Holy Smoke

Most of Jane Campion's films make me uncomfortable. This one was no exception. But I liked it. And it has grown on me.

Having investigated eastern philosophy and western mysticism for years, I appreciate Jane Campion's competency in dealing with themes of a metaphysical nature. I was stunned by her use of metaphor in "The Piano," a constant returning to the place of origination, the synergy of yin and yang, the veil of illusion, and the mystery of expression ("the word").

Holy Smoke is more direct in its approach, but effective in exploring themes of power and love as both intimate and universal life forces. As usual, Campion approaches her subjects with an unflinching, but sympathetic, eye.

I am always nearly a fan of Campion's production values: I love the saturated, dark colors, the carefully contrived shots, the whimsical and sparing use of special effects and humor, and typically incredible casting.

While appealing on an aesthetic level, what appeals to me most about "Holy Smoke" is that it deals with some of my favorite themes: the illusory nature of "reality," the vulnerability, and power, of the human mind, and heart, and the sometimes shocking, sometimes humorous ways that we learn from the wisdom of the universe.

In "Holy Smoke," when I saw PJ Waters get off the plane to the sound of Neil Diamond singing "I am I said... I am I cried," I took notice, and became expectant of a punch line somewhere down the road.

This film could be called flawed, and is definitely not for everyone, but I come away from it feeling empowered, humbled, and amused--and appreciative of the sensitive, creative, adventurous spirits who made it.

PJ Waters is retained as an expert to de-program Ruth, but the Universe has other plans in mind... I love it.

Holy Smoke has two good performances from Kate Winslet and Harvey Keitel. It also has some nice cinematography and some interesting visual tricks, but apart from that, the film is kind of a mixed bag. The story concerns Winslet's family trying to break her from the hold of a religious sect in India. Harvey Keitel is called in by the family to break Winslet and return her to her family. What follows is a three day odyssey that contains an odd transformation from both characters. I'm not sure how I felt after seeing the film, to tell the truth I'm still not sure what the film was saying.

If you are a Harvey Keitel fan this movie is worth seeing. I felt the story was somewhat confusing and wandered towards the end. Ruth, the Kate Winslet character, seemed to be a dippy spoiled suburban girl who finds some emotional depth in India. Given the family she grew up with she could have found emotional depth in a local Indian restaurant. Once she returns to Australia and gets deprogrammed she falls back into her air headed ways. Did the difference between the two states have to be so overstated? I didn't like the Ruth character. Ruth lacked depth but had the curiosity to seek it out. She used her youth, beauty and ripe sexuality to manipulate PJ. I would have been manipulated. She was hot. Her feminist sayings did not have conviction but seemed like repeated magazine slogans. If she was ten years older and didn't look as good nude would she still have the same effect on people? Would the story have been the same if Ruth was in her 40's. Ruth lacked substance but had beauty. Beauty killed the PJ beast.

The interesting and important themes dealt with make this movie well worth watching.

First you think that it will be a simple educational movie about cult addiction and recovery - but then the plot starts to get complicated. Maybe even a bit too complicated, because the end part of the movie feels rather artificial.

The story tells about very important and even universal things: meaning of life, feelings of emptiness, relationships of leaders and their pupils, human nature, need of love. But though those themes are thought provoking, the movie itself lacks a lot as a movie. I cannot help thinking that someone could have made this into a much better movie (shouldn't be the fault of the makers though, many of them have had good artistic achievements).

The persons lack enough depth. The truly complicated nature of people is not - after all - portraited realistically enough in this movie. Because of that you never start to take the movie seriously enough despite the many dead serious themes dealt with.

Very difficult movie to rate. In purely artistic sense, the movie: acting, directing, filming etc. is worth maybe 6/10, but because of the important thought provoking subject, I give it a much better 8/10.

Jane Campion takes us to dark territory again in 'Holy Smoke' but this time with a touch of comedy. I am surprised at the negative response so many have claiming that it is anti-feminist blah blah blah or that it is a comedy with no substance. On the contrary, I find 'Holy Smoke' to be a provocative piece full of substance.

The refreshing novel concept is pretty daring and Campion balances both dark humour and intensity. She tackles various relevant themes such as respect and care within the family (the mother is the only one who seems to be concerned about what happened to her daughter in India while the father is totally indifferent), sexual manipulation, spirituality vs brainwash, power control and so on. The viewer is totally absorbed on how the de-programmer 'saves' Ruth but things take unexpected turns and we start questioning who exactly this PJ Waters is. The relationship between PJ and Ruth gradually becomes reminiscent of that between Lolita and Humbert (from Kubrick's 'Lolita'). The dysfunctional family is portrayed in a funny light but the characters's (especially the women's) despair and struggle is evident such as Mom being concerned about her daughter and Yvonne who is unhappy with her sex life. Campion, with the help of the actors, creates this whole mysterious atmosphere through the characters. We are given some nice glimpses of the isolated dry Australian landscape.

The performances are terrific. Kate Winslet, even though occasionally switches back to her own British accent, acts phenomenally. She already made a brave choice by choosing such a risky role and the actress just shows how comfortable she is in the skin of her character and mesmerizes the viewer. Harvey Keitel does nothing short of a fine job but he is obviously overshadowed by Winslet. The supporting cast, especially Sophie Lee (as Ruth's desperate and sleazy sister-in-law) and Julie Hamilton (as the concerned and loving mother).

'Holy Smoke' is a well-made and brave film. Clearly it is not for everyone. There are very few movies that are both funny and thought-provoking. 'Holy Smoke' is one such captivating film.