Armadillo, dans le piège afghan

This is hands down the best war documentary I have ever seen. Most of it is beautifully filmed and put together, and it is showing how things are. I am a civilian, with a big interest in these things, and had my attention drawn to this movie because it seemed to get a thumbs up from people in the military. It sure shows controversial things, but balances them all the way, and show us both the civilian side with their troubles, and the danish soldiers side. Even at its controversial high point after a shootout it stays very neutral, and as such is a masterpiece of showing people the daily life of a soldier. My only gripe is that I had wished it a little longer, with more scenes that show the boredom that such a place must surely be, when nothing is happening.

Reading reviews of this film, I noticed a lot of extreme praise, lauding this documentary as being perhaps, the "best war documentary ever made". With the praise so high, it is tempting therefore to look for the film to be the most dramatic, or visually compelling sight ever.

Looking at the film that way, it is quite possible that you will be disappointed. This is not because the film is bad, far from it, but rather, is because the film has distinct and particular strengths.

One of those strengths is paradoxically, the reasonably low casualty rate of of the protagonist unit, and reasonably low level of "blood and guts." Holding down the level of gore is very important because a lot of people watching war documentaries become too shocked and revolted to be able to draw much meaning from the film. This documentary shows enough for someone with little experience in such matters to be able to "get it" without being so shocked that the horror overwhelms everything else.

The second strength of this film is in its being in the right places at the right time to capture a good sense of events. In contrast to some reviewers, I cannot say that the photography is absolutely the best; an experienced war photographer might be able to film things better in combat, but the camera is at least, generally in the right place, and the confusion of war becomes something understandable to the audience.

The third big strength of this film is in capturing the way that morality for someone fighting a war is often experienced differently than a person who is not in that situation would expect. This is the outstanding feature of this documentary, and I am aware of no other that comes close to explaining this situation to a civilian or person unfamiliar with conflict.

The fourth strength of this documentary is in its capture of the boredom and frustrations of military service.

The upshot of all this is that "Armadillo" is a very informative film, and one that does a great deal to bridge the gap between civilians and the military. For all those guys who have been in the military, and who are frustrated by the fact that other people just don't "get it", this could be very useful.

What would make a young man who has just completed a harrowing and brutal six month tour of duty in Afghanistan decide to return for another stint? The answer to that question is puzzling, but it is made a bit clearer by Janus Metz' powerful documentary Armadillo, Gran Prix winner at the Critics Week competition at the Cannes Film Festival. Armadillo, like Restrepo, is named for the military base where the subjects are stationed. The film depicts the bravery and camaraderie and also the addictive high of several Danish soldiers, seemingly just out of their teens, that comes from their participation in the war in Afghanistan.

Edited by Per K. Kirkegaard, Metz follows the soldiers from their farewell party at home filled with naked strippers to their arrival at base camp, moments of relaxation, briefings by their superiors, times of boredom, and the combat that includes some stomach turning sequences. The camera seems to be ever present and it hardly seems like an understatement to say that the director and cinematographer Lars Skee's lives were as much at risk as the soldiers. The film also demonstrates the plight of the villagers who are afraid of Taliban retribution if they cooperate with coalition forces. Caught in the middle, the Afghan civilians suffer greatly, standing to lose their crops, their animals, and their lives either from NATO forces or from the Taliban.

What makes it even more distressing, as the film points out, the soldiers cannot distinguish between friend and foe. When one of the soldiers accidentally kills a young girl, all that can be offered is compensation while the Platoon commander tells the soldier that did the killing to shrug it off because these things happen every day. The camera-work is up close and personal and the horrors of war perhaps have never had such an immediate impact. We can see the look on a young soldier's face after he has just been shot and we see decapitated Taliban bodies being pulled from a ditch.

While the film takes no position either pro-war or anti-war, the inhumanity of war has never been shown more clearly and the soldiers boasting and laughter after obliterating a wounded enemy while high on adrenaline, caused considerable debate about appropriate military behavior back home in Denmark. Depending on your point of view the soldiers are either making a difference or perpetuating atrocities in an unwinnable war. What does become clear, however, is the bond formed by the men and their lack of questioning of their mission. Like adolescents on a drunken rampage, they are excited by the thrill of the moment. We owe Metz a debt of gratitude for showing us the mindless, sadistic, and dehumanizing behavior that war can induce. Armadillo stands as one of the most visceral and frightening documentaries about combat ever made.

This deserves the award it won at Cannes. Our theater is only showing this for a few days, it seems, although they have now doubled the amount of showings. It was packed when I went. Maybe this will aid in the situation and approach finally being reevaluated, because it clearly is hopeless right now; if you weren't certain, this will cement it for you. This has some of the best photography I've ever witnessed, and not only for a documentary. I find it hard to believe that the cameramen were always entirely safe during this. This Danish piece of non-fiction depicts six months at the Armadillo base in the Helmand province. We see the young men in various moods, a handful of them expected, others not. They entertain themselves and each other, they get bored, they express a desire to help in the war... and reveal their excitement at the idea of combat. Dark humor and porn are used to deal with what they go through. This is funny at times, but it also hits you quite hard. It is a commentary on, among other things, the human psyche. The choice of form could not be more perfect; this is immensely objective, and the facts speak for themselves. No one is painted as a monster. It would appear that, when someone expressed their emotions and it was captured, it was put in the film. The editing is spot-on. This has an always well-composed, effective and fitting score. They use lingo occasionally, and each time a new term is said, we get an explanation of it. Every word spoken that is not in Danish is either subtitled or translated by an interpreter. I think it takes a bit of empathy and maturity to understand this. There is a lot of violence and disturbing content, as well as a little strong language, nudity and sexuality in this. I recommend this to everyone old enough for it. 10/10

Premiering at Cannes 2010 and winning the Critics Week Grand Prize, Armadillo is a documentary that's surprising hard to be treated like one, with its picturesque cinematography of an ongoing warzone in Afghanistan from the titular forward operating base that's home to almost 300 British and Danish troops, and with a host of character soldiers that boggle the mind to know that they are not scripted, because in many scenes the narrative does look as if there's someone who had put in a lot of work with the devil in the details. Which is what makes it a startling film to sit through from start to finish, especially if one had served in the armed forces before.

We follow a platoon of Danish troops who get sent to Armadillo for their 6 months tour of duty, beginning with the sending off from their hometown, where it's natural for friends and especially family to struggle in coming to terms with their loved ones leaving home to fight another man's war in a faraway land, especially so when the threat is very real and the soldiers are headed for the frontline. From then on it's getting acquainted with a number of characters especially that of Mads Mini, a Nicklas Bendtner lookalike, and an Asian medic, amongst others such as the fearless platoon commander.

As mentioned, this documentary is so expertly filmed that it looks very much a fictional narrative, which it isn't. For instance, to the viewer it's hard to reconcile, not that it's a bad thing of course, how the troopers here seem more like characters rather than real people (kudos to the editing), and constantly brings to mind whether director Janus Metz Pedersen and his camera crew had to be embedded with the soldiers constantly during their dangerous missions in order to get the footage they obtained so up close, with the obvious element and sense of danger, exactly how and where they had to be around and yet not getting in the way should the soldiers get engaged by enemy gunfire, and not to forget that bullet rounds cannot differentiate film crew from soldiers.

We get to go behind the scenes of this high-tech army (which I think SAF is trying to emulate with the 3G capabilities on display here), their professionalism even when the call of duty means mundane, incident free patrols of the surrounding areas of their camps, getting acquainted with their rules of engagement, and being very much in tune to life in a secured barracks, with their involvement pretty much in defensive ops to try and win over the hearts and minds of the local Afghan community. It isn't easy since they're being viewed as the enemy still, and more so when they go about their burly ways of trampling onto crops, or worse, to cough up compensation when things go awry, from the destruction of crops, livestock and property, to the more serious loss of innocent lives by way of being collateral damage in any offensive operations.

It opens up insights as to how tense a situation can be when one is out there in the field where anyone, by way of the people's dressing, could be more than meets the eye, weapons properly hidden away, not knowing who's friend and who's foe since everyone's intent is pretty much walled away through the inability to communicate directly without an interpreter, and where loyalties still lie with the Taliban otherwise the villagers will be subjected to cruel torture once the Danish troopers leave. Improvised Explosive Devices also litter the landscape, and can be planted easily overnight by the enemy such that no trodden path can always be absolutely safe. All these play a part in the mental well-being of anyone having to live it up on a high alert status, with most events being much ado about nothing. Think of Jarhead, and you'd come to understand better what life on site would be like.

You get to learn things as well from a soldiering standpoint with the experience these troops undergo, besides rushing to wait and waiting to rush, understanding how important or more significant the success of diplomacy is on the ground, and to read tell tale signs of enemy presence when civilians start to abandon their land to get out of the way of a major fire fight. Those worried that there are no action in this film can be rest assured, although the gun fights are never as glorified as what you've seen in war films, with the great unknown on enemy identities and locations being a constant pain, and a pivotal moment in this film involved conquering the enemy, but in the real world rarely does one get to walk into the sunset. It's a little controversial since the filmmakers captured an aftermath that won't go down well with any civilian, but for those who have been in those uniformed shoes before, it's nothing that far fetched when one gets caught up in euphoria (stemming from being alive or dead).

In every theatre of war we get to know how soldiers who return never really go back to their selves before their tour of duty, and looking at the group in focus, that again is quite true with perspectives being changed from harrowing experiences gained, epitomized by Mads Mini who started off looking for adventure, but probably got more than he bargained for, returning a more sombre person than one seeking thrills. If it's an up close and personal look at a modern day active warfront, you can't get any closer with a more nuanced feel of being there and having done that, with Armadillo. Highly recommended!