Bon voyage

Director and auteur Jean-Pierre Rappenau was 8 years old during the spring of 1940 as France's Third Republic disintegrated in a matter of a few weeks. It was a time, he says, when "all the adults were a little bit insane." He and the production staff have lovingly and meticulously recreated that world in a film where all the characters are essentially fictional. The structure, a classic farce, is ideal for the period as multiple plot lines zip and intersect only to come together in a logical, satisfying conclusion. The peg for this plot is Frederic, played by brilliant newcomer Gregory Derangere, who is fully up to playing opposite Adjani, Depardieu and Ledoyen. The real strength of the film is in its supporting performances. M. Rappeneau has cast the film exquisitely with actors who volunteered ideas for both action and dialogue and who know and prove that it is possible to fully realize a character with just two short sentences of dialogue. Though not yet as widely influential as Renoir's 'Rules of the Game,' 'Bon Voyage' richly deserves to be a companion piece to that classic. Though it demands a lot of the audience, it gives much back. One of its demands is tolerance for a certain coyness and misdirection as to the exact genre we are watching: a crime melodrama, no, a spy thriller, ah, a romantic comedy. Recommend it to cinemaphile friends. Just be sure to let them discover for themselves that it is a romantic comedy.

I have little to add to the raves and cogent analysis of the Briton below, and I will certainly not re-tell the story. What is there to say?, but there is a multiplicity of characters (incl. cameos of historical figures), all kinds of situations . . . set in a historical events that most people with (my) cursory knowledge of French history would be hazy about.

BON VOYAGE is great film. WHY can I not be cultured like everyone else and know French? To understand this movie, MAN ON THE TRAIN, TIME REGAINED, WIDOW OF ST. PIERRE . . . and on. Yet more evidence of a jejune life, just an intellectual roue.

Run, don't walk. See it.

In Paris, a few months before the Nazi invasion, the manipulative actress Viviane Denvers (Isabelle Adjani) uses her former sweetheart Frédéric Auger (Grégori Deràngere) to hide the body of a man killed by her. Frédéric hits the car, the dead man is found and he is sent to prison. When the Germans invade France, Frédéric escapes with another prisoner, Raoul (Yvan Attal), and they become friends. In the runaway to Bordeaux, they meet in the train Camille (Virginie Ledoyen), the young assistant of the physicist Professeur Kopolski (Jean-Marc Stehlé), who is trying to leave France with his research of heavy water. Once in Bordeaux, the group meets Viviane with her new lover, the minister of state Jean-Étienne Beaufort (Gérard Depardieu), and is chased by a German spy, the journalist Alex Winckler (Peter Coyote), while Paris is falling and the population is confused.

What a delightful and magnificent romantic adventure "Bon Voyage" is! The excellent and complex screenplay has action, romance, war, comedy, espionage, drama and lots of characters, played by a fantastic cast, indeed a constellation of stars; the direction is stunning; the music score is wonderful. I really loved this marvelous film, and I have to finish my review due to my limitation of adjectives to describe such a gem. My vote is nine.

Title (Brazil): "Viagem do Coração" ("Travel of the Heart")

This movie travels farther on 8 gunshots, 2 kisses and 100 clichés than should be possible. Yet it still works. Brilliant.

As I was driving home from the theater, I tried to figure out how it got away with movie staples like the pages of a novel manuscript blowing across a beach or the impossible series of fortuitous coincidences without the entire audience standing up and screaming, "I've seen that a million times before! And you've pushed beyond the edge of believability!" But the actors were so enchanting and the screen so filled with believable extras that I forgot to care. A friend who saw it with me said it transported him to Paris so perfectly that he was disappointed when we left the theater and realized we were still in Indiana.

Overall, a romantic-comedy-thriller with subtlety, wit and elan.

'Bon Voyage' is a pallid Gallic farce set during the early days of the Nazi occupation of France. The over-complicated plot revolves around a self-absorbed movie actress directly or indirectly involved with a patsy author, a spineless government official, Nazi collaborators, and French resistance fighters attempting to smuggle heavy water over to England.

Though the movie does exude a certain manic energy at times, director Jean-Pierre Rappeneau too often mistakes movement for style - in the naïve hope, apparently, that if he just keeps everyone running around from one ___location to another, we won't have time to notice that there really isn't anything fun or interesting going on in the story department. The final result of all this ceaseless hubbub is that the film simply ends up wearing us out trying to keep up with it, an exhaustion compounded by the fact that we often aren't quite sure who all these people are and what it is they're exactly up to. The movie looks great physically and Rappeneau does have a certain way with crowd scenes, but those virtues are really all for naught when the characters and storyline are both so conspicuously unengaging.

The movie features at least two legends of modern French cinema, Isabelle Adjani and Gerard Depardieu, who, along with the rest of the cast, capture the arch mannerisms necessary for a film with its roots essentially planted in Feydeau farce. Regrettably, the film, for all its excessive huffing and puffing, fails to come to life on the screen, an unhappy turn of events given all the energy and talent involved in its making.