The Lesson

No pun intended - our main character seems to be willing to learn, but also to teach ... but let's not get ahead of ourselves. We do see him in the now ... and then we go back and see how he got where he is now. And he got quite the good position ... is he worth it? Did he do the things he was supposed to? There are quite a few things we are about to find out - not just about him.

A really well selected cast - which is quite necessary, considering the story that has to be told. If you like your thrillers to be quite mysterious, but also a bit dark, you could do worse. I expect some people to be able to see through some of the twists ... but still even if you expect something to happen ... the movie will be able to shock at least some of the viewers ... in a good way.

A film of two halves, if you like.

Is it a drama? Yes, kind of. Is it a thriller? It tries to be.

The first half sets everything up nicely and with plenty of dramatic tension, inner familial strife and forebodings about the water, sexual temptation and especially, plagiarism. So far so good.

Then we have the turning point about an hour in, and after that, all reason takes a holiday.

Are we to believe that Liam can remember the contents of a whole book?

Are we to believe that all this was planned from the start? Was the butler in on it?

I am sure that IT consultants everywhere were shouting at the screen about the 'deletion' scene.

Having said all this, it was well acted even though all the characters are quite reprehensible, and relatively well made with a decent first hour.

"Good writers borrow, great writers steal." J. M. Sinclair (Richard E. Grant)

In director Alice Troughton's intriguing film, The Lesson, the three major characters of the film, viz, Sinclair; his art-curator wife, Helene; and Liam (Daryl McCormack), the tutor, are antagonists but of the very smart outer and menacing interior types. Because these enigmatic characters are performed by accomplished actors, it takes a while to figure out who's who, and what does each want from the other.

Starting with the above quote, each steals something like great authors do to manipulate the figurative stage of the elegant English country estate bounded by a pond with a notorious past. Namely, the drowning of one of Sinclair's sons, and his figurative presence that seems to affect each of them. The undercurrent of danger could be out of Poe.

As Liam settles into his job to tutor young son Bertie (Stephen McMillan), he is evidently obsessed with Sinclair's writing fame and vulnerable to Sinclair's criticism of his first novel. Liam is also vulnerable to Helene's charms as the plot thickens. Why such a bright young man couldn't anticipate the intrigues or why he signs agreements that need a lawyer's advice required my willing suspension of disbelief.

Writer Alex MacKeith never lets go of the notion that writing as a profession or art can send writers down a dark path. Sinclair has been working on this last novel for so many years that his fans think he has retired. Writer's block? Possibly, but the has enough demons to stop Shakespeare.

Isobel Waller-Bridge's score tinkles enough to suggest tranquility or at least art films in general. Anna Patarakina's cinematography captures languid summers at wealthy estates. Like the score, what's underneath is different from the accepted norms of the beautiful images. While the aforesaid Poe reminds us of the dangers in old mansion like The House of Usher, it is still a thrill to feel the tradition even in a modernized version such a Sinclair's. We learn from The Lesson not to accept anything for its surface. The underneath is what counts.

The Lesson is a summer delight far removed from the cacophony of blockbusters.

About 30 minutes into 'The Lesson' I had to look up its IMDb page to make sure I hadn't misread it being a thriller. It was off to a very slow start. That isn't to say I wasn't enjoying it, just that there was going to have to be a notable tone shift in order for that to be the case. And there was, but the whole time it felt like this movie was struggling to get out of first gear.

The film has a good cast and some decent dialogue and the story has 'potential' (for lack of a better term). It's just that everything feels a little half-baked. It never commits to anything. It isn't willing to pull the trigger and dare to be something great and memorable. The film reminded me a lot of 'Saltburn' (also starring Richard E. Grant in the father role funny enough), only a light version of that movie.

I really wanted to like this movie more. And I should be clear that I didn't dislike the movie by any means, I just felt that it could've been more than it ultimately was. 6/10.

This movie is a seven. Oddly enough, with better writing, maybe a stronger plot with the right twists and turns, this could've easily been a nine maybe even a rock solid ten.

The performances here are some of the very best of 2023.

Richard E. Grant. Has he been knighted yet? He needs to be. I have never seen him give less than one hundred percent in every role he's ever occupied. Even Spice World. Yup. Spice World. The last film that I saw him in, Can You Ever Forgive Me?, he was spectacular. In The Lesson, he again ascends to great heights. He shows the depth, maturity and wisdom to play a highly-respected author of contemporary English literature.

His gorgeous wife, played by the elegant Julie Delpy.

Delpy in Killing Zoe was a career defining and most memorable performance.

Not surprisingly In The Lesson, she is the petrol to the fire.

She and her husband, the brilliant writer share a massive and secluded home on a beautiful, rolling, presumably English (though it's Germany - I looked into it) country side.

They live with their youngest, university-bound son, Bertie, who is currently prepping for his college admissions.

Bertie is played by Stephen McMillan, and he is maybe the biggest, brightest star of the entire film.

Bertie lives in the cold shadows of his famous father and his recently deceased older brother. The only real warmth he receives is from his mother.

And so she has hired a tutor to assist in this lengthy and intense college admissions process.

The tutor, an aspiring writer with great admiration for the work of Grant's character and his process towards the craft. He's played by Daryl McCormack. A solid portrayal by a solid up and coming talent who has snagged a part in the upcoming 2024 sequel to Twister, Twisters.

And off we go!

Tutor and tutee grinding away on the reading, writing and interviewing aspects of the admissions process.

Deliciously presented dinners with the family by candlelight. Wining and dining. Rachmaninoff playing gently in the background.

The estate is breathtaking. Monet's Giverny it seems. Study sessions out in the fresh air off the garden.

Who wouldn't want this gig?

We soon find out, somewhat mysteriously, many.

Beware jobs with a high turnover rate.

Questions start to surface.

What exactly happened to the older brother, Felix?

And what happens to all of the tutors?

This is where the story should've really blasted off.

But it doesn't.

Punches are pulled.

It gives in and makes it easy.

This movie gets a seven because of all the incredible performances from all of the ensemble.

All of them.

Richard E. Grant is his generation's Ian McKellen.

It's true.

And one of King Charles' first acts should be to knight this fine actor.