Chroniques des vies d'un groupe de sages-femmes vivant dans l'est ouvrier de Londres de la fin des années 1950 au début des années 1960.Chroniques des vies d'un groupe de sages-femmes vivant dans l'est ouvrier de Londres de la fin des années 1950 au début des années 1960.Chroniques des vies d'un groupe de sages-femmes vivant dans l'est ouvrier de Londres de la fin des années 1950 au début des années 1960.
- Victoire aux 2 BAFTA Awards
- 21 victoires et 27 nominations au total
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I would have scored 10 for this series, except for the fact that it doesn't truly follow the accounts written in the book from which it is taken.
Some of the diversions from the book are to allow the characters other than Jenny Lee to have stronger story lines, which I can accept to an extent. But some of the story lines have been expanded for dramatic effect, so they are not relying upon the original author's memoirs, but rather the imagination of the scriptwriters, which I think is somewhat regrettable.
Having said that I am finding the series entirely watchable, and enjoyable. All the cast seem to be good, but I must say I am most impressed with Miranda Hart as Chummy, what a brick she is.
Some of the diversions from the book are to allow the characters other than Jenny Lee to have stronger story lines, which I can accept to an extent. But some of the story lines have been expanded for dramatic effect, so they are not relying upon the original author's memoirs, but rather the imagination of the scriptwriters, which I think is somewhat regrettable.
Having said that I am finding the series entirely watchable, and enjoyable. All the cast seem to be good, but I must say I am most impressed with Miranda Hart as Chummy, what a brick she is.
Whether or not this series' depiction of the East End in the 50's is completely accurate or not seems of little relevance to me. The characters are very likable and the acting, even by the guest actors, is brilliant. However, the main reason I love and wholeheartedly recommend Call the Midwife is because it is so well written, without avoiding the harsh realities of life yet filled with hope and incredible human connection. Miraculously, it manages this without ever becoming cheesy. Every episode leaves me feeling proud to be a human being. I don't think many TV series are able or even try to achieve this and it feels especially important in our times when faith in humanity seems to be in decline.
I recently found this series on Netflix and instantly fell in love with it. I have never read the books, so I have nothing else to go by. The characters are fabulous. The actors/actresses are amazing. I think every episode has made me both laugh and cry, and I'm looking forward to more!
Some of the episodes can be hard to watch, especially since I am pregnant, and I think that anyone feeling overly anxious about their pregnancy may want to hold off watching this series, because it really shows the good, the bad, and the ugly sides of pregnancy and child birth.
I found one major goof that had me laughing: In one episode they mention knitting blanket squares, and people are shown knitting them. When assembling the squares to make a blanket what they actually have are crocheted granny squares.
Some of the episodes can be hard to watch, especially since I am pregnant, and I think that anyone feeling overly anxious about their pregnancy may want to hold off watching this series, because it really shows the good, the bad, and the ugly sides of pregnancy and child birth.
I found one major goof that had me laughing: In one episode they mention knitting blanket squares, and people are shown knitting them. When assembling the squares to make a blanket what they actually have are crocheted granny squares.
10vivnista
If you want history at its truth, watch a documentary. As entertainment this show has it all. Every episode has had me in tears from either laughter or poignancy. The casting is perfect and beautifully shot. It really shows the diverse community that has embedded itself in our culture today. Who cares if the docks were not in the right place! The show is about people coming together in tough times and bonding with a community regardless of class and colour. It makes me yearn for that kind of spirit in todays world where everyone has so much and yet is never satisfied. I really hope the BBC invest in a new series - I already miss Miranda!
**UPDATE AFTER SEASON 6: If I could mark 11 stars, that would be it. The episodes about the Thalidomide children were hard but very well focused and treated. I am intrigued at how they film the scenes with just born babies in the very hands of the actors, with wide shots, not just close-ups. Call the Midwife is a most humanistic show indeed, focused on believable, realistic positive values. In a time when humanism seems to be disgraced and devalued everywhere, it is most welcome in my screen.***
This show is extraordinary.
It portrays so vividly the changes of an era in Great Britain, when the latter half of the 20th century blasted into people's daily lives at poor East End London, with all its hopes, marvels, progress, and shifts from a traditional to a modern lifestyle.
The performances are brilliant; the characters are as lovable as well-written; the atmosphere is perfectly recreated, and though quite serious health and social issues are crudely shown along the episodes, the tone is always permeated with hope, love and joy of living.
We do not come from a Christian upbringing, and I am not a Catholic, but I strongly sympathize with the humanistic and sensible approach of Nonnatus House's team of nuns and midwives, where tolerance, acceptance and care for life ranks higher than dogma or empty beliefs.
It is very hard to write a really deep, philosophical and poetic show while maintaining a light-hearted spirit and lots of humour, and Call the Midwife really makes it in a masterly way.
I have to say it gets better and better as the seasons pass, always intertwining the main characters' personal stories and individual cases with relevant and updated issues of public health and bioethics.
By the way, the admirable British public health system, which made wonders in the 50s and 60s and promoted equal access to safety, well-being and human development, also becomes a magnificent political statement in our own age, all the more appreciated in a retrospective look.
There is nothing to complain about of this show, which exerts an honest, compelling, deeply satisfying magnetism on viewers.
For those of us who love motherhood, babies and pregnancies, there is the unique plus of rejoicing at the sight of so many just born babies at the moment of delivery, in a remarkably natural and non-sensationalist feat of cinematography. You can feel the unmistakable miracle of life in each episode, with its sufferings and joys, which is so unusual among a current TV grid full of violence, special effects, overt sex, glorified evil and frenzied action.
Kudos to BBC! Yes, they have made it again, once more!
This show is extraordinary.
It portrays so vividly the changes of an era in Great Britain, when the latter half of the 20th century blasted into people's daily lives at poor East End London, with all its hopes, marvels, progress, and shifts from a traditional to a modern lifestyle.
The performances are brilliant; the characters are as lovable as well-written; the atmosphere is perfectly recreated, and though quite serious health and social issues are crudely shown along the episodes, the tone is always permeated with hope, love and joy of living.
We do not come from a Christian upbringing, and I am not a Catholic, but I strongly sympathize with the humanistic and sensible approach of Nonnatus House's team of nuns and midwives, where tolerance, acceptance and care for life ranks higher than dogma or empty beliefs.
It is very hard to write a really deep, philosophical and poetic show while maintaining a light-hearted spirit and lots of humour, and Call the Midwife really makes it in a masterly way.
I have to say it gets better and better as the seasons pass, always intertwining the main characters' personal stories and individual cases with relevant and updated issues of public health and bioethics.
By the way, the admirable British public health system, which made wonders in the 50s and 60s and promoted equal access to safety, well-being and human development, also becomes a magnificent political statement in our own age, all the more appreciated in a retrospective look.
There is nothing to complain about of this show, which exerts an honest, compelling, deeply satisfying magnetism on viewers.
For those of us who love motherhood, babies and pregnancies, there is the unique plus of rejoicing at the sight of so many just born babies at the moment of delivery, in a remarkably natural and non-sensationalist feat of cinematography. You can feel the unmistakable miracle of life in each episode, with its sufferings and joys, which is so unusual among a current TV grid full of violence, special effects, overt sex, glorified evil and frenzied action.
Kudos to BBC! Yes, they have made it again, once more!
Le saviez-vous
- AnecdotesThe newborns who appear on the show are a mix of at least four different prosthetic babies, including a tiny premature baby, a full-term baby, a mixed-race baby, and anatomically correct baby with interchangeable parts. However most shots are filmed with real babies who are around a week old.
- GaffesWhen Vanessa Redgrave (the voice of mature Jenny) appears on screen for the first time, the on-screen caption gives the date as 2005 and her husband Philip (Ronald Pickup) suggests she write her memoirs. However by 2005, the first two volumes (Call the Midwife and Shadows of the Workhouse) had already been published.
- ConnexionsFeatured in The Wright Stuff: Épisode #17.10 (2012)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Call the Midwife
- Lieux de tournage
- The Historic Dockyard Chatham, Chatham, Kent, Angleterre, Royaume-Uni(London street exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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