अपनी भाषा में प्लॉट जोड़ेंA stenographer becomes a famed entertainer and is courted by an English nobleman and an informal American reporter.A stenographer becomes a famed entertainer and is courted by an English nobleman and an informal American reporter.A stenographer becomes a famed entertainer and is courted by an English nobleman and an informal American reporter.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 जीत
Georgie Billings
- Guard's Son
- (as George Billings)
फ़ीचर्ड समीक्षाएं
Just what I wanted from a film-- to feel good, smile, and applaud at the end. Colbert was fantastic.
Entertaining romantic comedy starring Claudette Colbert and Fred MacMurray as a pair who have a "date" each Thursday meeting on a city bench to eat popcorn together, sans shoes. He seems to be in love with her, but she longs to meet her dream man for her idea of an ideal romance. And she does - in the form of handsome Ray Milland, who assists her in a crowd situation on the subway. They have a fun date together at Coney Island where the camera takes us on a wild ride on the roller coaster with them; they fall in love instantly. She thinks he's out of a job - he doesn't tell her he is a Lord (and has a fiancée back home in England!). But when she sees his picture in the paper (coincidentally attached to a story done by MacMurray, a reporter) she believes she's been duped. Follows a series of publicity newspaper stories, out of her control, which causes her to become famous as "The No Girl" for saying "no" to a lord. Then he thinks she was just in the whole relationship with him for the publicity. Well, based on her huge public fame, she is amazingly hired to sing and dance in her own solo nightclub act - even though, as seen in a quite amusing performance scene, she has zero talent!
This is a fun, enjoyable romp - a little frustrating in the way of many romantic comedies in which you feel like you know a couple should be together, but misunderstandings have caused them to remain apart. The ending of this was not particularly what I hoped to see either. But - Claudette Colbert sparkles as always, she's great. Fred MacMurray also does a fine job in his part, Ray Milland looks very young, handsome and, well, rather dashing! One thing I wondered about in this film - why are the Colbert and MacMurray characters so satisfied with just a date on a bench once a week, how come they never desire to get together for a dinner out, go to a movie, or any other normal type activity?! Seemed a bit odd to me. All in all, a quite enjoyable film.
This is a fun, enjoyable romp - a little frustrating in the way of many romantic comedies in which you feel like you know a couple should be together, but misunderstandings have caused them to remain apart. The ending of this was not particularly what I hoped to see either. But - Claudette Colbert sparkles as always, she's great. Fred MacMurray also does a fine job in his part, Ray Milland looks very young, handsome and, well, rather dashing! One thing I wondered about in this film - why are the Colbert and MacMurray characters so satisfied with just a date on a bench once a week, how come they never desire to get together for a dinner out, go to a movie, or any other normal type activity?! Seemed a bit odd to me. All in all, a quite enjoyable film.
Claudette Colbert is Marilyn, "The Gilded Lily" in this 1935 film also starring Ray Milland and Fred MacMurray. Colbert plays a young woman who hangs out with a reporter friend, Peter, (MacMurray) as she waits to be swept off her feet. Enter Milland as Charles, a duke visiting the U.S. incognito. They fall in love, and he decides that he wants to marry her instead of his fiancée back in England. His father (C. Aubrey Smith) talks him into breaking up with the fiancé the honorable way: return to England, see her face to face, and then return to the states. Peter, who has no idea that Charles is Marilyn's dream man, gets wind of the royalty and blows their identity in the paper. Marilyn thinks Charles lied to her about his feelings and is simply returning to England to get married. When Peter realizes Marilyn fell for Charles, his paper does a scandal sheet-type job on Marilyn. Before she knows it, she's the '30s version of a Tiger Woods' girlfriend and launched into a singing career.
It's all very odd -- MacMurray acts like a total jerk, and Charles apparently assumes she's been sleeping with Peter and invites her for a weekend at an inn when she's in England doing her act. She really should have dumped both of them, but she chooses one instead.
Colbert is very beautiful, and this was a breakthrough role for MacMurray. Milland is very charming - he came up through the ranks slowly and can be seen uncredited in "The Man who Played God" in 1931.
Dated but pleasant, basically thanks to Colbert.
It's all very odd -- MacMurray acts like a total jerk, and Charles apparently assumes she's been sleeping with Peter and invites her for a weekend at an inn when she's in England doing her act. She really should have dumped both of them, but she chooses one instead.
Colbert is very beautiful, and this was a breakthrough role for MacMurray. Milland is very charming - he came up through the ranks slowly and can be seen uncredited in "The Man who Played God" in 1931.
Dated but pleasant, basically thanks to Colbert.
However down you might be feeling, this will cheer you up. Its warm and uplifting mood will give you a big hug and put a big smile on your face. It's sentimental without being soppy making this a perfect little rom-com.
This might not be a classic but Claudette Colbert is as classic as ever. Besides being the most beautiful woman ever (as we, the enlightened ones realise!), she had that natural ability to make even the silliest role seem completely believable and real. In this, following a romance with one of those hundreds of sons of English Lords in disguise who, according to Hollywood seemed to populate America in the thirties, celebrity is foisted unexpectedly upon her. She copes with this just like any of us would - with incredulity followed by self effacement then reluctant acceptance. Her performance is so natural and so endearing.
Also, I must commend Fred MacMurray! You'd never guess that this was his first lead role - he and the divine Claudette show real chemistry. He was just one of those naturally natural actors.
The story is far from original, the humour's ok though not side-splitting but the intoxicating charm of the three leads makes this something special. The romance is cheesy and corny but it never ventures into the nauseatingly sentimental which a lot of films did back then. No, this has a healthy streak of cynicism flowing through it which adds to its realism.
This might not be a classic but Claudette Colbert is as classic as ever. Besides being the most beautiful woman ever (as we, the enlightened ones realise!), she had that natural ability to make even the silliest role seem completely believable and real. In this, following a romance with one of those hundreds of sons of English Lords in disguise who, according to Hollywood seemed to populate America in the thirties, celebrity is foisted unexpectedly upon her. She copes with this just like any of us would - with incredulity followed by self effacement then reluctant acceptance. Her performance is so natural and so endearing.
Also, I must commend Fred MacMurray! You'd never guess that this was his first lead role - he and the divine Claudette show real chemistry. He was just one of those naturally natural actors.
The story is far from original, the humour's ok though not side-splitting but the intoxicating charm of the three leads makes this something special. The romance is cheesy and corny but it never ventures into the nauseatingly sentimental which a lot of films did back then. No, this has a healthy streak of cynicism flowing through it which adds to its realism.
Get that cast... Claudette Colbert, Fred MacMurray, Aubrey Smith, Ray Milland, Don Meeks. all so good. Marilyn (Colbert) and Pete (Mac) are buddies, working in new york city. When Marilyn bumps into Charles Gray (Milland), she gets all flustered, and they spend the next couple days running around the city together. but Gray must return to england to break it off with his fiancee. Marilyn sees the photos of Lord Gray in the paper, and thinks he has lied to her... he had, but only to break it off with the one back home. another little problem that snowballs into something much bigger, since someone couldn't tell the truth to begin with. Marilyn hits it big as a singer, and now things really turn around for her. can they pick up where they left off? Aubrey Smith was always the uncle, the congressman, the wise judge. here, he's Gray's father, and wants to avoid any whiff of scandal to protect the family name. Colbert and Milland had been around hollywood a bit, but this was one of MacMurray's first credited roles. it's fun to watch it all happen. liberal use of backdrops. clearly there was a magic between Colbert and Mac. directed by Wes Ruggles.was nominated for Cimarron. he had started in EARLY silents as an actor, and carried on with directing, into the talkies. had worked with the Chaplins. his brother Charles Ruggles was hilarious in so many comedies. Watch this one. shame they don't show it very often.
क्या आपको पता है
- ट्रिवियाFirst of seven movies that paired Claudette Colbert and Fred MacMurray.
- गूफ़Characters played by Ray Milland and C. Aubrey Smith are clearly identified in plot as "Charles Gray, Lord Granton" and the "Duke of Loamshire" respectively, but in the closing credits they are listed as "Charles Gray [Granville]" and "Lloyd Granville."
- भाव
Marilyn David: I want a glass. About this big. Mmm, no, maybe about THIS big. And I don't care what you put in it--whiskey, hair tonic, rat poison--but whatever it is, when I finish drinking it, I want to be curled up in a little heap, right HERE.
- कनेक्शनFeatured in The Fashion Side of Hollywood (1935)
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विवरण
- चलने की अवधि1 घंटा 20 मिनट
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- 1.37 : 1
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