Take Out

Perhaps if the Producers had paid strict adherence to their very own Rules and Parameters, more likely than not, this foreign film, TAKE OUT, would never have been produced and distributed!

First, let us focus on the The Title's content and context:

There must be at least a handful of You asking Yourselves.... And Exactly why was the Title TAKE OUT selected for this film? Well, let me offer my help. The answer to that question is relatively simple and straightforward!

The movie clearly presents ONE workday in the life of its central protagonist.... A Chinese TAKE OUT Delivery Boy!

You will find his day most enjoyable... Here, I am trying my very best to exlain exactly why!

Well...for STARTERS!..... this ONE really has Cinema Verite written ALL over it! You never know exactly what to expect next. But, for the most part, ironically, nothing DOES ever REALLY happen...and that, in the case of TAKE OUT, is a GOOD thing, believe me!

Perhaps a bit cryptic and difficult to decipher at times, but I think that is because, culturally speaking, many Chinese Nationals seem to be a bit difficult to read!

Surprisingly, in the Special Features "Making-of" short, we learn that most of the cast are simply PORTRAYING characters from the Mainland. Of course, SOME of them really are, but most are Korean-American, Taiwanese, Malaysian, Chinese-American and Singaporean, ALL of whom speak PERFCT Mandarin. Wow! Sure fooled me!

A more accurate title might have been: "Chinese TAKE OUT Delivery Boy: A Day In The LIFE...or E-C Comah, E-C Goah!" If this zero budget film hadn't been executed with such overwhelmingly brutal and convincing precision, it most certainly would have been rated as much as 1 full*** less! From early on, my empathy with those on-screen characters was total and unwavering! They had me at "Sut-Tzun Tee-En-Hwah!"

At one point I actually said out loud to myself.... "Hey, they just followed this delivery boy around all day with a camera, that's why ALL this seems so REAL, because it IS REAL!" I consider myself a peace-loving person, but my identification with the characters in the film became so strong, that during one scene of horrible injustice, I yearned for a gun to shoot the bad guys myself!

TAKE OUT does shine a spotlight on some important realities. It shows us how new arrivals are forced into a life of virtual slavery by bottom-feeders who trap them into a never-ending cycle of loans with astronomical interest-rates! Hey, you think YOU have problems!? Closing note: Considering the microscopic 3K budget, the production values aren't all that bad.

Talk about getting a LOT of BANG for your BUCK!!!

Your best bet...Let TAKE OUT serve you up a slice of Chinese-immigrant life! You will feel quite satisfied!

8*.....ENJOY/DISFRUTELA!

The movie is shot so realistically I thought I was watching a documentary. The movie follows a day in the life of a Chinese food delivery boy, and all the difficulties that this line of work entails. The twist here is that this delivery boy is an illegal immigrant and has a significant debt to repay. I was surprised to see how difficult this line of work really is, and never really thought about the stories of the people who are doing this work. I wonder how many others delivery boys are in the same situation as the character in this film. There are times of heartfelt camaraderie between the workers of the Chinese restaurant, each willing to help the other out in times of greatest need. I certainly will be more generous with my tipping after having seen this film.

Directors Sean Baker and Shih-Ching Tsou outdo themselves with their tale which is about much more than the sum of its parts. Excellent performances from professionals and non-professionals highlight this story of one young immigrant's struggle to survive in a country that doesn't care what state he is in, they just want their deliveries on time. Please seek this out and see what can be done with no money and a lot of talent. This story could be done 'Hollywood' style, with its crucial deadlines and world pressing in on Ming Ding(the lead), but it doesn't need to rely on overmanipulative scores, frenetic editing or artificial suspense..the way it's laid out will keep you on edge as it is.

Takeout is a raw and unpolished look at life in the margins. Shot in a documentary-like style, the film immerses you in the world of a Chinese immigrant working as a delivery driver in New York City. The film's gritty realism makes you feel like you're right there with him, struggling to make ends meet.

The narrative is pretty sparse, with very little exposition or traditional storytelling. This could feel slow to some, but I found it to be refreshing in how it captures the monotony and pressure of daily life. It's bleak, but not in a depressing way-instead, it's just honest, showing how difficult life can be when you're living paycheck to paycheck, and the struggles seem endless.

The acting is understated but effective, fitting perfectly with the film's documentary approach. While Takeout might not be for everyone due to its quiet pace and minimal plot, if you appreciate character-driven stories and a more grounded, real-world style, this is definitely worth a watch.

Apart from being one of the best films about NYC struggling and still fresh in 2025, more than 20 years later, what struck me was how old fashion technology and the sense of reality this film brings make it so hard to reproduce nowadays.

It was shot on mini DV. Those camera had small sensors. One of its many downsides is the flat no blurry background image. Blurry background is "cinematic". But in Take Out, things have to be in focus, they look much better non cinematic. All the textures, objects, messy kitchen, the labour. We see everything, it's all in focus. It's a very important piece of the narrative. The camera limitations, as times passes, proved to be the best approach possible for a film like this.

This unique look is kind of lost in time. Much more than shooting film, because people are actually shooting film a lot these days. Those mini DV camera movements are almost impossible to be achieved with modern cameras - iPhones included - on a one man band system. How ironic is the fact that this digital cheap look is more unique than celluloid.