just to wise up. Fortunately it is acted so powerfully and so sharply you will not want to look away.

2010 seems to be the year that Hollywood universally decided to take its look at one of the great government scandals this past decade, producing both the documentary Casino Jack and the United States of Money, and this accompanying (albeit more fictionalized) account of disgraced lobbyist Jack Abramoff. After seemingly searching for a juicy role since his duel Oscar winning performances in the mid to late '90s with The Usual Suspects and American Beauty, Kevin Spacey is back in fine form and dominates the screen in this frequently enjoyable, though heavily flawed, rise and fall fable.

Oddly, what makes this movie great also represents its largest shortcomings. The acting is as varied as Abramoff's excuses pertaining to the generous "donations" he receives in the film itself. Barry Pepper as Jack's right-hand man Michael steals scenes at a whim when given the chance and could have easily elevated the film further if given more screen time. Spacey is superb bringing a delicious blend of pompous charm and sleazy anger to the role, and even manages to deliver both a credible Sylvester Stallone and Al Pacino impression amidst the political turmoil his character eventually encounters.

On the other hand, there are some disastrously misguided casting choices, beginning with Kelly Preston as Jack's wife and even though she exhibits some swagger towards the beginning to the film, she is unable to keep up with more skilled thespians as situations escalate towards the finale. The most egregious error is most certainly the inclusion of Jon Lovitz as the owner of a cruise line and casino who undertakes business dealings with Abramoff. Lovitz has proved himself a skilled comedian in supporting roles and did consistently great voice work on The Simpsons. Here, he is an unmitigated disaster, single handily sinking the picture on multiple occasions. He seems oblivious as to when to calm down, his camera mugging and inflections are grinding, and he is apparently unable to quit being Jon Lovitz and simply shut up; this is simply a poor choice by late director George Hickenlooper.

The story at play is a fascinating one, and seeing Jack at his manipulative best even as his world comes crashing down is engrossing. The middle portion however does its bookend acts an injustice, sagging down the segments exploring the infamous lobbyist rise and his inevitable fall. Hickenlooper seems unable to decide how to structure the transition; not how Spacey handles the material pertaining to his character's downfall, but rather the jumble of events by which it is precipitated. Though the event itself makes for inspired reading in venues such as the news or a fact-based doc, perhaps there is not enough substantial material (or maybe too much) to make a fully compelling fictionalized account.

Though ultimately less than the sum of its parts, Casino Jack is timely, passionately constructed and true to its source events. Abramoff is successfully made into the three-dimensional character that those close to him likely knew, and that the media was never able to (or more likely never wanted to) capture. Spacey is without a doubt a large part of this indelibly fiery characterization and strangely (obviously for reasons we will never know) seems more invested in this character than he has in any during the last ten years. Casino Jack's follies are all the more disappointingly glaring considering how strong the hard-hitting portions were, and though better than the average fact-based account, good enough is never good enough when greatness seems to be within reach.

George Hickenlooper's final film - he died a few weeks before the release - focuses on super-lobbyist Jack Abramoff and his involvement in a corruption scandal that brought down some White House staffers and congress members. "Casino Jack" isn't quite as good as Alex Gibney's documentary "Casino Jack and the United States of Money" but certainly kept my attention every step of the way, just seeing how far Abramoff's reach extended, and how intricate the scandal was.

Kevin Spacey, playing the disgraced lobbyist, shows him to be a slick-talking dude who essentially believes that he's doing the right thing by turning the US government into an ATM for the highest bidder. Meanwhile, he overcharges his Indian clients and helps keep a Mariana Islands sweatshop open. And it extends way beyond that! The look at Abramoff's family life is a little less engrossing. It's clear that his obsession with money has clouded his mind and he's living beyond his means, but it doesn't pack the same punch that the far-reaching scandals do.

So, it's certainly an interesting movie to watch, just to see to what extent Abramoff's deeds turned the government into a bastion of corruption, but it's definitely not as good as it could have been.

Also starring Kelly Preston, Rachelle Lefevre, Barry Pepper, Jon Lovitz, Graham Greene, Maury Chaykin, Christian Campbell and Spencer Garrett.

PS: At the Golden Globes in early 2006, in the wake of Abramoff's conviction, Ben Stiller said "Why would the parents name their son Jack when the last name ends in 'off'?"

"Casino Jack" tells the real life story of Jack Abramoff (Kevin Spacey), who at one time held a successful career as a lobbyist in Washington, DC. Abramoff, like most lobbyists, was paid by big companies and organizations to help convince Members of Congress to vote for or against certain things in the senate. The film focuses on a massive corruption scandal that led himself, two White House officials, and 10 other lobbyists and congressional members to be convicted. This film is an interesting and somewhat humorous tale of just how far greed and money will take you in America.

I am not a news junkie by any means but I do remember this news story when it happened back in 2006. For those who don't recall, Jack Abramoff became a big focus in the news back in 2006 because he was convicted of fraud, tax invasion, and conspiracy. The film itself never really discusses his sentence however focuses on all the events leading up to it. Now given the fact that this is a movie, I am sure they took some liberties on the story to make it more entertaining. I will have to admit however that this movie seemed pretty realistic and seemed like most of it was based on fact. The people involved in lobbying probably fear films like this because I am sure it shows their true colors. The film really shows how anyone can be bought for the right price and the right amount of negotiation.

Kevin Spacey nails the role of Jack Abramoff in the film. We all remember Spacey from the 1990's when he amazed us in "American Beauty," "L.A. Confidential," and "Usual Suspects" but recently his films just haven't been delivering. However, I am happy to say with "Casino Jack" I really enjoyed his role. It was a very interesting role, he was a little crazy, a bit of a smooth talker, but yet overall a likable guy. I noticed Spacey got nominated for a Golden Globe for his performance in this flick and I have to admit either him or Paul Giamatti should get it. This is the first time since 2005 where I think Spacey has actually found a role that fit him as an actor. He was really superb in this flick.

Other than Spacey, there were some good supporting actors here. Barry Pepper, does a good job of getting the audience to hate him. He plays a young clueless womanizer who is also a lobbyist helping out Jack. Kelly Preston plays Jack's wife and she doesn't have much of a part but does add a little bit of flair to some of the scenes. Jon Lovitz plays a great overweight and clueless man who doesn't know a thing about bad investments. He like Barry Pepper's character is also a bit of a womanizer but than again isn't that how most of those people in politics are.

The film was directed by George Hickenlooper, who oddly enough died before the film was actually released. This officially marks his final film as a director. I can't say I have seen any of his previous work but I definitely like his take on this story. It was a very dark and sometimes funny look at things. His vision for Spacey as I said above was dead on. Huckenlooper really unlocked the dark side of politics with this film and really showcased how everyone has a price and even the most likable guys can have dark side.

Norman Snider wrote the screenplay for "Casino Jack" and really did a wonderful job creating the man known to the world as Jack Abramoff. With the help of Hickenlooper directing, Snider's script really made these actors seem like the people they were suppose to present. The script itself was very well written with great dialogue and focused on some of the key elements of the scandal. Snider did an excellent job with character development and that is really what made the film work. This is a very character driven story so its good to see that Snider made it his priority to focus on that.

In the end, I think with the right marketing this film could have been a lot bigger. I was surprised to see how middle of the road most reviews were for this movie. I thought it was a really solid drama with some comedic elements and a great performance by Kevin Spacey. I also have to say that the tag line for the film, "Honor. Integrity. Principles. Everything is Negotiable" is a perfect summary for the movie. If you like films based on actual events with a well written story than you will probably like this. This is definitely a very political film and really does make most politicians and lobbyists look like complete asses but than again don't well all feel that way now? Isn't everyone in government a crook and about themselves? I think a lot of people tend to believe this and this movie only showcases that more. It was a well made and well acted movie and for that I give it solid marks.

MovieManMenzel's final rating for "Casino Jack" is a 8 out of 10. Kevin Spacey's performance is worth the price of admission alone.