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6,0/10
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MA NOTE
Ajouter une intrigue dans votre langueAfter an unsolved diamond heist, a hard-nosed cop's pursuit of his key suspect turns into obsession, until they finally face each other and the truth.After an unsolved diamond heist, a hard-nosed cop's pursuit of his key suspect turns into obsession, until they finally face each other and the truth.After an unsolved diamond heist, a hard-nosed cop's pursuit of his key suspect turns into obsession, until they finally face each other and the truth.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Avis à la une
A solid trailer and a good cast are always alluring factors when narrowing down a movie to watch, and this one promised just that-only to disappoint in the end.
The lives of three suspects in a diamond robbery turn miserable when a police officer becomes obsessed with proving them guilty, relying solely on his hunch, without any concrete evidence.
The story's premise had the potential to make it a riveting watch, but the lackluster script turned it into a half-baked recipe. The movie begins on a promising note, drawing you into its narrative, but as it progresses, it becomes repetitive and uninspired. The so-called "big twist" at the end is predictable right from the beginning, making you regret the time spent watching it.
Avinash Tiwary shows promise and delivers an earnest performance. He is undoubtedly versatile and proves his acting capabilities once again. Jimmy Shergill does a decent job as the police officer. Tamannaah Bhatia is adequate in her role, though the script gives her little room to shine. Rajeev Mehta, fondly remembered as Praful from Khichdi, plays his part well.
The movie feels considerably slow, with no real highs or lows to maintain engagement. It suffers from several glaring cinematic liberties that are hard to ignore, especially since it is not a mindless entertainer. The de-aging of Jimmy Shergill, in particular, is poorly executed and feels amateurish. Neeraj Pandey, once known for his brilliance, disappoints yet again, further diminishing his magic.
Sikandar's Muqaddar is sealed for disappointment. It's an easily skippable, below-average affair.
#PranuReviews #SikandarKaMuqaddar #SikandarKaMuqaddarReview.
The lives of three suspects in a diamond robbery turn miserable when a police officer becomes obsessed with proving them guilty, relying solely on his hunch, without any concrete evidence.
The story's premise had the potential to make it a riveting watch, but the lackluster script turned it into a half-baked recipe. The movie begins on a promising note, drawing you into its narrative, but as it progresses, it becomes repetitive and uninspired. The so-called "big twist" at the end is predictable right from the beginning, making you regret the time spent watching it.
Avinash Tiwary shows promise and delivers an earnest performance. He is undoubtedly versatile and proves his acting capabilities once again. Jimmy Shergill does a decent job as the police officer. Tamannaah Bhatia is adequate in her role, though the script gives her little room to shine. Rajeev Mehta, fondly remembered as Praful from Khichdi, plays his part well.
The movie feels considerably slow, with no real highs or lows to maintain engagement. It suffers from several glaring cinematic liberties that are hard to ignore, especially since it is not a mindless entertainer. The de-aging of Jimmy Shergill, in particular, is poorly executed and feels amateurish. Neeraj Pandey, once known for his brilliance, disappoints yet again, further diminishing his magic.
Sikandar's Muqaddar is sealed for disappointment. It's an easily skippable, below-average affair.
#PranuReviews #SikandarKaMuqaddar #SikandarKaMuqaddarReview.
Sikandar Ka Muqaddar (2024) :
Movie Review -
Amitabh Bachchan starred in Muqaddar Ka Sikandar (1978), which justified its title with the main character rising from zero to the top and then becoming a king-size hero. Reversing the theme, Neeraj Pandey brings Sikandar Ka Muqaddar, as the hero's fate is misjudged by the circumstances, but is that the truth? No, there is a lot more in the store, so prepare yourself for a typical Neeraj Pandey thriller. Enough praise; now I asked myself, "Does this film make any sense?" The answer is no. This has to be the most rubbish thriller ever written and directed by Pandey. It's hard to believe that the filmmaker, who once delivered 3 consecutive classic thrillers in a row (unheard of stuff by any director in Bollywood) with "A Wednesday," "Special 26," and "Baby," is now struggling to make a decent-average flick. It's high time he wakes up and gets back to old form.
Officer Jaswinder Singh (Jimmy Sheirgill) has a 100% track record, so he is appointed to high priority to solve a robbery case at NISCO where 5 diamonds worth Rs. 50-60 crores have been stolen. During the investigation, his basic instinct says that one of the three from Sikandar (Avinash Tiwary), Kamini (Tamannaah Bhatia), and Mangesh (Rajiv Mehta), or maybe all 3, has stolen it. He takes them into custody, tortures them, but is unable to get any info out of them. The three are harassed by Jaswinder, especially Sikandar, because of Jassi's egoistic instinct, and the poor Sikandar has to pay a high price for it at every phase of his life. Who's the real culprit, and will Jaswinder be able to find him/her?
Neeraj has actually written a good script that keeps you hooked for two hours or so, but it's the next 30 minutes that destroy this well-made thriller because of its brainless conclusion. There is no real motive shown behind the robbery, no real planning of aftermaths, and no precautions taken either. That's silly, man. Someone hides a small diamond in a nail, and they are telling me that the cops didn't find it when we all know that a body detector can trace it so easily. Someone breaks the glass bracket and steals diamonds, and the cops didn't bother checking the rod by which it was broken and checking fingerprints to catch the thief? I mean, it's so basic to get a heist thriller right, but even a genius like Pandey didn't think of this? Totally unacceptable. By the way, who waits for 15 years and destroys its own life for diamonds that can't be used or destroys personal life and career to find a thief? All these theories are extremely annoying and super childish. I didn't expect a good-looking thriller to collapse like this with such rubbish ideas at the end. Not by Neeraj Pandey, but maybe that's the phase he's going through currently and it seems that it's affecting his work too.
Performance-wise, Avinash Tiwary is pretty impressive. His expressions during those begging-for-life scenes are damn good. He doesn't go well with romance and regular drama portions, though. Tamannaah Bhatia looks gorgeous as always and also fails with voice modulation as always. Rajiv Mehta does well with his small part with utmost conviction. Jimmy Sheirgill fans are in for a treat again. This man is so good at everything he does! His versatility always keeps him ahead of contemporaries. Jaswinder's character has two different phases, and he performs both parts so well. Ridhima Pandit has a two-minute role and passes the time without any flaws. The supporting cast, especially the man who played Ghorpade and Jaswinder's assistant have done a fantastic job.
Sikandar Ka Muqaddar has a romantic song that feels completely useless as per the ongoing tempo of the film. It appears right after a dramatic sequence and spoils the tuning of the linear impact and pace of the film. The screenplay keeps things pacy, thankfully, and the background score was fine too. The camera work wasn't really great, but strictly okay, as we have several slow scenes and pauses just to complete a walk or one activity of the character. That takes too much time and gives you a moment to unlock your phone and check some stuff on internet. A thriller that doesn't give you this chance is what I call a brilliant thrilling affair. After finishing Sikandar Ka Muqaddar, you take a moment to rewind the story and realise that it was a pointless film. Not because of the bleak ending, but because it lacks the base on which the tower is standing. Neeraj Pandey's direction has a few ignorable flaws and that's fine, but as a storyteller and writer, he fails completely. That's so unfortunate. In short, Sikandar Ka Muqaddar runs like a winning horse for hours, only to break its leg a few meters behind the finishing line.
RATING - 4/10*
Amitabh Bachchan starred in Muqaddar Ka Sikandar (1978), which justified its title with the main character rising from zero to the top and then becoming a king-size hero. Reversing the theme, Neeraj Pandey brings Sikandar Ka Muqaddar, as the hero's fate is misjudged by the circumstances, but is that the truth? No, there is a lot more in the store, so prepare yourself for a typical Neeraj Pandey thriller. Enough praise; now I asked myself, "Does this film make any sense?" The answer is no. This has to be the most rubbish thriller ever written and directed by Pandey. It's hard to believe that the filmmaker, who once delivered 3 consecutive classic thrillers in a row (unheard of stuff by any director in Bollywood) with "A Wednesday," "Special 26," and "Baby," is now struggling to make a decent-average flick. It's high time he wakes up and gets back to old form.
Officer Jaswinder Singh (Jimmy Sheirgill) has a 100% track record, so he is appointed to high priority to solve a robbery case at NISCO where 5 diamonds worth Rs. 50-60 crores have been stolen. During the investigation, his basic instinct says that one of the three from Sikandar (Avinash Tiwary), Kamini (Tamannaah Bhatia), and Mangesh (Rajiv Mehta), or maybe all 3, has stolen it. He takes them into custody, tortures them, but is unable to get any info out of them. The three are harassed by Jaswinder, especially Sikandar, because of Jassi's egoistic instinct, and the poor Sikandar has to pay a high price for it at every phase of his life. Who's the real culprit, and will Jaswinder be able to find him/her?
Neeraj has actually written a good script that keeps you hooked for two hours or so, but it's the next 30 minutes that destroy this well-made thriller because of its brainless conclusion. There is no real motive shown behind the robbery, no real planning of aftermaths, and no precautions taken either. That's silly, man. Someone hides a small diamond in a nail, and they are telling me that the cops didn't find it when we all know that a body detector can trace it so easily. Someone breaks the glass bracket and steals diamonds, and the cops didn't bother checking the rod by which it was broken and checking fingerprints to catch the thief? I mean, it's so basic to get a heist thriller right, but even a genius like Pandey didn't think of this? Totally unacceptable. By the way, who waits for 15 years and destroys its own life for diamonds that can't be used or destroys personal life and career to find a thief? All these theories are extremely annoying and super childish. I didn't expect a good-looking thriller to collapse like this with such rubbish ideas at the end. Not by Neeraj Pandey, but maybe that's the phase he's going through currently and it seems that it's affecting his work too.
Performance-wise, Avinash Tiwary is pretty impressive. His expressions during those begging-for-life scenes are damn good. He doesn't go well with romance and regular drama portions, though. Tamannaah Bhatia looks gorgeous as always and also fails with voice modulation as always. Rajiv Mehta does well with his small part with utmost conviction. Jimmy Sheirgill fans are in for a treat again. This man is so good at everything he does! His versatility always keeps him ahead of contemporaries. Jaswinder's character has two different phases, and he performs both parts so well. Ridhima Pandit has a two-minute role and passes the time without any flaws. The supporting cast, especially the man who played Ghorpade and Jaswinder's assistant have done a fantastic job.
Sikandar Ka Muqaddar has a romantic song that feels completely useless as per the ongoing tempo of the film. It appears right after a dramatic sequence and spoils the tuning of the linear impact and pace of the film. The screenplay keeps things pacy, thankfully, and the background score was fine too. The camera work wasn't really great, but strictly okay, as we have several slow scenes and pauses just to complete a walk or one activity of the character. That takes too much time and gives you a moment to unlock your phone and check some stuff on internet. A thriller that doesn't give you this chance is what I call a brilliant thrilling affair. After finishing Sikandar Ka Muqaddar, you take a moment to rewind the story and realise that it was a pointless film. Not because of the bleak ending, but because it lacks the base on which the tower is standing. Neeraj Pandey's direction has a few ignorable flaws and that's fine, but as a storyteller and writer, he fails completely. That's so unfortunate. In short, Sikandar Ka Muqaddar runs like a winning horse for hours, only to break its leg a few meters behind the finishing line.
RATING - 4/10*
You start the film hoping to see Neeraj Pandey's intense grip on such genre like Special 26 but sooner you'll realise that it'll be a mistake to even finish it.
Overall plot is promising but inside it's an empty coconut shell. You will exactly know what's gonna happen and guess what! The film never surprises you.
The Direction seems poor, I don't why Neeraj put continuous shots in the scenes where there is absolutely no requirement of that. I had to play some parts in 1.5x due to that.
Some Characters were forcefully developed and then left alone as if they have nothing to do with this.
This film is disappointment at its best. First "Auron me kahan dum tha" now this.
Overall plot is promising but inside it's an empty coconut shell. You will exactly know what's gonna happen and guess what! The film never surprises you.
The Direction seems poor, I don't why Neeraj put continuous shots in the scenes where there is absolutely no requirement of that. I had to play some parts in 1.5x due to that.
Some Characters were forcefully developed and then left alone as if they have nothing to do with this.
This film is disappointment at its best. First "Auron me kahan dum tha" now this.
You see the trailer and see Neeraj Pandey's name. The memories hit back!
Baby
Special 26
"This one must be a worthy movie," you tell yourself.
The movie starts off slow, you constantly keep waiting for something to happen, something to reveal itself but nothing happens. "Did I miss anything?"
The narrative keeps juggling between the past and the present, and there are nice intersections that keep you hooked throughout. Neeraj Pandey makes sure you feel bored initially and then when the story starts weaving itself, you get a few Eureka moments.
The set design in the past narrative could have used better art direction, hair and make up. I'm sorry but they looked all out of place. Looked like the production budget was tight.
It's not a typical "whodunit" since three suspects are readily singled out an they are the actors you see on the poster, so it all comes down to how did they do it? Even though from a cinematic point of view, some of the twists were good, realistically they seemed out of place.
"No one has so much patience" is what will you think.
Story - 7/10
Cast - 6/10
Direction - 8/10
"The End" title card comes during the climax, and the movie still continues from there for another 30 minutes. I liked that bit because I would have hated the movie if that actually happened.
The storyline could have been a bit tighter, there were a few unnecessary scenes but overall it was a good watch.
PS: The end is open ended but it feels justified.
Baby
Special 26
"This one must be a worthy movie," you tell yourself.
The movie starts off slow, you constantly keep waiting for something to happen, something to reveal itself but nothing happens. "Did I miss anything?"
The narrative keeps juggling between the past and the present, and there are nice intersections that keep you hooked throughout. Neeraj Pandey makes sure you feel bored initially and then when the story starts weaving itself, you get a few Eureka moments.
The set design in the past narrative could have used better art direction, hair and make up. I'm sorry but they looked all out of place. Looked like the production budget was tight.
It's not a typical "whodunit" since three suspects are readily singled out an they are the actors you see on the poster, so it all comes down to how did they do it? Even though from a cinematic point of view, some of the twists were good, realistically they seemed out of place.
"No one has so much patience" is what will you think.
Story - 7/10
Cast - 6/10
Direction - 8/10
"The End" title card comes during the climax, and the movie still continues from there for another 30 minutes. I liked that bit because I would have hated the movie if that actually happened.
The storyline could have been a bit tighter, there were a few unnecessary scenes but overall it was a good watch.
PS: The end is open ended but it feels justified.
It's very confusing story . If character don't know eachother then how can they know there past story in just one day meeting. Also if there is not powerfull love story then why created love triangle ? If showed 15 years of service of officer then why you showed them against dipartment even there family distance loveship . This things makes big mind set in youngsters and even these things makes our next generation more week . Totally incomplete movie or story also dont try to do a siqual if thinking to create again . Very bad story siquence also bad character showcasing and explanation. Movie is not good at the end .
Le saviez-vous
- AnecdotesJimmy Shergill's 4th film which is not released in theatres after Prateekha, Collar Bomb and Phir Aayi Hasseen Dillruba.
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Détails
- Durée2 heures 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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