अपनी भाषा में प्लॉट जोड़ेंA small-town beauty pageant turns deadly as it becomes clear that someone will go to any lengths to win.A small-town beauty pageant turns deadly as it becomes clear that someone will go to any lengths to win.A small-town beauty pageant turns deadly as it becomes clear that someone will go to any lengths to win.
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Laurie A. Sinclair
- Michelle Johnson
- (as Laurie Sinclair)
फ़ीचर्ड समीक्षाएं
This is a seriously funny film, deeply subversive and a great piece of work. What it's not is a satire on the vacuousness of beauty pageants.
DDG aims at the emptiness of our whole materialistic culture and the way we have traded in the more valuable things in life for the pursuit of a perfect self image and will even cash in that perverted, limited objective for a few minutes of fame on TV. Life is a house of cards with hidden truths under every shiny surface.
The humour is so dense and the jokes are so profligately thrown around that it occasionally feels like an incarnation of The Simpsons, 54 episodes of which benefited from the efforts of DDG scriptwriter Lona Williams. She may have written your favourite. The performances are no less praiseworthy with outstanding leads and fabulous and memorable minor characters. Look out for the Sheriff. Amongst them all, I'll single out two which I think are pitch perfect, Sam McMurray as the ruthless father in thrall to his wife and daughter and Nora Dunn as the drunken 'has it come to this?' State Pageant organiser. There are lots of others to choose from.
Every you time you watch you get something new, enabling you to rejoice further in the fact that half the people who watch it don't get any of it at all. In fact it's so sharp that even people who like this type of thing can get cut to pieces by it. We are, after all, watching ourselves. Mind your fingers . . .
Most smartest and funniest American film since The Producers? Yes, it's THAT good.
DDG aims at the emptiness of our whole materialistic culture and the way we have traded in the more valuable things in life for the pursuit of a perfect self image and will even cash in that perverted, limited objective for a few minutes of fame on TV. Life is a house of cards with hidden truths under every shiny surface.
The humour is so dense and the jokes are so profligately thrown around that it occasionally feels like an incarnation of The Simpsons, 54 episodes of which benefited from the efforts of DDG scriptwriter Lona Williams. She may have written your favourite. The performances are no less praiseworthy with outstanding leads and fabulous and memorable minor characters. Look out for the Sheriff. Amongst them all, I'll single out two which I think are pitch perfect, Sam McMurray as the ruthless father in thrall to his wife and daughter and Nora Dunn as the drunken 'has it come to this?' State Pageant organiser. There are lots of others to choose from.
Every you time you watch you get something new, enabling you to rejoice further in the fact that half the people who watch it don't get any of it at all. In fact it's so sharp that even people who like this type of thing can get cut to pieces by it. We are, after all, watching ourselves. Mind your fingers . . .
Most smartest and funniest American film since The Producers? Yes, it's THAT good.
I wasn't expecting this. With an amazing cast and funny scenes, this satire surprised me greatly.
The movie is about this pageant competition in a small town. Everyone is weird and that is What makes this film really fun.
The movie is about this pageant competition in a small town. Everyone is weird and that is What makes this film really fun.
From the moment front-runner Tammy Curry (Brooke Bushman) is blown to pieces on her sabotaged tractor, it's clear this beauty pageant will be fought tooth and nail. And it ain't gonna be pretty.
In the small Midwest community of Mount Rose, Minnesota, the Sarah Rose Miss Teen Princess contest is into the final furlong. But for all the sugar-coated spoutings of world peace and harmony hairspray, it's a question of victory by any means necessary - as a roving documentary film crew discovers.
In the Blue Ribbon rhubarb pie corner is Becky Leeman (Richards, rich kid daughter of former winner and rabidly proud officiating beauty pageant President Gladys (Alley). And in the red, trailer-trash corner is morgue make-up artist Amber Atkins (Dunst), championed by her boozy mother Annette (Barkin) and her mother's morally suspect best friend Loretta (Janney).
Casting wise it's spot on, as Alley launches with smiley, viper spitefulness into a beacon of single-minded hypocrisy, and is well matched by Richards, even if she looks the least convincing high school teenager since Stockard Channing's Rizzo enrolled in Rydell High. Dunst meanwhile blossoms into a very accomplished actress, and - together with Barkin and Janney - claims most of the prize lines.
If there's a weakness it's that the mockumentary approach doesn't always work, and the film drags on a little too long after a seemingly natural conclusion. Still, the dark laughs are consistent, and the parody of middle America's bizarre beauty contest fixation is spiked with some jolting shock tactics - from the nurse-assisted wheelchair dance by the reigning anorexic crown holder to Richards' hilarious (not to mention blasphemous) love song for Jesus - but such blackness never obstructs rooting for Dunst's likable teen. An outrageous, deliciously bad-taste classic.
8/10
In the small Midwest community of Mount Rose, Minnesota, the Sarah Rose Miss Teen Princess contest is into the final furlong. But for all the sugar-coated spoutings of world peace and harmony hairspray, it's a question of victory by any means necessary - as a roving documentary film crew discovers.
In the Blue Ribbon rhubarb pie corner is Becky Leeman (Richards, rich kid daughter of former winner and rabidly proud officiating beauty pageant President Gladys (Alley). And in the red, trailer-trash corner is morgue make-up artist Amber Atkins (Dunst), championed by her boozy mother Annette (Barkin) and her mother's morally suspect best friend Loretta (Janney).
Casting wise it's spot on, as Alley launches with smiley, viper spitefulness into a beacon of single-minded hypocrisy, and is well matched by Richards, even if she looks the least convincing high school teenager since Stockard Channing's Rizzo enrolled in Rydell High. Dunst meanwhile blossoms into a very accomplished actress, and - together with Barkin and Janney - claims most of the prize lines.
If there's a weakness it's that the mockumentary approach doesn't always work, and the film drags on a little too long after a seemingly natural conclusion. Still, the dark laughs are consistent, and the parody of middle America's bizarre beauty contest fixation is spiked with some jolting shock tactics - from the nurse-assisted wheelchair dance by the reigning anorexic crown holder to Richards' hilarious (not to mention blasphemous) love song for Jesus - but such blackness never obstructs rooting for Dunst's likable teen. An outrageous, deliciously bad-taste classic.
8/10
I never expected to enjoy this movie. In fact, I thought I was going to hate it. "Beauty pageant themed, chick-flick comedy", right? Stupid jokes about hair, dresses, and stuff I couldn't care less about, right? Wrong. It's presented in that faux-documentary (or mockumentary) style that Christopher Guest has perfected. It pokes fun at middle America, small towns, that sort of "redneckish patriotism" we see so often, and of course the way these contestants (and their parents) take themselves WAY too seriously. It also shines as a mostly female comedic sandbox where Allison Janney, Ellen Barkin, Kirsten Dunst, Brittany Murphy, and Kirstie Allie can show off their comedic skills (I had no idea that some of them had it in them). All I can say is that it's hilarious. Will Sasso is the greatest "handi-capable" character ever put on film. His "cheerleading" as Kirsten Dunst spells every state in alphabetical order is comedy gold. If you don't laugh...you're dead inside.
Being from Minne-sohtah, I couldn't have asked for a better parody of the state, the people, and the whole beauty pageant thing. It's a great dark comedy with wonderful acting and accents(minus Denise Richards who can seemingly act only one way...badly). It's fun and light-hearted, taking even touchy subjects and making them goofy enough to laugh at. I recommend this movie as a 9 out of 10. And for anyone who hasn't ever eaten bars and hotdish in a church basement or community center in small town Minnesota, this movie makes you feel like you are really there... Lucky you.
क्या आपको पता है
- ट्रिवियाScreenwriter Lona Williams was herself a contestant in local beauty pageants. She appears in the film as Jean, the pageant's non-speaking third judge.
- गूफ़When one of the contestants acts the monologue inspired by Soylent Green (1973), she says that the story occurs in 2024, the actual date in the movie is 2022.
- भाव
Amber Atkins: Loretta, never have kids.
Loretta: Oh, honey, God bless ya for thinking I still could.
- क्रेज़ी क्रेडिट(referencing Hank's request to be freed from the car door) It is the policy of the documentary crew to remain true observers and not interfere with its subjects.
- साउंडट्रैकWatch You Sleep
Written by John Paul Keith
Performed by The Nevers
Courtesy of Sire Records Group
By arrangement with Warner Special Products
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Drop Dead Gorgeous?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Dairy Queens
- फ़िल्माने की जगहें
- Waconia, मिनेसोटा, संयुक्त राज्य अमेरिका(main street)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,05,71,408
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $39,86,269
- 25 जुल॰ 1999
- दुनिया भर में सकल
- $1,05,71,408
- चलने की अवधि1 घंटा 37 मिनट
- रंग
- ध्वनि मिश्रण
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