Dans une ville isolée islandaise, la police tente désespérément de résoudre un crime alors qu'une puissante tempête s'abat sur la ville.Dans une ville isolée islandaise, la police tente désespérément de résoudre un crime alors qu'une puissante tempête s'abat sur la ville.Dans une ville isolée islandaise, la police tente désespérément de résoudre un crime alors qu'une puissante tempête s'abat sur la ville.
- Récompenses
- 10 victoires et 7 nominations au total
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The murder drama set is an isolated small town is a well-worn trope, really just an extended version of the locked room mystery, or the country house killing. But when the small town is in northern Iceland, that's an unusually claustrophobic setting and 'Trapped' uses its ___location perfectly. When the winter storms come in, you feel cold just watching; when the thaw comes, it feels visibly warmer. The stunning scenery is also used to good effect, not least during the chilling opening credits. What I also liked about this story was that, although bad things were done, the motives (and competencies) of those involved are ultimately revealed to be fit to the scale of the world in which they have happened: the story doesn't ultimately depend on some deranged force of pure evil, or inter-galactic conspiracy. The sense of mutual hurt felt in a place where everybody knows everybody else, even if they sure don't all like one another, is also well conveyed. Perhaps there's just a little too much of taciturn people being gloomy in the dark for a perfect drama: it takes time to get to know the protagonists, although perhaps that's just the Icelandic way. Overall, it's very good, and makes one keen to return to Iceland, though probably I'll choose the summer season.
Very much in the dark, foreboding style of Scandinavian police process fiction, Trapped is beautifully produced and acted with realistic characters and enough pot-boiling clues to keep the audience on the edge of its seat. A wonderful setting and the drama of a big storm accentuates the claustrophobic community and gives the crime element a grimness and urgency. The local police chief, Andri, is the focus of the story and his acting is exemplary. Simply enjoyable! Supporting characters, the two other local uniformed police officers, the ferry captain and the Rekyavik cast all contribute to a very watchable and dramatic series. Television at its best, flavoured with an Icelandic blackness provided by the climate and the terrain.
I'm already addicted to this thriller after watching two episodes only. Even though there is nothing particularly original about the plot and the back story (don't get me wrong, it's edgy in a Crimson Rivers sort of way, and is very very interesting on all levels but everything's been done before), it's extremely well directed and all the characters are very strong and uncannily lifelike. Part of the appeal resides in the "novelty" of the Icelandic ___location of course - I read some Icelandic crime fiction before and I found it in exactly the same appealing but rather grim vein in fact - but what really, really makes this, is the incredibly charismatic lead actor playing Andri, the unusual chief of the local police. What an actor. Negatives would be some overuse of atmospheric music but that's about it (eta: only the first 2 episodes really. It's being much better used afterwards. And it's great music) .
Am excellent watch although definitely not recommended for children, whether they can read subtitles or not. It has dead body parts and things.
After episode 3 I'm pushing this to a 9. Wild horses wouldn't drag me out before episode 4 on this Saturday night! This is top class TV by any standards.
Episode 5....still top class stuff .
The series has ended in both a pleasingly conventional and unconventional manner and I feel bereft and orphaned, such as I normally only feel after reading a particularly enthralling book. Well done, I shall miss you all like (dysfunctional altogether) family.
I would also like to add that user ratings are virtually the same across the board, from under 18 (who love it best) to over 45, males and females, US and non US users. It's quite astonishing and not at all usual.
Am excellent watch although definitely not recommended for children, whether they can read subtitles or not. It has dead body parts and things.
After episode 3 I'm pushing this to a 9. Wild horses wouldn't drag me out before episode 4 on this Saturday night! This is top class TV by any standards.
Episode 5....still top class stuff .
The series has ended in both a pleasingly conventional and unconventional manner and I feel bereft and orphaned, such as I normally only feel after reading a particularly enthralling book. Well done, I shall miss you all like (dysfunctional altogether) family.
I would also like to add that user ratings are virtually the same across the board, from under 18 (who love it best) to over 45, males and females, US and non US users. It's quite astonishing and not at all usual.
Being a fan of Nordic noir I thought I would give this series a go and I'm glad I did. Trapped is every bit as good as anything Icelands Scandinavian neighbours have given us. Set in a small port on the Icelandic coast a spate of murders take place taking the local police force out of there comfort zone. Not that this stops the local head of police played by the excellent Olafa Olafson. With no help from the mainland due to the freezing weather he single handily attempts to track down the perpetrator. Trapped is well written,acted and beautifully shot so much so it's the first show that's so cold it makes me want to put a jumper on just watching it! Highly recommended 9/10
The lead character is engaging and you'll feel for him. Right from his hair to the way he walks to the way he dresses is all so real. And so is his life. The world created is so lovely you'd want to keep going back. Thoroughly enjoying it.
Le saviez-vous
- AnecdotesThe musical composition of the series theme and season one was by Jóhann Jóhannsson in collaboration with composer and cellist Hildur Guðnadóttir. After the death of Jóhannson in 2018 Hildur Guðnadóttir has been lead composer for season 2. At the end of season 2 there is a dedication to Johann Johannson (1969-2018).
- GaffesThe snow has inconsistent texture and depth throughout the entire show. This is of course because the filming has taken place over a considerable time. Whereas the story supposedly takes place over about ten days. Some of the snow is obviously spring snow, and wet and heavy, whereas other snow is fresh and very cold.
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