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Alice in Wonderland

  • 1949
  • G
  • 1 घं 16 मि
IMDb रेटिंग
6.2/10
920
आपकी रेटिंग
Alice in Wonderland (1949)
AdventureFamilyFantasyMusical

अपनी भाषा में प्लॉट जोड़ेंThis theatrical version of Lewis Carroll's 1865 classic features a combination of live characters and stop-motion animation.This theatrical version of Lewis Carroll's 1865 classic features a combination of live characters and stop-motion animation.This theatrical version of Lewis Carroll's 1865 classic features a combination of live characters and stop-motion animation.

  • निर्देशक
    • Dallas Bower
  • लेखक
    • Lewis Carroll
    • Henry Myers
    • Albert E. Lewin
  • स्टार
    • Stephen Murray
    • Ernest Milton
    • Pamela Brown
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.2/10
    920
    आपकी रेटिंग
    • निर्देशक
      • Dallas Bower
    • लेखक
      • Lewis Carroll
      • Henry Myers
      • Albert E. Lewin
    • स्टार
      • Stephen Murray
      • Ernest Milton
      • Pamela Brown
    • 13यूज़र समीक्षाएं
    • 4आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो33

    पोस्टर देखें
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    टॉप कलाकार16

    बदलाव करें
    Stephen Murray
    Stephen Murray
    • Lewis Carroll
    • (वॉइस)
    • …
    Ernest Milton
    Ernest Milton
    • The Vice Chancellor
    • (वॉइस)
    • …
    Pamela Brown
    Pamela Brown
    • The Queen of Hearts
    • (वॉइस)
    Felix Aylmer
    Felix Aylmer
    • Dr. Liddel
    • (वॉइस)
    • …
    David Reed
    • The Prince Consort
    • (वॉइस)
    • (as David Read)
    • …
    Carol Marsh
    • Alice
    Joyce Grenfell
    Joyce Grenfell
    • Ugly Duchess…
    Jack Train
    Jack Train
    • Puppet Character
    • (वॉइस)
    Peter Bull
    Peter Bull
    • Puppet Character
    • (वॉइस)
    Ivan Staff
    • Puppet Character
    • (वॉइस)
    Claude Hulbert
    Claude Hulbert
    • Puppet Character
    • (वॉइस)
    Raymond Bussières
    Raymond Bussières
    • The Tailor
    • (वॉइस)
    • (as Raymond Bussieres)
    • …
    Nathalie Alexeeff
    • Bit Part
    • (बिना क्रेडिट के)
    Joan Dale
    • Edith Liddel
    • (बिना क्रेडिट के)
    Elizabeth Henson
    • Lorina Liddel
    • (बिना क्रेडिट के)
    Adele Leigh
    • Alice Liddell
    • (गाने की आवाज)
    • (बिना क्रेडिट के)
    • निर्देशक
      • Dallas Bower
    • लेखक
      • Lewis Carroll
      • Henry Myers
      • Albert E. Lewin
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं13

    6.2920
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    फ़ीचर्ड समीक्षाएं

    6TondaCoolwal

    Definition Of Surreal

    What a weird film! So much wrong with it, but so much right about it. Wanted to see this version for years after catching part of it on TV in the 1950s. I've just managed to achieve my goal through a reconstructed edition on Youtube. Having said that, the colour wasn't very good. It needs a proper digital restoration.

    Let's be honest, this is always going to trail behind the Disney version which is warm and cosy. Bower's film trends all of the Victorian attitudes towards children and you feel at times as if you've had your knuckles rapped!

    Carol Marsh is far too old to play Alice, and yet she does it perfectly. Possibly Jean Simmons could have filled the part, but we'll never know. Anyway, like most of the live cast, she has long faded into obscurity. In the framing segment, my favourite was Pamela Brown as the malapropistic Queen Victoria; absolutely right for the role. And to think it was her portrayal that held up the release of the film, being considered disrespectful. Says a lot about deference in 1949 doesn't it!

    Unfortunately, the animated puppets are unappealing, having rather grotesque faces. The best characterization was the White Rabbit, a real unlikeable mean so-and-so. Also, since the opening credits tell us that Carroll based his characters on real Oxford people. I think it would have been better to have the same actors in the framing sequence, in costume as the Wonderland characters; like in The Wizard Of Oz. The scenery is what you would expect. Looking very much like stage props with lots of hidey-holes for the puppets to use. The songs aren't up to much, apart from the fish-footmen sequence which I found highly amusing; Marsh seems to have a good voice; but it's really an uncredited Adele Leigh. Having Lewis Carroll in the scenario was a good idea. But, he comes across as a rather weak character. Not having the courage of his convictions when he has the opportunity to ask The Queen about removing the noisy bell at his Oxford college. Also, I don't understand why there is an American narrator.

    Worth watching for being faithful to the book and for comparison with other movie and TV versions. But, it's never going to be the one you remember.
    didi-5

    scary puppets, sickly songs

    This version of 'Alice in Wonderland' (a co-production between the UK and France) suffered from being released around the same time as the Disney cartoon with little advertising; and through being suppressed from release in the UK due to the portrayal of Queen Victoria in the early pre-fantasy scenes.

    It was also filmed in Ansocolor, a process which has not travelled well if the print in the archives is anything to go by. Carol Marsh is an OK Alice, but looks older than she should be - the puppets are mainly hideous and would be frightening to children (especially the Mock Turtle, the Duchess, and the Mouse Alice encounters in the lake of tears). I did like the footmen-fish however and the combination of live action with puppet work, if a bit creaky, does have charm.

    At the start of the film, we meet the dons of Oxford and the Queen (the Vice-Chancellor then becomes the White Rabbit, the Queen is the Queen of Hearts, with the same actors providing the voices). The switch into the 'Wonderland' story proper comes with a boat trip in which the stuttering Dodgson entertains the Liddel girls to compensate from them missing the visit of the Queen to Oxford.

    There is much to enjoy in this film - the score is good, if a little saccharine, the puppets are memorable (although one or two, especially the Caterpillar, compare unfavourably with their Disney counterparts), and the story still has charm. There is also enough humour to entertain adult audiences while the main story enthrals their children. Recommended, if hard to track down these days.
    6PCC0921

    Color Has Arrived

    After almost half a century, Lewis Carroll's, Alice in Wonderland, has had a bumpy road, when it comes to theatrical motion picture adaptations. Even the audiences from the classic era of film weren't too crazy with the costumes and special effects, that were being utilized in these films. They felt that this kind of a story could never be adapted well into a motion picture. Silent films had the toughest job telling this story, because a lot of the plot in Alice in Wonderland is driven by dialogue. The audiences needed sound. Then the sound versions came out and those versions didn't do well either, because audiences still weren't buying the story of Alice with the technical problems still being there. The best of the classic Alice films is Alice in Wonderland (1933) and the audiences of the day didn't go see it. So, next comes color film and how did Alice's story do with that?

    This new version (for 1949), had color and was produced in France. Up to this point, the film adaptations were all American or British productions. Maybe the French could do a better job this time. What if, they went with something other than costumes for this one. With so much rejection coming from the audiences of the past, about the odd characters in Wonderland, never looking believable, the idea for this film was to use stop-motion photography, to make the characters more authentic to the source material. The French filmmakers than added in more music interludes to the film and created a prologue, which involves Alice having a dream about Wonderland. She is just dreaming of a story, that her friend, Lewis Carroll (Stephen Murray), is telling her. Yes, this is the first adaptation, that includes Wonderland author, Lewis Carroll as a character. This is another interesting change to this story.

    In Alice's dream, she substitutes the characters in the live-action Oxford part of the film with the stop-motion characters in Wonderland. This film has the same problem, that Alice in Wonderland (1931), had, in which, the Alice actress was twenty years old, playing a character, that is supposed to be, barely ten years old. This film works better in that regard, because the costume, hair and make-up works better here, than the 1931 film did. As long as there aren't too many close-ups of her, to give it away, the full-packaged performance does work. I mean, really, that is what acting is all about I guess. Being able to execute a character, no matter what kind, is the whole point of acting. Anyway, the 1931 depiction of Alice was bad, but the age problem doesn't really effect the quality of this film.

    The problem with this film comes from the special effects themselves. It isn't the stop-motion that is the problem, so much as the matting, choice of effects and the practical analogue effects, they had at their disposal, compared to the budget they had. This wasn't a huge Hollywood production, that utilized the best equipment on the market. It was an international picture, who's film industry didn't have as much cash as Hollywood, so the special effects used in this film, look more like effects from the 1930s. Again, the stop-motion effects used in Alice in Wonderland (1949), by pioneering, stop-motion artist, Lou Bunin, is fine in this movie. It is the other effects in the movie that are the problem. Stop-motion photography was huge in the late 1940s and 1950s. It was one of the more preferred means of doing creature effects in films of the time period. The legendary Ray Harryhausen was hitting his stride at this point and Willis O'Brien had just released Mighty Joe Young (1949). Stop-motion was king at this time. Lou Bunin does a nice job with Alice in Wonderland (1949), especially in the climactic scene with the Lobsters. It is a very good depiction of what that scene would look like, especially compared to the previous adaptations of this book. It made perfect sense to use stop-motion effects.

    This film has its problems, mostly related to a grittiness, that doesn't translate well into a vision of being very polished. The story, editing and pace does jump around a little too much. The version of this film I saw was a poorly pixilated, VHS version of the American release. After I watched the American version, I found the French version, but unfortunately the French language version came without English subtitles, but was of a much higher quality. It must have come from a DVD quality print. So, I skipped through the French version and I saw what I was looking for. The higher quality version does improve the qualify of the overall film and the special effects. It helps show the excellent detail of the stop-motion characters that Lou Bunin used. The Lobsters look much better in their pivotal scene. So, try and find the highest quality you can out there, because this film may not be great, but it isn't terrible either. It is a fair effort towards, what has been a difficult story to tell in cinema. It needs 1951 to arrive.

    5.4 (D- MyGrade) = 6 IMDB.
    7Cineanalyst

    Chasing Alice

    Produced and released shortly before Disney's feature-length cartoon version, this "Alice in Wonderland" has a curious legal history whereby Disney frivolously sued to delay or prevent its release and the competition it might bring. Curiouser, the two Alice films share a couple important similarities. They're both animated, although in different ways; Disney's is drawn, and this one is stop-motion puppetry mixed with live action. Both regrettably add songs that lend logic and order to what was otherwise a Wonderland of episodic nonsense. And, yes, Alice is a blonde in a blue dress for both. Apparently, the coloring of this one has become degraded in the intervening years and has since not been restored, plus Disney prevented it from being filmed in Technicolor, so it literally pales in comparison to the colorful Disney picture. Moreover, some now claim the Disney film a "classic," whereas this one remains relatively obscure. That's a shame, too, because it's somewhat more faithful to Lewis Carroll's books and especially the first one, and the "reality" framing device is an insightful bit concerning art reflecting life.

    The outer narrative shows Carroll's story to be "not so simple, because you will see that Lewis Carroll modeled his creatures of Wonderland on the foibles of real people." This framing, then, is similar to the Kansas scenes of the 1939 "The Wizard Oz," which in turn is based on L. Frank Baum's book that was intended as an American counterpart to the Alice books. And, unfortunately, although not likewise photographed in black and white, as were the Kansas scenes in the 1939 film, the outer narrative here is bland. It sets up that the characters seen surrounding Oxford will later lend their voices and attributes to the inner animated story's cast--most of all, of course, that of Alice Liddell and the fictional Alice, as portrayed by the same actress (an adult one, by the way, which is common in film adaptations). Alice mostly provides voiceover narration of her thoughts, which was surely helpful for translation as the film was released in French and English-language versions. The most interesting part here is the inclusion of Charles Dodgson's (a.k.a. Carroll's) interest in still photography, which adds another layer of reflexivity to a film that already features its author as a character telling the story. This largely replaces the usual dream framing, although this is hinted at, too, by the Alice Liddell's reactions to the story Dodgson tells her.

    The main, inner narrative is largely plotted around Alice being chased by the vengeful White Rabbit, whom Alice was pursuing in the first place to land her in Wonderland. He schemes to set her up for the crime of stealing the Queen's tarts after the incident of her causing havoc by growing taller inside his house. Other episodes are also oddly made sense of here; for example, the scene where the mouse decides to recite the driest bit of history he knows--a humorous pun in the book--is turned into a song here, which is hardly dry at all. Nevertheless, the puppetry appreciably lends weirdness to the proceedings, and some of the decidedly-artificial settings are well designed, including the checkered layout of the hall at the bottom of the rabbit hole. The rapid cutting of Alice and the Rabbit running is effective, too. On the other hand, some of the cutting between live-action Alice and the animated puppets seems a blatant workaround to otherwise having to do more composite shots--rendering the fantasy that Alice and the characters of Wonderland are inhabiting the same place less believable. Despite it not all smoothly succeeding, it's interesting how many layers are worked with here, between a real actor combined with puppets and the fictional Wonderland inside the outer world of Carroll as author and photographer and Alice as dreamer of her fictional self.
    6MAK-4

    Lewis Carroll tells Alice about her adventures in Wonderland

    Better known for being suppressed by Disney to protect their 1951 production, this co-French/British production is surprisingly successful at capturing Carroll's logical nonsense. A prologue with author Dodson/Carroll, Alice and her sisters, and a visit by Queen Victoria (splendidly played by Pamela Brown) sets up amusing "clues," a la the Kansas scenes in THE WIZARD OF OZ.

    The main story is told with a live Alice moving through painted sets and wonderful pixilated puppets. There's real eccentric charm and fun in many of the sequences, the fish-footmen are particularly funny with a Gilbert & Sullivan style number to match. Sadly, the "Ansco" color has apparently gone to rack and ruin, but the intentions can at least still be seen. Still, it comes closer to an acceptable Carroll then most adaptations.

    इस तरह के और

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Carol Marsh insisted on doing some of the most difficult sequences herself, when a double would have been permissible. Falling down the rabbit hole to Wonderland entailed a hair-raising thirty-foot drop into a net. A famous French trapeze artist, Mile Roselie, showed her how to make the fall, but Carol completed the scene with bruised knees, scratched legs and six ruined pairs of stockings. Carol found the most difficult scene was the one where she slides down an enormous table leg. It was an almost perpendicular drop, and Carol admits she was very frightened while doing it.
    • गूफ़
      In the end credits Joyce Grenfell is listed as 'Joyce Gronfell'.
    • भाव

      Opening Crawl: Nearly a century ago, a professor at Oxford, Charles Dodgson - better known as Lewis Carroll - wrote a simple story, a fascinating story, called "Alice in Wonderland". But, perhaps the story was not so simple, because you see that Lewis Carroll modelled his creatures of Wonderland on the foibles of real people. The Cheshire Cat, it is told, is really a Dean of Oxford; the Queen of Hearts, the Queen; the Mad Hatter, a tailor; the White Rabbits, the Chancellor; and so on.

    • क्रेज़ी क्रेडिट
      Carol Marsh's on-screen credit reads, "and by arrangement with J. Arthur Rank: Carol Marsh as Alice".
    • इसके अलावा अन्य वर्जन
      The original US running time was 83 minutes. Every US home video version has the US version running at 76 minutes or less due to missing print sections, depending on the US VHS or DVD release you have.
    • कनेक्शन
      Featured in Animation Lookback: The Best of Stop Motion - The First Features (2014)

    टॉप पसंद

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    अक्सर पूछे जाने वाला सवाल14

    • How long is Alice in Wonderland?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 मई 1949 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
      • फ़्रांस
      • यूनाइटेड किंगडम
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Alice Harikalar Diyarında
    • फ़िल्माने की जगहें
      • Studios de la Victorine - 16 avenue Edoard Grinda, नीस, अल्प्स-मैरीटाइम्स, फ़्रांस(Studio)
    • उत्पादन कंपनियां
      • Lou Bunin Productions
      • Punch Films (II)
      • The Rank Organisation
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    तकनीकी विशेषताएं

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    • चलने की अवधि
      1 घंटा 16 मिनट
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      • 1.37 : 1

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    Alice in Wonderland (1949)
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    By what name was Alice in Wonderland (1949) officially released in India in English?
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