AntiPorno

Okay it's a given that Sion Sono is an alien. He's crazy. Strange. There are no rules, boundaries, with him. That's why we love him.

This movie didn't just break the 4th wall. This movie broke my stomach linings. I want to puke, vomit, throw up. Gross. I'm not just into this stuff. I know we were about to see porn-ish here but man I'm not just into woman-to-woman action. There's just a bad taste in my mouth after watching this. So my bias here would be evident. But I'll try to be ahem, objective.

What I love about Sion Sono is he doesn't just overwhelm you, he will really outdo your expectations. Time to build a shrine for him. Women and feminists, let's hold hands. Brace yourselves before watching this because you might want to hold on to a Rosary.

Ami Tomite, the lead, as Kyoko, was well utilized here. Her insane monologue at the beginning of the film, with a classical piece as background, showcased her versatility (and her privates too). A lonely artist who ambitions to be a whore. ????. I hope IMDb doesn't censor this,the movie itself says that word. Question marks everywhere but you need to get past that. She vomits a lot here too.

She lives a light in the limelight. Her secretary, Noriko, knocks on the door, reciting her schedule for the day. Kyoko transforms into a sadist master who exploits her slave. She's about to have an interview. The crew enters the scene. Noriko goes full nude. Kyoko remains insane. I just can't at this point, I thought of bailing out.

But I'm glad I didn't. Let's get past the nudity (but I still can't with my virgin eyes!!!!!!). Kyoko is a sad young woman. Her family and past has forced her to enter this industry. There's a notable family dinner scene that will just send you laughing, facepalming, or cursing Sono for his genius.

The movie puts a lot of colors, both literal and figurative. It looks like its set on just one setting, with just walls separating the different acts but there's really a lot of questions and deep themes presented here. Exploitation can very well define this movie. Both the innate theme and on its surface, well, I would say in a way the actresses here were made to do whatever they did. I believe there are a lot of symbolism here but you can put it which way you deem fit. And I'm not the most knowledgeable person to narrate what deep themes are being symbolised here. You'll feel it when you watch this.

The movie has a short runtime but the impact it leaves will linger for long.

Well, let's say... it's not simple at all. You need to know some works of Japanese cinematography and paths they leads, 'cause otherwise Anchiporuno will be a big pile of trash with screaming naked girls and messed storyline. Actually it is. But digging deeper expose another level - a brilliant poetic style and very sensual emotion, just like dissonance sonates in early XX's. It's a searching, passion, movement and goal of what's happens in the movie.

Plus naked screaming girls. Don't forget, this is important.

Or just I think so.

I don't think that it has some message, pointing to sexual problems of Japanese society (but if you find it, that's okay, I'm not judging), rather uncertain sense of madness binding by personal disorder. Sexual ego jumping upside down, but in some kind of wild baroque dance.

Awesome.

When you're watching works by Sion Sono you can't just rate it in half-ten stars or seven, or any other way, you either catch his wave or spit on the screen in agony. This one is a perfect Sono- catching.

P.S. Mariko Tsutsui acting is 10/10.

I don't think it is a masterpiece.

Yes, I can understand the theme even if I'm not familiar with Japanese cinematography. There is a lot of symbolism and it acts as an abstract social commentary and I'm sure it resonates a lot better with the repressed Japanese society than it does with me.

However, this doesn't mean it is a good movie. A similar movie that breaks the fourth wall is Dogville. But that movie makes sense. The plot is interesting. There is coherence to it. It hits you hard, emotionally. The final scene feels right even if it is so wrong. It is a masterpiece compared to this.

This movie is a set of almost random scenes that are connected by an overall theme of feminine repression and sexuality and chaos. It's the movie that critics will look at and say "wow, this is so freakin' deep" when as an experiment in cinematography, is fine, but as a movie, fails dramatically.

Sure, you can think I'm a moron and that I don't understand conceptual cinematography and that this movie is not for a caveman like me. But I've seen similar movies and theatre and I don't mind the idea. The idea and concept are goods. The execution itself is flawed. I should have feel shocked or disgusted or thoughtful or anxious at the end and I'm not. I felt bored. I was asking myself "c'mon, when does this end?". The first part was interesting, especially breaking the fourth wall, but overall, I found it a waste of time.

Anti-Porno is another mind-bender by prolific Japanese cult cinema director Sion Sono. The North American premiere had a sold out seating of intrigued moviegoers. Some liked it including myself and my Japanese-Canadian friend who speaks fluent Japanese and other utterly disliked this bizarre piece of cinema. Understandably, this is not for everybody and is definitely in the sexually charged vein of Strange Circus (2005) and Guilty Romance (2011) realm rather than palatable post-apocalyptic dramas like Himizu (2011) or Land of Hope (2012).

Sono is an artist and has one the most disparate notions of time for his movies with his two best, Cold Fish (2010) and Noriko's Dinner Table (2005), clocking around 150-160 mins, but Love Exposure (2008) rambling on at 240 mins, while Tag (2015) ticked by in 85 mins. The Whispering Star (2015) is only 100 mins but feels like years with sparse dialogue and landscapes, long slow takes and black & white interplanetary postal robot mood. Anti- Porno is his shortest here at 78 mins but packs a lot of tricks in a tight vision of lust and lost.

The movie starts with cute clichés and colourful art direction concerning sex and seduction in an S&M and bisexual tension kind of way. Add a toilet, a toy, other girls as audience / participants, a taunt and a twist!

Ami Tomite who also started in Sono's Tag (2015) and The Virgin Psychics (2015) plays the lead and seductress self-proclaimed whore. She is a superstar and has her assistant prepare her packed daily schedule, including a photo-shoot, but verbal abuse, nudity, submission, sex, slicing of wrists and depravity ensue. Take a photo-shoot and video of all this…

Then comes the role reversal and question of identity. Who is shooting who and playing who? Who is directing? Who is writing? Who is shooting a sex scene in the woods or in a room? Who is a whore and a virgin? How to emancipate ourselves? What is sex and what does it say about society and individuals?

This film raises many questions, is a welcome criticism of sex as a taboo and explores Japanese sexual repression and oppression specifically, but touches on worldly and beautiful themes with a mature, daring tone. The conversation of teenage girls and their parents at dinner table is priceless and unheard of. A necessary discussion of equals that makes you think while shocking your preconceived ideas about sex and parenting, even if you are a liberal!

Thank you Sono for again pushing the boundaries.

Lots of beauty and thoughts in this seemingly absurd and self- absorbed subtle sexual and mental exploration.

Japan 2016| 78 min | Festival du Nouveau Cinema | Japanese (English subtitles)

I sat down here in 2023 to watch the 2016 Japanese drama "Anchiporuno" (aka "Antiporno") for the first time ever. Actually, I had never even heard about the movie prior to watching it, so I didn't know what I was in for, nor did I have any expectations to writer and director Sion Sono. All that mattered here was the fact that it was a Japanese movie that I hadn't already seen.

Well, this movie was definitely something else. First of all, then Sion Sono certainly managed to deliver a movie that was fully and wholly unpredictable. Just as you start to think you got it figured out, then the movie goes off in a whole new direction. And that was actually a good thing, because you never knew where you would be lead by writer and director Sion Sono.

The storyline in "Anchiporuno" is somewhat of an acquired taste, though. And that makes the movie somewhat of a niche movie. And by that I mean that "Anchiporuno" is not a movie that will appeal to the general audience. Nay, this is somewhat of an acquired taste. I found the storyline to be interesting though, because it was so different and unique.

The acting performances in the movie were good. The only familiar face on the cast list for me was Mariko Tsutsui (playing Noriko). It should be said that they had a good ensemble of actresses and actors, and they brought the characters to life on the screen in an enjoyable way.

You should take heed though, that "Anchiporuno" does contain its share of nudity and adult scenes, so this is not a movie suitable for just everyone.

If you enjoy niche movies and movies that stand out as being unique, then you certainly should take into consideration giving Sion Sono's 2016 movie "Anchiporuno" a chance.

My rating of "Anchiporuno" lands on a six out of ten stars.