अंतरिक्ष यात्री, और उनका रोबोटिक कुत्ता ऐमी (AMEE), खत्म होती धरती को बचाने के तरीके मंगल ग्रह पर ढूंढते हैं, पर मिशन बुरी तरह से उलट-पुलट हो जाता है.अंतरिक्ष यात्री, और उनका रोबोटिक कुत्ता ऐमी (AMEE), खत्म होती धरती को बचाने के तरीके मंगल ग्रह पर ढूंढते हैं, पर मिशन बुरी तरह से उलट-पुलट हो जाता है.अंतरिक्ष यात्री, और उनका रोबोटिक कुत्ता ऐमी (AMEE), खत्म होती धरती को बचाने के तरीके मंगल ग्रह पर ढूंढते हैं, पर मिशन बुरी तरह से उलट-पुलट हो जाता है.
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
6 out of 10
It starts with a slow tempo, and although the whole movie takes place far from earth, we are not blinded by non-stop special effects. Instead Anthony Hoffman gives us the story he is telling and does not care much whether he satisfies the science-fiction lovers. By staying away from the unnecessary effects, he keeps our attention on the theme.
The suspense in the movie is quite good, although not many big surprises occurs.
Biggest negative point for me (as a guy not interested in effects but in the way the director tells what he has to say) is Hoffman fails to show us the relationship between the crew and gives us his characters with simple out lines. I guess he knows his weakness here, and so he makes his captain (Carrie-Anne Moss) describe all her crew members one by one.
Finally if you are not especially looking for a science-fiction but say you can watch one, Red Planet will not be a very bad choice. I rate the film 6, but its 6,5 actually.
Both movies were hastily put together, not out of any creative impulse, but purely to capitalize on the spike in public interest in Mars exploration after the 1997 Pathfinder mission with its Sojourner rover. Both involve manned missions to Mars in spin ships, both expeditions encounter some sort of disaster in Mars orbit in order to kill off a few characters and inject some drama, and both involve the discovery of alien life on the surface. Both premises are highly derivative with cookie cutter dialogue and plot structure hastily adapted to a Mars theme.
Both were also staples of my childhood, but I can honestly say that I did not remember the dialogue in this film being so utterly pathetic. It's as if they didn't have time to write a proper screenplay so they just unboxed a premade 'action adventure movie script', slapped a Mars theme on it, and called it a day. This is some real straight-to-video stuff. There's very little abuse of scientific jargon because they don't even attempt to use scientific jargon. The ship gets hit by a 'solar storm' and it's just 'dead in the water'. Sure, that's sufficient information...
The CGI is somewhat worse than Mission to Mars. At least they tried to hide it tastefully in that movie, here they're trying to make it the main attraction, 10 years too early.
Mission's soundtrack is pretty pretentious but at least it's not total garbage. Red Planet gives us 90's club music. This movie would have been better with less audio in general, let us take in the few worthwhile panoramic shots in peace.
OK, OK, OK. The bit where the Russian lander has a little distressed cartoon bear cosmonaut is pretty memorable for its originality. I mean, it's sort of unintentionally hilarious, but it's memorable. The design of the killer robot is also pretty iconic, totally impractical, but iconic. And the scene where the bug creatures move in unison across the plain is pretty interesting. So this movie has its moments. But on the whole, pretty bad.
While "Mission To Mars" dealt humans "visiting" the planet and dealing with the "face on Mars" and a previous civilization living on that planet at one time, "Red Planet" dealt with humans trying to "colonize" the planet but running into a problem they didn't count --- life still being there.
I would suggest viewing both movies as companions to each other.
The problems with RED PLANET: Val Kilmer is miscast. He doesn't seem interested in the story and his acting is lazy. He looks like a lost surfer dude on Mars. They should have hired another actor instead of Kilmer. Some characters were weak (Stamp and Bratt). The designs of the ship's interior were a tad cheesy. The dialogue was sometimes terrible. And the story had some major holes in it, like the idea that the ship's censors didn't detect the breathable atmosphere on Mars.
But aside from those problems, the rest is fun. It's a straight forward science fiction story. If you don't like that kind of story, you'll certainly won't like this. It reminded me of ROBINSON CRUSOE ON MARS or PITCH BLACK, in the way it respected the sci-fi themes and elements without watering them down for the audience. Tom Sizemore and Carrie-Anne Moss are excellent in their roles. Some of the cinematography is excellent. And while the fx are uneven (sometimes spectacular, sometimes obvious), the overall look of the film is always credible. And the ending is thrilling.
If you like straight forward science fiction films like me, you'll enjoy this movie.
क्या आपको पता है
- ट्रिवियाIn her report back to Earth, Bowman (Carrie-Anne Moss) refers to the state of HAB as being "tango uniform". This is phonetic military slang for "tits up", meaning dead or destroyed.
- गूफ़(at around 1h 3 mins) Burchenal says he is an expert in genetics, yet he refers to the 4 DNA nucleotides as A, G, T and P. They're actually A, C, G, and T. It's corrected in the German dubbed version.
- भाव
Chantilas: [Suppose] we just finished poisoning the earth and everyone was dead in a hundred years. Then what was the point of anything? Art, beauty-all gone-the Greeks, the Constitution, people dying for freedom, ideas. None of it meant anything? What about religion? Do we give up on God too?
Gallagher: You didn't just give up being a scientist one day, did you?
Chantilas: I realized science couldn't answer any of the really interesting questions. So, I turned to philosophy. I've been searching for God ever since. Who knows, I may pick up a rock and it'll say underneath, "Made by God." The universe is full of surprises.
- क्रेज़ी क्रेडिटIn the credits, Pettengill is spelled Pettengil (one "l").
- साउंडट्रैकWhen the World Is Running Down (You Can't Go Wrong)
Written by Sting
Published by Magnetic Publishing Ltd.
Administered by EMI Blackwood Music, Inc.
Performed by DifferntGear vs. The Police
Courtesy of A&M Records/Pagan Records
Under license from Universal Music Enterprises
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Planeta rojo
- फ़िल्माने की जगहें
- Coober Pedy, South Australia, ऑस्ट्रेलिया(surface of planet Mars)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,74,80,890
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $87,21,296
- 12 नव॰ 2000
- दुनिया भर में सकल
- $3,34,63,969
- चलने की अवधि1 घंटा 46 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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