Cat-Women of the Moon

Obviously Sonny Tufts was really hitting the bottle when he appeared in this film. He was touted as a new star in the 40's but his messed up personal life really did him in and he was reduced to playing in Grade Z movies and barely getting by. In several scenes he loses his train of thought and because of the low budget the scenes were not re-shot. What a hoot but at the same time pathetic.

This is one of those little sci-fi films that were so popular in the 1950s, usually low budget and inept. But if you are a bad film buff, you can't help but love Cat Women. There are some good actors in this film.....Victor Jory (how far he had fallen!); the wonderful Marie Windsor who made any film in which she appeared worth watching; and Douglas Fowley who was a film staple for years. And then there were the Cat Woman, slinking around in leotards and dog collars.

I won't go into the "plot" but suffice to say it was the same as all the other films which involved lost civilizations on distant moons. It is such fun and if you love low budget films with ridiculous special effects, bad acting and dialogue that makes you cringe, see Cat Women of the Moon. It's a treat!!

For several years this movie had the reputation of being one of the worst movies ever made. Now it seems that bad reputation has cooled off since many other worse films have been remembered. Cat-Women Of The Moon is the story of four men (Sonny Tufts, Victor Jory, William Phipps, and Douglas Fowley) and a woman (Marie Windsor) who blast off in a rocketship, and land on the moon. On the moon they encounter large spiders, and the cat-women. The moon no longer has any male inhabitants, and it is learned the cat-women plan on stealing the rocketship to take a few of them back to our planet. The cat-women would then take over the world! The cat-women have telepathic powers to gain information from the male crew members, and make the female crew member a sort of guest cat-woman. The movie has some stuffy dialogue, but a lot of dialogue is hilarious and will bring unintended laughter. The repeated shots of cat-women silhouettes against cave walls becomes humorous, and there's a well known flub in which a cat-woman calls one of the crew members by the wrong name! The "exotic" dance number the cat-women do may also bring laughter. The special effects and large, cave spiders may bring on even more laughter. The acting of the rocketship's crew members is certainly not good, but it is certainly not the worst that can be seen in movies. Victor Jory and Marie Windsor probably do the best where acting is concerned from the crew members. Acting by the cat-women is worse. Most of the cat-women were billed as The Hollywood Cover Girls, which alone should indicate this movie contains a high amount of camp and unintended laughter. Music by Elmer Bernstein is mostly unnoticeable, and when it is noticed it is clearly not his best work. The mental telepathy aspect between the cat-women and the earth woman is interesting. Watching Cat-Women Of The Moon with a friend or in a group may be a laugh riot! How can you not laugh at those sappy, facial close-ups of crew man Doug (William Phipps), and cat-woman Lambda (Susan Morrow) as they fall in love; Marie Windsor's screaming; the way the cave spiders scream while being stabbed and shot; the painting that is supposed to be the city of the moon inhabitants in the distance; etc? Cat-Women Of The Moon can be enjoyed in a low-budget, comic book way, and may bring on a lot of unintentional laughter!

It says so much about the production that an early scene in which a character ascends a ladder is capped off by the actor hitting his head on the ceiling of a chamber in the spaceship - at which point the ceiling very obviously moves. The film is easily dated: black and white photography, meager practical or special effects and props, characters and dialogue written from a male-centric perspective on gender, and so on. 'Cat-women of the moon' is direly ham-handed, as one would surely expect of a genre picture from the 1950s. Still, if you can overlook the indelicacies of the timeframe, this isn't half bad.

The set design is actually quite fine, and I appreciate the consideration for details like hair, makeup, and costume design. Though coerced into a certain overtness by the writing and direction, I think the assembled actors give performances that are quite suitable. It's noteworthy that celebrated film composer Elmer Bernstein wrote the score for this slice of cinematic tomfoolery, one of his earliest credits in a long and fruitful career. The music undeniably echoes similar sci-fi fare of the era, but - though I admit bias - I think there's a subtlety and cleverness that shows the beginnings of what Bernstein would go on to achieve.

The scene writing and overall narrative are terribly gauche, but not outright terrible; I've borne witness to far worse screenplays. You'll never see me call this "great," however. Because for whatever strength there is in the concept, 'Cat-women of the moon' also creates a distinct dichotomy in which men are heroes, and strong, independent women are villains. But oh, wait, of course the power of love can overcome the influence of evil. Moreover, the climax is written and executed with extreme, curt, unconvincing inauthenticity, and at that, there are no surprises here - the plot is very predictable. Were this movie made in the 70s or later, one could easily imagine more inventive, subversive directions the tale may have taken - but with rare exception, we just weren't going to get that in the 50s.

Not absolutely bad, but not really good, the movie just languishes somewhere in the unremarkable middle. Surprisingly, there's enough here to keep us mildly engaged and amused, but I think it would be a stretch to claim any greater sense of entertainment. There's no reason to seek out 'Cat-women of the moon' (and no, there are no actual felines here), but so long as you can abide dubious writing and the shortcomings of the decade's technical craft, there are worse ways to spend an hour.

Mission Commander Sonny Tufts and his crew of space explorers brave the perils of a hostile Moon. They are threatened by a giant Moon spider and captured by telepathic lunar Amazons in black tights. A love triangle develops between Sonny, one of the Moon women, and a fellow crew person (Marie Windsor).

Okay, so it's not a great movie, but it was originally filmed in 3-D, and the music is by Elmer Bernstein (who scored both `The Ten Commandments' and `Robot Monster'. What a career!).

The 1958 film `Missile to the Moon' is essentially a remake, complete with the giant spider. The only improvement it makes is to give the girls more colorful costumes.

Just for the record, the other films with all-girl alien worlds are `Queen of Outer Space', `A & C go to Mars', and `Fire Maidens from Outer Space'. The girls in `World Without End' are from Earth, and there are a few men, but they're wimpy compared to the astronauts who show up to romance them.

This film was originally released in full stereoscopic format in 1953, and a regular B/W print was released later under the title "Rocket to the Moon". The film is of historic interest as it was one of the first (perhaps the first) of many Sci-Fi movies about space travellers who encounter a "lost" civilization of nubile young women, not only in attractive dresses and perfect coiffures but also speaking perfect English. This theme was so successful that it has been repeatedly followed right up to today when everyone has a much more sophisticated understanding of the realities of space. Historically, it is interesting to compare this film with those of the same genre released more recently such as Femalien or the Emmanuelle in Space series. Over the two generations since Rocket to the Moon was released, films of this genre have gradually changed their intended appeal by becoming primarily skinflicks rather than Sci-Fi thrillers.

It is unfortunate that Hollywood quickly lost interest in the complexity of producing good stereoscopic films (which are most often now featured in specialist theatres such as the IMAX), and instead has followed what I feel has been a largely disasterous attempt to explore the potential of anthropomorphic lenses even though in the majority of cases these have no conceivable artistic contribution to make to the final product. Although produced for polarised projection, Catwomen of the Moon is one of the very few 3D films which has been made available on VHS tape in analglyphic (dual colour) stereographic format. It has also been released as a DVD, but in non-stereographic format. Whilst the analglyphic tape version will remain of interest to a most people interested in the history of the cinema, I find it very hard to understand the choice of this film for release as a regular DVD.

This film was not produced on such a low budget as some of its successors. The view of the rocket itself gives the impression that at a pinch this might be large enough for a small monkey, but for its period it makes a serious attempt to show the need for features such as spacesuits for the crew of the rocket. After their rocket lands on the dark side of the moon the astronauts find a deep cavern where air still exists and where these suits can be dispensed with. Scientific improbability returns when they travel back to the surface wearing casual sports clothes and encounter a fairly normal gravitational pull. More surprisingly (?), the cavern is occupied by giant spiders and a group of nubile catwomen who are threatened with extinction, not by the complete absence of any men but by the gradual loss of their air. Logically they therefore plan to steal the rocket and return to Earth in it. The whole plot is worked out in just over an hour (64 min) of quite easy watching; however the story (plot?) does not have the charm shown by the film Fire Maidens of Outer Space which appeared three years later. This is unfortunately not currently available in any home video format, although in my opinion it provides a more enjoyable example of movie nostalgia than the Catwomen.