L'arciere delle mille e una notte

If you are looking for a mindless but entertaining fantasy film that would be great for children, has a lot of exciting twists and turns and magical happenings, THE GOLDEN ARROW fills the bill nicely. Tab Hunter is perfect visually as the outcast who must prove himself and defeat all foes to win the hand of his love. As this featured a major star, it had a bigger budget than many cheap Italian costume epics with lesser-known Americans (it's comparable to, say , a Steve Reeves movie), so it's colorful and visually exciting. Director Antonio Margheriti (aka Anthony Dawson) turned out all kinds of genre films in the 60s and after--westerns, peplums, horror, spy, erotic, giallo, science fiction, etc--and generally produced an exciting, fast-moving product. The only flaw with this film--and, unfortunately, it's a major one-- is that Tab Hunter did not dub his own voice in the English version of the film (at least in the one I'm watching). That seems odd because Hunter has a distinctive voice that would have been well-known to American audiences of the day (as opposed to, say, Brad Harris or Richard Harrison or even Steve Reeves--who would know what THEIR real voices sounded like?). Also, in other European films that are quite obscure and were certainly NOT made with the US theatrical market in mind--films like SHOTGUN and THE LAST CHANCE-- Hunter DOES do his own voice. He certainly is doing his own voice in Sidney Pink's Spanish-made FICKLE FINGER OF FATE (See my review). Why MGM, a major studio, would not have paid Hunter to spend a few days in post-synchronization I don't understand. The voice assigned him is not TOO ill-fitting for his character, but it clearly is not Tab Hunter. While I enjoy the film and have watched it a few times over the years, I find it difficult to forget this as I'm watching THE GOLDEN ARROW. Still, it's a fun way to kill 90 minutes on a rainy afternoon, and it looks great (my copy is letter-boxed, fortunately). If it had featured Mr. Hunter's own voice, I'd consider it a classic.

Whilst watching this, I couldn't help wonder if Tab Hunter would have made a decent Lawrence of Arabia? He certainly has the looks in his white garb! Sadly though, as an actor his talents don't stretch a great deal further in this amiable fantasy adventure. He has to beat three suitors and a manipulative vizier to win the hand of the Princess "Jamila" (Rossana Podestá). Luckily, he has three genies to help him out as he seeks the golden arrow that will prove his identity as the heir to the kingdom and a worthy husband for the princess. The production is pretty basic, but this is still a colourful romp with plenty of action, bows and arrows, magic carpetry and Hunter has a distinct glint in his eye - especially when talking to people who are clearly going to be superimposed by the visual effects people later! At least they all went to Egypt to film the exteriors, and there is plenty of light-hearted action taking us to the inevitable - and really quite entertaining - battle at the end. I quite enjoyed this.

It's pollyanna-ish reviewing to give anything over a five to a movie where the English speaking actors are dubbed into English. This movie isn't bad. It's just mediocre. It was a product of its time -- Italian productions sold to English speaking audiences for its T&A tease, both male and female (sword and sandal movies, anyone?).

This film has the colors of a cartoon but much less excitement. The three genies are dull, everyone is dull.

The action and costumes and alligator dungeon might have some appeal, but strictly for children.

Even for kids, it is all quite saccharin.

The is much better out there.

Heroic bandit Hassan (Tab Hunter), the rightful Prince of Damascus, falls in love with the Princess Jamila (Rossana Podestà) and, with the help of three genies, searches for the mysterious 'Golden Arrow' before returning (by magic carpet) to save the city from the evil Prince of Basra (Renato Baldini) and win Jamila's hand in marriage. Directed by Antonio Margheriti (the hand behind the 'Gamma One tetralogy' of colourful low-budget space operas), this moderately-budgeted sword and sorcery demi-epic is an odd mix of excellent and awful. The sets and backgrounds are often impressive (the opening scenes especially), as are the ___location shots in Egypt, the climactic battle scene (before the genies arrive and inject some slapstick into the fight), and the model city Hassan flies over. Some of the 'practical' effects (such as the burning men or the flying carpet that Jamila steps onto at the end) are quite convincing but the optical effects (mattes, superimpositions etc) are terrible (notably the scenes involving the magic arrow or the three genies). In a triumph of colour-blind casting, Hunter may be the least likely-looking 'Hassan' to ever don curly-toed shoes, but the double-dubbed American teen idol seems to be having fun in the improbable role, athletically avoiding the mostly incompetent palace guards and performing his own horseback scenes. The rest of the cast dutifully discharges what is expected from them in an English dubbed peplum although the 'comic relief' genie antics get tiresome quickly. A colourful silly time-passer for kid's not too spoiled by CGI and for aficionados of this sort of endearingly goofy shtick.