Tears of the Sun

Films about war often share several things in common. The primary ingredients are lot's of guns, good explosive action scenes and a believable story. Have one and not the others and it will surely fail. The movie " Tears of The Sun " has several. Our story is framed around Seal Team leader Lt. A.K.Waters (Bruce Willis) who is selected by his commanding officer Capt. Bill Rhodes (Tom Skerritt) for a simple rescue mission. He is to clandestinely enter the sovereign territory of Nigeria, a battle-scarred nation in the mists of a civil war and rescue a tiny group of white missionaries and take them to safety. Easy enough. However, the situation becomes complicated by the group's refusal to leave, or to travel without taking the African people with them. For a soldier, it's easy, take the group by force and leave the people. However, Waters' and his team, decide to become humanitarians and rescue all the Nigerian refugees whatever the consequences. The main consequence is; the team is a ten man squad and after their decision become the quarry of a thousand angry Nigerian soldiers. This is a good film for Willis, but becomes entangled within it's multiple plots. Still, it contains two of the prescribed ingredients and therefore makes for a good movie. ****

'Tears of the Sun' is a movie with a message and an interesting first hour, but contains too many Hollywood clichés to really be something. We start with Lieutenant Waters (Bruce Willis) and his team of SEALS who have to rescue Dr. Lena Kendricks (Monica Bellucci), a priest and two nuns from a missionary post in Nigeria where murdering rebels are about to arrive. The priest and the nuns want to stay, Kendricks only wants to come if the Nigerian refugees can come too. Waters agrees only to leave them behind as soon as Kendricks is on the helicopter. Then, from the helicopter, he witnesses the result of rebels passing by and in an instant he disobeys his orders and turns the helicopter around.

This is the point where the best part of the movie begins. Waters and his team are on their own now, leading the refugees to the border of Cameroon. The way his team not always agrees with his decisions but how they are loyal anyway is one of the interesting things here. Another is the way the movie dares to show the rebels and their actions, things we see parts of on the news in places like Liberia and Sudan. It gives us an impression how hopeless the situation is in some parts of Africa. The distraction here comes from Kendricks who is an obvious Hollywood plot device. She is the possible love interest, or at least the needed female character, and she must annoy Waters by constantly suggesting things that even to her must sound stupid when followed by a lot of rebels. Never mind.

Then the third act starts and the movie fails to deliver what it kind of promised before. Instead of following the dramatic path it changes into the kind of action film Hollywood likes to produce. A lot of gunfire, explosions and bodies flying through the air. That's too bad since an earlier action sequence was able to show both the horrific actions of the rebels and the trained and nuanced way of SEALS dealing with a situation. During that sequence I felt a director (Antoine Fuqua) doing his job the right way, making the movie very intense. He did the same thing for the excellent 'Training Day' from the year before. His third act of 'Tears of the Sun' was sort of like an introduction to his real Hollywood adventure, 'King Arthur'.

The world we live in is a dangerous, unstable place, and nowhere is this more evident than in Africa, the place where many things of our world, AIDS included, are said to originate. Indeed, about the only thing that cannot be found in Africa is oil, which makes American interest in the region difficult to imagine, leave alone explain. So when we are presented with a story about a war in Africa, it only stands to reason that we must ask exactly why we see American soldiers.

Bruce Willis gives a delightfully underacted performance as the leader of an infantry unit sent to retrieve a handful of American citizens. Things get complicated when the primary objective refuses to leave without dozens of her patients. Instead of simply escorting one woman to safe territory, the party winds up in a race to the Cameroon border with one substantial territorial force in pursuit. Exactly why this force pursues them, we don't know until the climactic battles are about to take place, but it works.

Indeed, the actors here are not even noticeable, excepting maybe Tom Skerritt, who looks as if he spent his salary on diet pills. Instead, the sumptuous locations and cinematography, along with the action, are the stars of this film. This is a good old-fashioned action film, in spite of its very relevant story. What makes it stand out is that instead of modern action where nobody can see enough of what is going on for it to matter or make sense, we get our action scenes the old fashioned way. Blood spurts, detailed shots of the guns going off, or weapons striking flesh, are a reality rather than a much lamented unfulfilled requisite.

There are some problems, but they are minor in the grand scheme of things. When one shows fighter planes dropping air-to-surface weapons, it is usually an idea to get those weapons right. Using air-to-air missiles to drop napalm, for example, is not on. At least the dire action films of the 1980s used weapons in a manner that was convincing. The believability of a commanding officer allowing such violations of orders is very difficult to imagine, to say the least. Then again, given that these minor lapses happen once or twice during a two-hour film, this can be overlooked.

I gave Tears Of The Sun a seven out of ten. It's not at the level of a Verhoeven action film, or even a Cameron action film. It is, on the other hand, a good piece of entertainment with a decent and human edge, with sequences that have been competently shot. Which puts it ahead of a lot of films on today's market already.

7.5 out of 10

Tears of the Sun is hardly perfect. Director Antoine Fuqua's direction can get a bit heavy-handed and most of the characters are one to two-dimensional in development (understandable, given the large cast). But it's a solidly made, often thrilling and sometimes thought-provoking film that aims for serious issues, particularly as a sober outlook of modern warfare and morals. It's not entirely successful at the latter, but to even attempt to stray from typical Hollywood is admirable, and Tears of the Sun is often more hit than miss.

Bruce Willis stars as A.K. Waters, the head of a mission to retrieve a Dr. Lena Hendricks (Monica Bellucci) from the Nigerian jungle, after Muslim rebels have just assassinated the presidential family, and are on a rampage throughout the country. Hendricks is located easily, but she will only leave so long as all able-bodied individuals on her mission can come along. Waters reluctantly agrees, but soon finds that he and his group must trek the jungles with no assistance and with 300 Nigerian soldiers hot on their trail.

Tears of the Sun works as a thoughtful film, but is more successful as a tension-builder. Director Fuqua shows an able hand at building suspense to a feverish pitch, all the way to the concluding battle sequence, a fifteen minute setpiece that rivals any recent war film in both intensity and technical superiority. The other major action setpiece is a tense shootout in a village, the aftermath of which is disturbing in its revelation of the rebels' treatment of civilians. Tears of the Sun is a violent film, but never exploitative in its approach.

The film's two best developed characters belong to Bruce Willis and Monica Bellucci. Willis has always been a fine actor, this understated approach has worked for him before and fits like a glove here. I'm not quite as familiar with Bellucci, who I've only seen in Brotherhood of the Wolf and as one of the brides in Bram Stoker's Dracula, but she's quite good here, easily the film's anchor when it comes to heart and warmth. I'm certainly not exaggerating when I say she's one of the most beautiful (and bodacious) women to ever grace the screen (and I look forward to her in the upcoming Matrix sequels).

There are flaws, such as the rather obtrusive musical score and some pretentious use of slow motion on Fuqua's behalf. The film's biggest narrative stumble comes with a plot twist 3/4's through the movie, when an extraneous plot twist is revealed. Admittedly, without the twist, the film wouldn't have been able to build up as much suspense, much less deliver that final battle. But when all is said and done, Tears of the Sun is highly recommended, a Hollywood film that has more on its mind than explosion and gunfights (which the movie still has an ample amount of).

As a person who can speak from a reputable stand point, I have to say this movie is different than many other "war" movies and is generally regarded highly among many different types of members in the U.S. military. This films representation brought forth a perspective that showed a few sides to a mission. Yes there is the desire to finish and get out. But the film also showed that the situation can change on the ground as it always does, and sometimes you have to modify. An seasoned veteran like Lt. Waters who is somewhat seasoned being a Lt. probably would have the foresight to say it is safe to go ahead and try and get these people to a border being that was the only way to drag the doc outta there without hog tying her, even though the orders above were different. A team leader is expected to use some discretion and Lt. did that. Although it was borderline crazy operationally it still worked. Working in that environment is not just like a round of socom. Things happen and you have to do the best you can for the situation if it is feasible and you have the balls to do it. Also, the depiction of the action scenes were practically dead on and impressive. Mr. Fuqua didn't cheese it up, it was kept fairly raw and confusing as is a real engagement. The ethnic cleansing scenes, well it doesn't get any more realistic than that. I can understand why everyone else hates America for doing these films about ourselves but honestly can you see a french film showing specwar going into save a village, nope. They would hand out white flags to everyone. Maybe the Aussies, Israelis, or Brits, but pretty much beyond those three countries thats all ya got. If at the least, this is a reminder that even when you think you know about what our guys are doing in the world, you don't know the half,we lose guys everyday and people should realize that a silent war exists.