Quatre histoires interconnectées se déroulant en 1987 à Oakland, en Californie, parleront de l'amour de la musique, des films, des gens, des lieux et des souvenirs au-delà de notre univers c... Tout lireQuatre histoires interconnectées se déroulant en 1987 à Oakland, en Californie, parleront de l'amour de la musique, des films, des gens, des lieux et des souvenirs au-delà de notre univers connu.Quatre histoires interconnectées se déroulant en 1987 à Oakland, en Californie, parleront de l'amour de la musique, des films, des gens, des lieux et des souvenirs au-delà de notre univers connu.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
LeQuan Antonio Bennett
- Greg
- (as LeQuan Bennett)
Avis à la une
These are the tales of four strangers whose lives were unknowingly intertwined and changed on a freaky night in Oakland in 1987 when NBA history was made.
This movie is hard to describe or even summarize without spoiling it. The story is told through four chapters, each from the perspective of one of the four individuals. The movie has violence, drama, cameos, and a smidge of history. The story becomes clearer over the one-hour and forty-six-minute runtime, but it is a wild ride throughout. It is an interesting and unique watch, especially when going blind. Stream it when available, if you are intrigued.
This movie is hard to describe or even summarize without spoiling it. The story is told through four chapters, each from the perspective of one of the four individuals. The movie has violence, drama, cameos, and a smidge of history. The story becomes clearer over the one-hour and forty-six-minute runtime, but it is a wild ride throughout. It is an interesting and unique watch, especially when going blind. Stream it when available, if you are intrigued.
Well this one pleasantly surprised much more than expected.
Each separate story is really entertaining, the writing is great and the cast are brilliant.
It's also great how each one intersects with the other.
What really solidifies the film is the soundtrack. It is absolutely sublime and perfectly helps set the scene throught the film.
So many amazing songs for multiple genres that couldn't have been selected any better.
I found myself genuinely disappointed came to an end, I wanted more.
If 80s retro, killer tunes and ultra violence tick your boxes then you'll not be disappointed.
Thoroughly enjoyed every moment of it.
Each separate story is really entertaining, the writing is great and the cast are brilliant.
It's also great how each one intersects with the other.
What really solidifies the film is the soundtrack. It is absolutely sublime and perfectly helps set the scene throught the film.
So many amazing songs for multiple genres that couldn't have been selected any better.
I found myself genuinely disappointed came to an end, I wanted more.
If 80s retro, killer tunes and ultra violence tick your boxes then you'll not be disappointed.
Thoroughly enjoyed every moment of it.
Presented in a 4:3 aspect ratio, this film in its presentation emulates an old videotape. Cut-off titles and all. Clearly shot on digital video, I still appreciated the Betamax (not VHS) artifacts. But it finds Inspiration from many direct to VHS (mostly horror) films from the 80's. The "tales" (as in Tales from the Crypt, etc.) in the title promises multiple story segments and this promise is kept. But rarely did period pieces overlap so perfectly with their segments. Worst case: 3 or more short films added together by a narrator. Not here however.
At the same time, it's impossible to view this and not see this as being inspired by the Grindhouse format from Quintin Tarantino and Robert Rodriguez. Both in "retro pulp" and violence terms.
Any criticism? Yep. For non-Americans the second segment is not that interesting. We found ourselves "sitting it out" this part on the strength of the first (imperfect) segment. Only to be rewarded by the third segment. International audiences will be unlikely to make it to the third segment. Thus my "Hizzle for Zhizzle" in the title of this comment. We are Dutch, so associate this subject matter at best with "Do The Right Thing" (and at worst with "The Fresh Prince of Bel Air".
Pedro Pascal "did some acting" and the other well known actor... from Forrest Gump... Tom Hanks... they are in this. Pascal did a descent job. A good one in fact.
This is a film you should see if you remember 1987. And like violence and stuff. Or if you enjoy well made pulp-films.
At the same time, it's impossible to view this and not see this as being inspired by the Grindhouse format from Quintin Tarantino and Robert Rodriguez. Both in "retro pulp" and violence terms.
Any criticism? Yep. For non-Americans the second segment is not that interesting. We found ourselves "sitting it out" this part on the strength of the first (imperfect) segment. Only to be rewarded by the third segment. International audiences will be unlikely to make it to the third segment. Thus my "Hizzle for Zhizzle" in the title of this comment. We are Dutch, so associate this subject matter at best with "Do The Right Thing" (and at worst with "The Fresh Prince of Bel Air".
Pedro Pascal "did some acting" and the other well known actor... from Forrest Gump... Tom Hanks... they are in this. Pascal did a descent job. A good one in fact.
This is a film you should see if you remember 1987. And like violence and stuff. Or if you enjoy well made pulp-films.
Only first heard about the film a day or two before it opened in Toronto. Didn't have very high expectations, but honestly of everything playing right now, this was the only film that interested me. I couldn't have been more surprised.
"Freaky Tales" is part "Pulp Fiction" (1994), part "Heavy Metal" (1981), and at times reminiscent of another 80s-inspired film, "Mandy" (2018). Four wacky (freaky) tales set in Oakland California, weaving together a diverse and fun cast of characters.
Aspect ratio's are changed between segments, animated characters burst onto screen, blood is spilt, punk music blares through the speakers - there's just a lot of fun being had on screen, and I felt it. I can only imagine feeling the response from a large audience during certain moments of the film; unfortunately there were less than 10 people at my screening.
Without giving anything else away, if you want to have a fun time at the theatre go support this movie. It's rare to see a movie like this get a theatrical release anymore, but it was the best theatrical experience I've had so far this year.
"Freaky Tales" is part "Pulp Fiction" (1994), part "Heavy Metal" (1981), and at times reminiscent of another 80s-inspired film, "Mandy" (2018). Four wacky (freaky) tales set in Oakland California, weaving together a diverse and fun cast of characters.
Aspect ratio's are changed between segments, animated characters burst onto screen, blood is spilt, punk music blares through the speakers - there's just a lot of fun being had on screen, and I felt it. I can only imagine feeling the response from a large audience during certain moments of the film; unfortunately there were less than 10 people at my screening.
Without giving anything else away, if you want to have a fun time at the theatre go support this movie. It's rare to see a movie like this get a theatrical release anymore, but it was the best theatrical experience I've had so far this year.
This movie is basically what you would get if you asked an A. I. social media algorithm to make a movie about 1987.
Nothing makes sense. There's no plot, obviously no research was done into any of the content, character development is non existent, its initial vehicle seems to be racial rage bait disguised as some elementary form of political commentary that comes off like a teenager being interviewed at a pot rally.
But seriously though, how old were the people who came up with this nonsense? It's pretty apparent they were never around in 1987, never mind California.
This could have been a 20 second Tik Tok video.
Nothing makes sense. There's no plot, obviously no research was done into any of the content, character development is non existent, its initial vehicle seems to be racial rage bait disguised as some elementary form of political commentary that comes off like a teenager being interviewed at a pot rally.
But seriously though, how old were the people who came up with this nonsense? It's pretty apparent they were never around in 1987, never mind California.
This could have been a 20 second Tik Tok video.
Le saviez-vous
- AnecdotesOne of Angus Cloud's final roles before his passing in July 2023. The film is dedicated to his memory.
- GaffesWhilst at the police station, Clint pulls a cigarette that is clearly broken and bent which is lit by The Guy. The camera then pans to The Guy whilst the phone rings. The next shot shows the cigarette in Clint's mouth and it is no longer broken or bent.
- Crédits fousThere is a mid credit scene featuring the video clerk.
- ConnexionsReferenced in Film Junk Podcast: Episode 986: Trainspotting + T2 Trainspotting (2025)
- Bandes originalesFreaky Tales
written by Todd Shaw
performed by Symba
courtesy of The Starr Island Group/Atlantic Recording Corporation
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- How long is Freaky Tales?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Дикі історії
- Lieux de tournage
- Oakland, Californie, États-Unis(on-___location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 2 760 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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