एक चोर जो ड्रीम शेरिंग टेक्नोलॉजी की मदद से कॉर्पोरेट रहस्यों की चोरी करता है, उसे एक सी ई ओ के दिमाग में एक आइडिया प्लांट करने का कार्य सौंपा जाता है.एक चोर जो ड्रीम शेरिंग टेक्नोलॉजी की मदद से कॉर्पोरेट रहस्यों की चोरी करता है, उसे एक सी ई ओ के दिमाग में एक आइडिया प्लांट करने का कार्य सौंपा जाता है.एक चोर जो ड्रीम शेरिंग टेक्नोलॉजी की मदद से कॉर्पोरेट रहस्यों की चोरी करता है, उसे एक सी ई ओ के दिमाग में एक आइडिया प्लांट करने का कार्य सौंपा जाता है.
- 4 ऑस्कर जीते
- 159 जीत और कुल 220 नामांकन
Elliot Page
- Ariadne
- (as Ellen Page)
सारांश
Reviewers say 'Inception' is lauded for its ambitious concept and Christopher Nolan's direction. The film's exploration of dreams and reality is a significant theme. Leonardo DiCaprio's performance is praised for its depth. Hans Zimmer's score and Wally Pfister's cinematography enhance the atmosphere. However, some find the plot convoluted and action sequences uninspired, questioning emotional depth and originality. The ambiguous ending is both appreciated and criticized. Overall, 'Inception' is seen as thought-provoking and visually stunning, despite its flaws.
फ़ीचर्ड समीक्षाएं
I'm nearly at a loss for words. Just when you thought Christopher Nolan couldn't follow up to "The Dark Knight", he does it again, delivering another masterpiece, one with so much power and rich themes that has been lost from the box office for several years. Questioning illusions vs reality usually makes the film weird, but Nolan grips your attention like an iron claw that you just can't help watching and wondering what will happen next. That is a real powerful skill a director has. No wonder Warner Bros. put their trust in him, he is THAT good of a director, and over-hyping a Christopher Nolan film, no matter what the film is about, is always an understatement instead of an overestimate like MANY films before.
Not since the eras of Stanley Kubrick, Andrei Tarkovsky and Alfred Hitchcock has there been a more brilliant director than Christopher Nolan. He is, undoubtedly, one of THE most brilliant and gifted Hollywood filmmakers in history. Filmmakers like him come but just once in a lifetime. He has the ability to seduce our eyes, ears and most importantly, mind, and then delivers what he intends to deliver in full blast. Rarely have blockbusters have the gall to deliver such amounts imagination and intelligence at the same time. And yes, it is similar to the excellent anime film "Paprika" in the whole "invading dreams" plot, but the similarities end there as Nolan brings the film to a whole different level.
Visuals and intelligence rarely come together in movies at the same time, it's either all-visuals-no-smarts ("G.I. Joe", "Transformers") or the exact opposite ("Doubt", "Invictus"). In this film the excellently directed action sequences combined with immensely groundbreaking and jaw-dropping visual effects are combined smoothly with a heavy dose of intelligence and believability.
Although having an ensemble cast and financed by a Hollywood giant studio (Warner Bros), this film is a very personal film for Nolan, he wrote the film as well as directing it, and as you watch the film you get many glimpses of Nolan's perplexing, increasingly imaginative thoughts and dreams in the dialog that he writes and the plot that he sets up. Ideas have never felt more interesting and put to good use than in this film. This film is NOT for the popcorn muncher, rather it is a film for thinkers. Honestly I can't explain the plot for fear of spoiling the movie for you readers. Even the slightest hint will ruin the experience. The viewer will walk out of the cinema feeling dazed, confused and ultimately breathless. It's like a puzzle, both physically and mentally, and you have to pay attention throughout the film for the clues. However Nolan controls the spectacle of the film and is careful not to let it overwhelm the film's humanity, and this is where "Inception" shines. It is a very deep film that will have one thinking and asking questions for years to come. That's right, years.
Once the film ends, you'll want to watch it again, for there's something new every time. This is a film that requires multiple viewing for someone to truly comprehend the film's ambiguous themes, and will be discussed by many in the future. This is an original film, no adaptation, no sequel/prequel, no remake/reboot, which is extremely refreshing having gone nearly three years of mostly unremarkable visual effects roadshows ("Avatar" be damned).
Of course, a film is not complete without the actors. Leo DiCaprio delivers an Oscar worthy performance, similar but better than his previous effort "Shutter Island". He shows glimpses of a flawed, grim, fragile man, who has knowledge about everything else but yet can't seem to come in grips with himself and his demons. Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Michael Caine, Marion Cottilard, Pete Postlethwaite, Lukas Haas... Nolan really brings out the best in this unusual yet extremely talented group of supporting actors who make their roles their own.
Nolan is of course, a master behind the camera, a real virtuoso when it comes to film. His direction is taut, focused, gripping, and extraordinarily fascinating. The detailed and complex original script is no surprise from Nolan, considering the fact that he turned Batman the superhero into pop-culture art two years ago ("The Dark Knight"). The action sequences are unique, exciting and fresh, something absent from the cinema which has since been interested at things popping towards the screen and stuff blowing up every two milliseconds. The visual effects are awesome and imaginative, and best of all they do not bring down the movie's quality one bit, rather it makes the movie more fascinating to watch. The cinematography is absolutely, beautifully shot, so we can see the action and emotion in all their glory. Production design is top notch, with terrific design of sets and locations. Hans Zimmer's complementing music score is simply outstanding, and knowing the man, that's really all I have to say. Together all of these elements combine to deliver a mesmerizing movie experience like no other this year.
Christopher Nolan has once again outdone himself. He truly is a gifted filmmaker, arguably the most imaginative in Hollywood today. And "Inception" can proudly stand alongside "Blade Runner" and "2001: A Space Odyssey" as science-fiction masterpieces that push the boundaries for movie making and become a different experience altogether.
There are two types of films: the crowd-pleasing blockbuster and the intelligent indie/art film. Nolan has combined two of these tropes together into one exceptionally brilliant package, pulling off that rare, now nearly-extinct Movie Magic that has since been wiped off the planet by sequelitis and reboots. Movie of Summer 2010? Movie of 2010? Heck this is possibly the first masterpiece of the decade! Nolan is a genius and I applaud him for treating his audiences as intelligent people.
Missing this film and not getting the film's point is a crime.
Overall value: 9/10 (Excellent)
Not since the eras of Stanley Kubrick, Andrei Tarkovsky and Alfred Hitchcock has there been a more brilliant director than Christopher Nolan. He is, undoubtedly, one of THE most brilliant and gifted Hollywood filmmakers in history. Filmmakers like him come but just once in a lifetime. He has the ability to seduce our eyes, ears and most importantly, mind, and then delivers what he intends to deliver in full blast. Rarely have blockbusters have the gall to deliver such amounts imagination and intelligence at the same time. And yes, it is similar to the excellent anime film "Paprika" in the whole "invading dreams" plot, but the similarities end there as Nolan brings the film to a whole different level.
Visuals and intelligence rarely come together in movies at the same time, it's either all-visuals-no-smarts ("G.I. Joe", "Transformers") or the exact opposite ("Doubt", "Invictus"). In this film the excellently directed action sequences combined with immensely groundbreaking and jaw-dropping visual effects are combined smoothly with a heavy dose of intelligence and believability.
Although having an ensemble cast and financed by a Hollywood giant studio (Warner Bros), this film is a very personal film for Nolan, he wrote the film as well as directing it, and as you watch the film you get many glimpses of Nolan's perplexing, increasingly imaginative thoughts and dreams in the dialog that he writes and the plot that he sets up. Ideas have never felt more interesting and put to good use than in this film. This film is NOT for the popcorn muncher, rather it is a film for thinkers. Honestly I can't explain the plot for fear of spoiling the movie for you readers. Even the slightest hint will ruin the experience. The viewer will walk out of the cinema feeling dazed, confused and ultimately breathless. It's like a puzzle, both physically and mentally, and you have to pay attention throughout the film for the clues. However Nolan controls the spectacle of the film and is careful not to let it overwhelm the film's humanity, and this is where "Inception" shines. It is a very deep film that will have one thinking and asking questions for years to come. That's right, years.
Once the film ends, you'll want to watch it again, for there's something new every time. This is a film that requires multiple viewing for someone to truly comprehend the film's ambiguous themes, and will be discussed by many in the future. This is an original film, no adaptation, no sequel/prequel, no remake/reboot, which is extremely refreshing having gone nearly three years of mostly unremarkable visual effects roadshows ("Avatar" be damned).
Of course, a film is not complete without the actors. Leo DiCaprio delivers an Oscar worthy performance, similar but better than his previous effort "Shutter Island". He shows glimpses of a flawed, grim, fragile man, who has knowledge about everything else but yet can't seem to come in grips with himself and his demons. Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Michael Caine, Marion Cottilard, Pete Postlethwaite, Lukas Haas... Nolan really brings out the best in this unusual yet extremely talented group of supporting actors who make their roles their own.
Nolan is of course, a master behind the camera, a real virtuoso when it comes to film. His direction is taut, focused, gripping, and extraordinarily fascinating. The detailed and complex original script is no surprise from Nolan, considering the fact that he turned Batman the superhero into pop-culture art two years ago ("The Dark Knight"). The action sequences are unique, exciting and fresh, something absent from the cinema which has since been interested at things popping towards the screen and stuff blowing up every two milliseconds. The visual effects are awesome and imaginative, and best of all they do not bring down the movie's quality one bit, rather it makes the movie more fascinating to watch. The cinematography is absolutely, beautifully shot, so we can see the action and emotion in all their glory. Production design is top notch, with terrific design of sets and locations. Hans Zimmer's complementing music score is simply outstanding, and knowing the man, that's really all I have to say. Together all of these elements combine to deliver a mesmerizing movie experience like no other this year.
Christopher Nolan has once again outdone himself. He truly is a gifted filmmaker, arguably the most imaginative in Hollywood today. And "Inception" can proudly stand alongside "Blade Runner" and "2001: A Space Odyssey" as science-fiction masterpieces that push the boundaries for movie making and become a different experience altogether.
There are two types of films: the crowd-pleasing blockbuster and the intelligent indie/art film. Nolan has combined two of these tropes together into one exceptionally brilliant package, pulling off that rare, now nearly-extinct Movie Magic that has since been wiped off the planet by sequelitis and reboots. Movie of Summer 2010? Movie of 2010? Heck this is possibly the first masterpiece of the decade! Nolan is a genius and I applaud him for treating his audiences as intelligent people.
Missing this film and not getting the film's point is a crime.
Overall value: 9/10 (Excellent)
Inception is my number one favorite movie off my twelve years on earth! It's absolutely impossible to explain the incredible that Inception has. Inception is Sooooooooo dang exciting, edge of seat, mind blower, and I wish there were more movies like it and more Christopher Nolans out there. Congratulations to the well deserved best director, writer, and producer of films (in my opinion). Also the acting is fabulous, everyone did an amazing job, and Leonardo was fabulous at explaining the dream concept. Also the CGI and effects are amazing. Go watch Inception because it is incredibly amazing in every aspect, and is my number one film of my twelve years on earth. Bravo to the Inception crew and wow at this fabulous movie!
Surrealism can appear to be ineffably bizarre, or inquisitively titillating, depending purely on the viewer's intellect. Though the realm of surrealism is highly nebulous and complex, but even a slight attempt at improvisation can sometimes go awry and open a Pandora's Box, making the task highly improbable and nigh impossible. This facet of reality may pose a handicap to the most gifted of the directors, but not to the genius of Christopher Nolan, who not only dabbles with the concept of surrealism, but also ingeniously blends it with the elements of Science Fiction in his latest wonder named Inception. Nolan created a niche for himself a decade back by unleashing a monster of a movie called Memento. He further substantiated his status by conjuring movies like Insomnia, The Prestige, Batman Begins, and The Dark Knight. His unremitting desire for innovation and uncanny craving to foray into the unexplored realms of imagination deservedly earned him an auteur tag, which gave him the carte blanche that a story-teller like Nolan desperately needs. It's highly apparent that Nolan takes every possible advantage of this liberty while filming Inception. Inception is not only dreamlike, but is a dream in itself and is superior to any other thing conceived on the silver screen. With its entwined layers, the movie for the most part serves as an unfathomable riddle and makes multiple viewing extremely essential. It incredibly does extremely well on both the humanistic as well as the technical fronts. In fact, the balance between human emotions and the elements of Science Fiction is so adequate that it's impossible to separate them.
The movie is about a futuristic world where the human mind can be intercepted through dream invasion. Cobb is an expert in the art of extracting information (stealing valuable secrets) from deep within the subconscious in the dream state. His proficiency in extraction is marred by a turmoil that begins with his wife's untimely death. He is forced to live the life of a fugitive away from his children. His only chance for redemption lies with a Japanese tycoon named Saitu, who wants him to do an inception (planting information into someone's mind). In order to accomplish this unprecedented task, Cobb and his team must overcome a labyrinth of unforeseeable challenges, where even a slight miss could trap them in a perpetual limbo. Any further revelation would be remissness on my part as the plot is filled with such intricacies that even expatiation would be incapable of justifying its profundity.
Leonardo Dicaprio gives a solid performance in the lead role, following his memorable performance in Shutter Island. He has brilliantly depicted the complexities and limitations of Cobb's enigmatic character highlighting his pain and mental trauma. Marion Cotillard is ravishingly scintillating as Cobb's whimsical wife, Mal. The rest of the cast has given a thorough performance with special mention of Ken Watanabe, Ellen Page and Joseph Gordon-Levitt.
Inception is incredibly brilliant as a movie and is a breakthrough in contemporary cinema. Nolan's creativity and his unparalleled execution definitely make it an object of great cachet, but whether it would become Buñuel's 'Un chien andalou' or Kubrick's '2001: A Space Odyssey' and serve as a prototype for the movies to come is for the time to decide. Irrespectively, Inception is sine qua non not only for an aficionado, but also for the average viewer, who is willing to delve deep enough to savour the delight.
PS: One has to imagine it to believe it. 9/10
http://www.apotpourriofvestiges.com/
The movie is about a futuristic world where the human mind can be intercepted through dream invasion. Cobb is an expert in the art of extracting information (stealing valuable secrets) from deep within the subconscious in the dream state. His proficiency in extraction is marred by a turmoil that begins with his wife's untimely death. He is forced to live the life of a fugitive away from his children. His only chance for redemption lies with a Japanese tycoon named Saitu, who wants him to do an inception (planting information into someone's mind). In order to accomplish this unprecedented task, Cobb and his team must overcome a labyrinth of unforeseeable challenges, where even a slight miss could trap them in a perpetual limbo. Any further revelation would be remissness on my part as the plot is filled with such intricacies that even expatiation would be incapable of justifying its profundity.
Leonardo Dicaprio gives a solid performance in the lead role, following his memorable performance in Shutter Island. He has brilliantly depicted the complexities and limitations of Cobb's enigmatic character highlighting his pain and mental trauma. Marion Cotillard is ravishingly scintillating as Cobb's whimsical wife, Mal. The rest of the cast has given a thorough performance with special mention of Ken Watanabe, Ellen Page and Joseph Gordon-Levitt.
Inception is incredibly brilliant as a movie and is a breakthrough in contemporary cinema. Nolan's creativity and his unparalleled execution definitely make it an object of great cachet, but whether it would become Buñuel's 'Un chien andalou' or Kubrick's '2001: A Space Odyssey' and serve as a prototype for the movies to come is for the time to decide. Irrespectively, Inception is sine qua non not only for an aficionado, but also for the average viewer, who is willing to delve deep enough to savour the delight.
PS: One has to imagine it to believe it. 9/10
http://www.apotpourriofvestiges.com/
10EVON1TY
When I first watch this movie, I was just shocked with it's twist. I'm not gonna mention details, because can't share any spoilers.
Simply this movie makes a complex story, that makes you question so many things. "Why he is keeping her in his dreams?" or whatever your question is answering with some well written line. That scene is the key to the whole movie. That line between Cobb and Mal answers all your questions at once.
That's why I like this movie so much. Some movies has that potential. Making a complex story that someone could answer with only one sentence. You're waiting for that line for whole content. But most of the contents (I mean movie or TV Series) are not managing that well.
Besides the greatness of the storyline this movie has a really great cast. So Acting Performances are also great. Award Winning Cinematography by Wally Pfister was too great. Original Scores by Hans Zimmer was brilliant. Visual Effects are unique. So not only the Screenplay but nearly all the technical details are great.
Simply this movie makes a complex story, that makes you question so many things. "Why he is keeping her in his dreams?" or whatever your question is answering with some well written line. That scene is the key to the whole movie. That line between Cobb and Mal answers all your questions at once.
That's why I like this movie so much. Some movies has that potential. Making a complex story that someone could answer with only one sentence. You're waiting for that line for whole content. But most of the contents (I mean movie or TV Series) are not managing that well.
Besides the greatness of the storyline this movie has a really great cast. So Acting Performances are also great. Award Winning Cinematography by Wally Pfister was too great. Original Scores by Hans Zimmer was brilliant. Visual Effects are unique. So not only the Screenplay but nearly all the technical details are great.
There are those who seek to dive into your mind, take your secrets and whatever else they find, espionage, conspiracy, infiltration, skulduggery, through worlds that are all conjured, well designed. They've been asked to plant a seed, start an idea, change the course of an industrialists career, but it needs dreams within deep dreams, an architect to build the schemes, and the consequences, could be quite severe.
Imaginative beyond words, elegantly crafted and constructed, presented and performed by legends of the screen with a great storyline that keeps the viewer constantly engaged and on the edge of their seat - what more do you want out of movies.
Imaginative beyond words, elegantly crafted and constructed, presented and performed by legends of the screen with a great storyline that keeps the viewer constantly engaged and on the edge of their seat - what more do you want out of movies.
What to Watch If You Love 'Inception'
What to Watch If You Love 'Inception'
Here are three streaming picks that capture the spirit of Christopher Nolan's mind-bending masterpiece in their own way.
क्या आपको पता है
- ट्रिवियाIn an effort to combat confusion, television broadcasts in Japan include text in the upper-left corner of the screen to remind viewers in which level of the dream a specific scene takes place.
- गूफ़When Ariadne and Cobb are at the café, a man in a yellow jacket passes behind Cobb. The camera switches back and forth between Cobb and Ariadne several times. When it switches back to Cobb, the man in the yellow jacket passes once again. The person in the jacket is a projection and based on what the movie explains, projections behave a lot like extras. This means the same projection may reappear like that.
- क्रेज़ी क्रेडिटAt the end of the credits Édith Piaf's "Non, Je Ne Regrette Rien" plays at normal speed, then slows down to the speed it was at the beginning of the film during Hans Zimmer's score and throughout the movie. Then we see the title stop in the center of the screen as the song ends.
- कनेक्शनEdited into The Paul Behragam Talk Show: "Balto" R&T Part 5 (2015)
- साउंडट्रैकNon, je ne Regrette rien
Music by Charles Dumont
Lyrics by Michel Vaucaire
Performed by Édith Piaf
Courtesy of EMI Music France
Under license from EMI Film & Television Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Inception?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Thanavu Vettai: Vettai Arrambam...
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $16,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $29,25,87,330
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $6,27,85,337
- 18 जुल॰ 2010
- दुनिया भर में सकल
- $83,93,81,898
- चलने की अवधि2 घंटे 28 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें