En 1979, un groupe de jeunes cinéastes compte faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés de se... Tout lireEn 1979, un groupe de jeunes cinéastes compte faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés de se battre pour leur vie.En 1979, un groupe de jeunes cinéastes compte faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés de se battre pour leur vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 43 nominations au total
Geoff Dolan
- Deputy
- (as Geoffrey Dolan)
Matthew J. Saville
- Officer Mitchell
- (as Matthew Saville)
Résumé
Reviewers say 'X' is a horror film that blends 1970s slasher aesthetics with modern elements, praised for its atmosphere and visual style. Mia Goth's dual performance is lauded for complexity, while themes of aging and sexuality resonate deeply. The film's practical effects and gore receive mixed opinions. Some appreciate its thematic richness and artistic qualities, while others criticize its slow pace, predictability, and lack of originality. The transition between the film's halves sparks debate, with varied reactions to its pacing and structure. Overall, 'X' is a mixed bag, appealing to horror enthusiasts yet disappointing some with its flaws.
Avis à la une
Ti West's movie really should have been called "E" for elevated. It sets itself up as a smart take on the slasher films of the 70s and early 80s. As a bonus, the film within a film has the filmmakers making an 'elevated' porn flick (as a bonus, actor Owen Campbell who plays the "Director" even looks a bit like Director Tobe Hooper).
Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).
The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.
As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.
In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.
Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).
The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.
As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.
In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.
Not really a jump scare sort of deal and like if you read the little description about the movie it has all the spoilers in it already.
First point, I thought it was really funny when kid Cudi was standing in the door frame and you could only see his shadow
Secondly For a movie about making a porno, there were adequate number boobs shown.
And the prosthetics used to make the main actor look older we're great. In all worth a watch like most things above 5 stars
Little note to IMDB -Not only do I not want to write a 500 word essay I also would not like reading other peoples 500 word essays. Make it like 200 easy.
First point, I thought it was really funny when kid Cudi was standing in the door frame and you could only see his shadow
Secondly For a movie about making a porno, there were adequate number boobs shown.
And the prosthetics used to make the main actor look older we're great. In all worth a watch like most things above 5 stars
Little note to IMDB -Not only do I not want to write a 500 word essay I also would not like reading other peoples 500 word essays. Make it like 200 easy.
Didn't expect much. Paid homage to classic 70's horror movies. Unlikeable characters that were given sufficient depth to make you care enough to not want them to be the next kill which made it refreshing. A little too gorey in parts for me but a well shot movie none the less. Cannot understand for the life of me why they didn't just cast older people as the central characters though. Just pointless having younger actors in prosthetics for the sake of it. Would have been much better if they just cast older aged actors. A simple yet fun movie that was original enough but with clear nods to some of the classics from the past.
An interesting slow burn, but without enough to make it stand against the countless other slasher films, X is a fine film and another tribute to the iconic genre that made horror so popular in the first place. Granted, I do enjoy myself a slasher film from time to time- I'm quite fond of films like Nightmare on Elm Street and My Bloody Valentine, but where X faults among the others is through using a rather familiar formula without any true unique purpose. Throughout the film the characters often talk about an X factor, something that makes Mia Goth's character special and starworthy- but unlike its mentionings- this film just doesn't have that. The acting is really good, I love the underrated Mia Goth as always- as well as Brittany Snow, Martin Henderson, and even Kid Cudi did a rather impressive job. The cinematography is fantastic and perfectly fits the amitpshere and tone the film is going for. The music is enjoyable and tense, and its pacing can be a bit slow at times, but does allow for an interesting point of view. Its main problem lies solely in its script, which revolves largely around a smut film production- but takes too many elements and formulaic tendencies from other horror films like Evil Dead, Friday the 13th, The Visit and most obviously Texas Chainsaw Massacre to really stand out on its own and become its own thing. In the end, its not a bad watch, I wouldn't watch it again, but I certainly didn't mind watching it. It isn't the most memorable, but I certainly don't have any disdain for it. It just could have been more, especially given the talent involved, but ironically it settled for less.
My Rating: 5.8/10.
My Rating: 5.8/10.
Pros.
It has some decent gore Mostly good acting Lots of 70s horror Easter eggs/references Martin Henderson doing what has to be the best Matthew McConaughey impression I've heard in a long time (seriously I really expected him to say "alright alright alright) The early Eaten Alive nod and final payoff are both hugely effective Really solid soundtrack
Cons.
It's very slow to get started. And not in the gradual suspenseful build up of tension sense, but that very little happens for close to an hour.
Despite wanting to be a really smart horror, the film still falls into the standard tropes of characters being morons who make dumb decisions and doesn't really bring anything original to the table besides better quality (but not perfect) cinematography When the carnage begins, the lighting gets very dark and sometimes obscures the shots and detail which may be a creative choice but does somewhat reduce the enjoyment
Overall, very decent but not a game changer Worth watching.
It has some decent gore Mostly good acting Lots of 70s horror Easter eggs/references Martin Henderson doing what has to be the best Matthew McConaughey impression I've heard in a long time (seriously I really expected him to say "alright alright alright) The early Eaten Alive nod and final payoff are both hugely effective Really solid soundtrack
Cons.
It's very slow to get started. And not in the gradual suspenseful build up of tension sense, but that very little happens for close to an hour.
Despite wanting to be a really smart horror, the film still falls into the standard tropes of characters being morons who make dumb decisions and doesn't really bring anything original to the table besides better quality (but not perfect) cinematography When the carnage begins, the lighting gets very dark and sometimes obscures the shots and detail which may be a creative choice but does somewhat reduce the enjoyment
Overall, very decent but not a game changer Worth watching.
Le saviez-vous
- AnecdotesThe day after X (2022)'s South by Southwest premiere, writer/director Ti West revealed that during a mandatory two-week COVID-19 quarantine in his New Zealand hotel, before production could begin on this film, he wrote a prequel, Pearl (2022). A24 saw the script and greenlit the movie even before production on "X" had wrapped. He asked star Mia Goth if she wished to remain in New Zealand and film "Pearl," and she readily accepted. The prequel released later in 2022.
- GaffesWhen Lorraine enters the basement and turns the light on, there is a modern halogen light bulb, which was not available in 1979.
- Crédits fousThere are no opening credits. The title doesn't even appear on screen until the end.
- ConnexionsEdited into MaXXXine (2024)
- Bandes originalesAct Naturally
Performed by Loretta Lynn
Written by Vonie Morrison, Johnny Russell
Courtesy of Geffen Records under license from Universal Music Enterprises
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Détails
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 769 469 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 275 126 $US
- 20 mars 2022
- Montant brut mondial
- 14 745 049 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.90 : 1
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