Inside Moves

Let me start out first with a bit of a disclaimer: I am disabled, so I was either going to love this movie or hate it, depending on how real things seemed to me. So my comments have to be seen in that light. Here goes:

This is a very good film, with a good cast, some excellent performances and I love the script. But the thing that impresses me the most about this film is its portrayal of the disabled. They come across as average, normal people-sometimes they're jerks, like most people and sometimes they're nice folks, like most people. There is nothing inherently heroic about being disabled. Conversely, the disabled should not be hermetically sealed off from society for their protection (or yours). All too often, peole make assumptions about people and far too many are made about the disabled. End of sermon.

The other thing I like about this film, although it is admittedly a bit too pat, is the ending of a couple of plot threads. Suffice it to say that Several of the characters get what they deserve, good and bad. I love the poetic justice (or karma, if you prefer) at the end, in the basketball arena. Most recommended.

I happened upon this movie at the video store and had to rent it because it'd been years since I first saw this movie in the early 80's. This was the movie that introduced me to my now all time favorite actor, John Savage. I truly loved him in this movie as Roary, a man who attempts suicide and ends up a cripple. His handicap leads him to meet some amazing people he might never have had if he wasn't. Through them, he learns about true friendship, love and acceptance for who you are. The ending also tugs at you when Roary explains why he tried to kill himself. A person could really relate to his reasoning why and you can feel the emptiness he must have felt. If you are a John Savage fan and haven't seen this one yet, I highly suggest it, if you can still find it in the video stores.

This is a movie about the kind of people most of us spend our lives trying to avoid: drunks, whores and cripples of every description. The setting is seamy, mostly taking place in an old neighborhood bar; no ferns here, no clever reparte between beautiful people. The is a story of loneliness and not a little darkness, leavened with gentle, often self-effacing humor.

The miracle here is the degree to which you wind up truly caring about what happens to these folks. The action in the movie is simple. The people are not, and it is a remarkable feat of storytelling to bring this ensemble to such rich, moving life.

This is truly a sleeper, Steinbeckian in its evocation of the common humanity in us all.

It's been many years since I've seen this film, but I've never forgotten it. There's little I can offer in terms of praise that hasn't already been posted here by other commentators.

It's a film about adversity, finding friendship, and finding the inner strength to rebuild and embrace life for what it is. It's a film that shows people with physical disabilities in a very normal light, showing them to be neither noble-handicaps nor pitiful cripples, but as normal everyday folks with all the faults and good points of humanity. It's a film about coping with one's own decisions, and overcoming life's challenges.

There's some mild profanity, and references to adult situations, as well as some violence, so be warned ahead of time. It's a film the likes of which I have not seen since, and am hopeful that it'll see a DVD release someday. Until then we'll just have to wait :-(

In the meantime if you get a chance to view it, then do so :-)

I have a very subjective method of measuring some of my all time favorite movies. If I'm surfing the remote and "hit" the movie that I just can leave, then that's it. I did this last night and when I hit "Inside Moves". This is a extremely comfortable and beautifully paced film . The scenes in Max's are so warm and intimate you feel if your in the corner of the bar observing the intimate relationships and comaraderie of the supposedly "special " people that live there. Yes, they are special..they're only aspirations are enjoying each other's company and accepting each other and their metamorphical handicaps. The scene where Louise admits she is frightened by a potential romantic realtionship with Rory is honest and heartbreaking. After checking the credits on Inside Moves I was surprised and then nodding in agreement, why it's a classic. Written by Barry Levinson...enough said..