Leonera

Shot inside a prison in Argentina with actual prisoners as extras, this film is raw and the viewer is trusted to endure the harsh realities of women and children in this environment. Martina Gusman is excellent! There are times where the pacing of the film seems to meander, but this is bold filmmaking and the story is excellent. It is heartbreaking to see how poorly the legal system works and the injustice so many women face. This is a real story about a forgotten population and it is told well.

70 years of movie going and with seeing 'Lion's Den' I've experienced the most remarkable film of my life. The writers delivered a great story which then had life breathed into it by sensitized actors, both writers and actors efforts directed with enormous creative humanity by Pablo Trabero. I saw no artifice and after watching some of the movie allowed myself a mili-second of time to think of 'Lion's Den' as being a documentary before forgetting any of that and just became an involved, rapt viewer. Deeply touching. Deeply human. This review does not contain enough lines - the minimum length for reviews is 10 lines of text. There!

Leonera is a very hard film to sit through. Added to the fact that this film is strongly influenced by the French New Wave, whose films often parodies the mainstream cinema with an absolutely non- linear storytelling, we also have a harsh and ugly reality depicted in it. Seriously, watching this film was like being slapped in the face multiple times, and probably it was one of the few films which i really wanted to turn off before it's ending. But okay, i'd took the challenge and watched it entirely. But dawn, that wasn't easy. You must be thinking: 'Well, so this film is not worth watching at all'. And it really isn't. However there a couple of good things in this film.

The acting is good, though. Nothing special, but it's good. The cinematography is cool as well, but... it does not make the film any better. Again, i'm not a big fan of non linear stories, unless if they're really good and interesting. As you see, it's not the case with this film. 5.2/10

If you awoke, dazed and addled, covered in blood, with an unconscious lover near by and what appeared to be a corpse even closer--what would happen next?

It's the incarceration of the main character convincingly and powerfully plated by Martina Guzman that is the heart of the film, as she finds herself not only pregnant, but in a special ward for such victims of violence; it doesn't take long for a family of sorts of emerge among these women without hope, a strange compound of vibrant personalities tempered by the presence of children.

As her children grows up, Leonora is visited by her reptilitan ex-husband and by the mother with ulterior motives, but what I found most fascinating was the relationships that evolve in the prison with both guards and charges, and as the film develops, a strong suspenseful finish. It is an impressive and colorful story about the importance of love and places where it develops as truth.

In Buenos Aires, the independent college student Julia Zárate (Martina Gusman) awakes in her apartment with gore everywhere and her lover Nahuel stabbed and his lover Ramiro (Rodrigo Santoro) covered of blood but still alive. Julia is pregnant and is sent to a special wing in the prison with mothers and pregnant prisoners to wait for trial. Julia befriends Marta (Laura Garcia), who has two children and helps her to understand motherhood and life in prison. Julia delivers Tomás (Tomas Plotinsky) and sooner her mother tries to kidnap her grandson, causing a rebellion in Julia's wing. When Ramiro, who was also Julia's lover, accuses her of murdering Nahuel, her expectation of raising Tomás is frustrated.

Movies about prison are usually interesting and in this regard "Leonera" is engaging. I do not recall any other movie of this theme showing a mother raising her son in this environment, especially in a Third World country. The humanity of the guards in the Argentinean prison surprises. However, the screenplay of "Leonera" is a complete mess in the development of the lead character Julia. If this story was based on a true event, I could understand the non-conclusive situation; however, it is fictional and there are many flaws in Julia's character and the most obvious is whether she is guilty or innocent. The viewer never knows if she killed her lover Nahuel or not. Then she rejects her baby and tries to provoke an abortion, hitting her womb several times; why she changes her behavior after the birth of Tomás is again never clear. I recall that one prisoner tells her that the wing where she is imprisoned is totally different from the rest of the prison. Last but not the least, her triangle of love with Nahuel and Ramiro is extremely confused, considering that Ramiro is the lover of Nahuel. My vote is seven.

Title (Brazil): "Leonera"