Whack-a-Mole
- Épisode diffusé le 8 mai 2025
- TV-MA
- 41min
NOTE IMDb
8,1/10
1,2 k
MA NOTE
Ajouter une intrigue dans votre langueCaught between the mob and the FBI, Charlie must cobble together the truth of who is working for whom, using her talents to find a rat, or possibly a mole.Caught between the mob and the FBI, Charlie must cobble together the truth of who is working for whom, using her talents to find a rat, or possibly a mole.Caught between the mob and the FBI, Charlie must cobble together the truth of who is working for whom, using her talents to find a rat, or possibly a mole.
- Réalisation
- Scénario
- Casting principal
Tierre Diaz
- Teamster #1
- (non crédité)
Avis à la une
"Whack-a-Mole" is a terrific episode of "Pokerface" in that it feels like two or three episodes combined because so much takes place!
For several episodes, Beatrix Hasp and her assassins have been chasing Charlie. However, after the mob boss, Hasp, catches her, instead of killing her, she tells Charlie she will let her go and cancel the contract IF she helps to discover the identity of the mole within her gang. Charlie has no choice but to agree...and then all sorts of crazy things happen and the show is filled with twists.
The story is wild and manages to wrap up everything so well....so well I wonder what the show will do next with Charlie. Not the very best of the episodes so far (that would be "The Stall") but one of the best.
For several episodes, Beatrix Hasp and her assassins have been chasing Charlie. However, after the mob boss, Hasp, catches her, instead of killing her, she tells Charlie she will let her go and cancel the contract IF she helps to discover the identity of the mole within her gang. Charlie has no choice but to agree...and then all sorts of crazy things happen and the show is filled with twists.
The story is wild and manages to wrap up everything so well....so well I wonder what the show will do next with Charlie. Not the very best of the episodes so far (that would be "The Stall") but one of the best.
I'm pretty sure I like this series, but it's a soft like, in the way I used to enjoy mid-series Simpsons episodes. Watchable, not terrible, but not especially gratifying. Gone from my brain as soon as the channel has changed (back when channels were still a thing).
The show's gimmick is starting to become its undoing: Charlie has a natural BS-meter, and always knows when someone is lying.
The show has asked us to suspend disbelief, the same way we accept that Superman can fly simply because he's an alien, ignoring that even an alien would require some kind of system for propulsion and lift. We're just supposed to accept it.
The show doesn't even feint toward an explanation. Does Charlie cross reference visual cues with vocal inflections? Can she hear heartbeats, like Daredevil can? It doesn't matter. In this episode, everything goes out the window: Charlie polygraphs three men at once, based on one syllable each, and delivered at the same time.
Yes, her interrogation is flawless. Just as it is, later, while listening to voices on speaker phone. Charley's powers are magic, like Superman's flight powers, and everyone in-universe has already accepted it. (Charley's enemies also trust her powers.)
This is not the worst set-up for a show, of course, and can make for some chuckle-worthy television, but it certainly gets goofier the longer it goes on.
Plot contrivances keep the boat afloat: In season 2's premiere episode, Charley befriends a Gibney quintuplet at the moment that a second Gibney quintuplet is murdered by a third Gibney quintuplet while the... AUGHH! It's all quite absurd, but provides the odd chuckle, even while assassins are popping out of birthday cakes and duck blinds.
Yes! That's my criticism... The show began as a Comedy/Mystery show, and now it's merely a Comedy/Comedy show, because its mysteries have become so ridiculous that they're beside the point.
I think I saw railway tracks on the beach.
Yes. Railway tracks on the beach, I'm pretty sure. It was a huge plot point.
If you accept that Poker Face takes place in the Naked Gun universe, then you'll probably have a great time...
Me, I'm ending this review so I can go watch the new Superman trailer. It's up today! A man can fly! An alien man! Hooray!
The show's gimmick is starting to become its undoing: Charlie has a natural BS-meter, and always knows when someone is lying.
The show has asked us to suspend disbelief, the same way we accept that Superman can fly simply because he's an alien, ignoring that even an alien would require some kind of system for propulsion and lift. We're just supposed to accept it.
The show doesn't even feint toward an explanation. Does Charlie cross reference visual cues with vocal inflections? Can she hear heartbeats, like Daredevil can? It doesn't matter. In this episode, everything goes out the window: Charlie polygraphs three men at once, based on one syllable each, and delivered at the same time.
Yes, her interrogation is flawless. Just as it is, later, while listening to voices on speaker phone. Charley's powers are magic, like Superman's flight powers, and everyone in-universe has already accepted it. (Charley's enemies also trust her powers.)
This is not the worst set-up for a show, of course, and can make for some chuckle-worthy television, but it certainly gets goofier the longer it goes on.
Plot contrivances keep the boat afloat: In season 2's premiere episode, Charley befriends a Gibney quintuplet at the moment that a second Gibney quintuplet is murdered by a third Gibney quintuplet while the... AUGHH! It's all quite absurd, but provides the odd chuckle, even while assassins are popping out of birthday cakes and duck blinds.
Yes! That's my criticism... The show began as a Comedy/Mystery show, and now it's merely a Comedy/Comedy show, because its mysteries have become so ridiculous that they're beside the point.
I think I saw railway tracks on the beach.
Yes. Railway tracks on the beach, I'm pretty sure. It was a huge plot point.
If you accept that Poker Face takes place in the Naked Gun universe, then you'll probably have a great time...
Me, I'm ending this review so I can go watch the new Superman trailer. It's up today! A man can fly! An alien man! Hooray!
This season seems to be trending towards poor writing held up by stellar performances. Without Mullaney, this episode would have completely crumbled under the weight of its uninteresting anticlimax. It's no longer a tension and action filled mystery show, it's a comedy/sitcom with mystery elements that the writers don't seem particularly interested in. I often find myself losing interest completely by the time Charlie enters the narrative, instead of being excited that Charlie will use her BS abilities to bring the killer to justice. The highlight of this episode was a gag about lip-reading and an argument about song lyrics, instead of a twisting turning and satisfying plot, which was the strength of season 1, and gave it its rewatch factor.
In this particular instance, Mullaney and his new uncanny-valley jawline are contemptable enough that I was rooting for his downfall, but I think this is to his credit and not that of the writers. The criminal-defeating gag in this episode is so tired, it's having a midday nap at the retirement home.
In this particular instance, Mullaney and his new uncanny-valley jawline are contemptable enough that I was rooting for his downfall, but I think this is to his credit and not that of the writers. The criminal-defeating gag in this episode is so tired, it's having a midday nap at the retirement home.
This episode brought us John Mulaney AND Richard Kind and references to Sondheim's Assassins? Lots of fun!
I do need to address this 6 star review mocking railroad tracks on the beach in the first episode of this season... um... what point are you trying to make? There's railroad tracks at the beach where I live. In fact you can take the Amtrak down the pacific coast and it crosses the beach at multiple points. Used to play on the tracks at San Clemente beach and have my parents yell at me that it wasn't safe. And clearly these weren't added in post production but shot on a ___location in real life with railroad tracks.
Show is great and it'll be interesting to see where it goes from here this season given the end of this episode kinda freeing things up a bit.
I do need to address this 6 star review mocking railroad tracks on the beach in the first episode of this season... um... what point are you trying to make? There's railroad tracks at the beach where I live. In fact you can take the Amtrak down the pacific coast and it crosses the beach at multiple points. Used to play on the tracks at San Clemente beach and have my parents yell at me that it wasn't safe. And clearly these weren't added in post production but shot on a ___location in real life with railroad tracks.
Show is great and it'll be interesting to see where it goes from here this season given the end of this episode kinda freeing things up a bit.
Le saviez-vous
- AnecdotesThis episode is full of references and tributes to the musicals of Stephen Sondheim (1930-2021). Jeffrey (Richard Kind) greets Beatrix (Rhea Perlman) in their hotel room by singing "Hello, Little Girl" from Into the Woods. Luca (Simon Helberg) and Daniel (John Mulaney) have a running in-joke in which they repeatedly sing a few bars of "Old Friends" from Merrily We Roll Along, Jeffrey tells Luca that he has done a lot of community theater, including Sondheim's Assassins and "a production of Into the Woods that the Dutchess County Gazette called 'surprisingly good,'" to which Luca replies that "Assassins is criminally underrated," before he and Jeffrey break out into "Everybody's Got the Right" from that show. Daniel calls Sondheim "the best lyricist of the twentieth century." Several of the cast and crew of this episode have career connections to Sondheim: Richard Kind has been a cast member of a real Stephen Sondheim musical, the Goodman Theatre's 2003 production of the musical "Bounce" (also known as "Wise Guys" and "Road Show" in various incarnations during its development). John Mulaney cowrote and starred as the Sondheim figure in the Documentary Now episode "Original Cast Album: Co-Op," a close parody of the 1970 documentary Original Cast Album: Company (which chronicled the recording sessions for Sondheim's musical Company); Kind also starred in this episode. Poker Face showrunner Rian Johnson is such a big Sondheim fan that he not only often seeds his work with Sondheim references (for example, Benoit Blanc singing "Losing My Mind" from Follies in Knives Out), he also gave Sondheim one of his only onscreen acting roles: a cameo in Glass Onion in which he shared a (Zoom) screen with Poker Face star Natasha Lyonne.
- GaffesWhen Beatrix is holding Charlie at gunpoint on the plane, her finger is on and off the trigger during a rapid series of shots during their conversation.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée41 minutes
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
