अपनी भाषा में प्लॉट जोड़ेंThree improv actors are asked to go undercover by the police in London's criminal underworld.Three improv actors are asked to go undercover by the police in London's criminal underworld.Three improv actors are asked to go undercover by the police in London's criminal underworld.
फ़ीचर्ड समीक्षाएं
A washed out Actor, an Improv Teacher and a quirky Tech guy find themselves working for the police, going undercover to bust two big drug gangs.
I was taken aback by all 3 leads (one unknown that ended up being better than expected), with Orlando Bloom reminding why I find him so charming with his acting. Didn't expect to also see Sean Bean and Ian McShane, much less delivering quality roles in what seems like a low profile film.
All around, a quality script that is quite entertaining and unpredictable due to the creativity of this nonsensical premise. Good dialogue, some action, and plenty of comedic moments. Easy recommendation, as it has too many good things going for it..
I was taken aback by all 3 leads (one unknown that ended up being better than expected), with Orlando Bloom reminding why I find him so charming with his acting. Didn't expect to also see Sean Bean and Ian McShane, much less delivering quality roles in what seems like a low profile film.
All around, a quality script that is quite entertaining and unpredictable due to the creativity of this nonsensical premise. Good dialogue, some action, and plenty of comedic moments. Easy recommendation, as it has too many good things going for it..
First off, I don't normally rate Amazon original films, they're usually toss to be honest, but this is pretty decent actually.
Cast was great, Orlando Bloom was brilliant, although his accent slipped a couple of times, but I suppose that's kind of the character... He's bang at the TRT though isn't he lol, me missus was loving it haha.
Nick Mohammed played his usual character, was great though and always been a fan of Bryce Dallas Howard. Some great cameos from some familiar faces of British telly. Sean Bean in it as well (always brilliant), did his usual thing... Poor fella lol. And I'll watch anything that Paddy Considine is in since '24 hour party people'.
Was pretty funny, very English humour, which is surprising, since I think the writers are American, either way; funny is funny...
Very minor nitpick, some of the slang was off, rat instead of grass etc, but again very minor and most people won't care and non English people won't even notice.
I was going into this happy to turn it off if it wasn't good after 20 minutes, but it kept me hooked and smirking all the way through.
Give it a chance, it's not even an hour 40.
Pretty decent, especially for an Amazon original!
7/10.
Cast was great, Orlando Bloom was brilliant, although his accent slipped a couple of times, but I suppose that's kind of the character... He's bang at the TRT though isn't he lol, me missus was loving it haha.
Nick Mohammed played his usual character, was great though and always been a fan of Bryce Dallas Howard. Some great cameos from some familiar faces of British telly. Sean Bean in it as well (always brilliant), did his usual thing... Poor fella lol. And I'll watch anything that Paddy Considine is in since '24 hour party people'.
Was pretty funny, very English humour, which is surprising, since I think the writers are American, either way; funny is funny...
Very minor nitpick, some of the slang was off, rat instead of grass etc, but again very minor and most people won't care and non English people won't even notice.
I was going into this happy to turn it off if it wasn't good after 20 minutes, but it kept me hooked and smirking all the way through.
Give it a chance, it's not even an hour 40.
Pretty decent, especially for an Amazon original!
7/10.
A British gangster film coming out with little publicity and going straight to streaming - that's normally a deeply unprepossessing prospect.
But this turns out to be a cracking little film. A daft light-hearted heist movie, 3 likeable leads with real chemistry and an entertaining supporting cast ranging from renowned acting heavyweights to young comedic talent, all doing a fine job.
The plot makes little sense - but who cares, it's just the framework for some silly comedy and the film rushes by with such pace and energy that you never have time to stop and think about how the trio got themselves into such ridiculous situations.
It's not a great film, it's certainly not going to win any critical awards, but it's so much better than most people will expect it to be and succeeds admirably at being good entertainment.
But this turns out to be a cracking little film. A daft light-hearted heist movie, 3 likeable leads with real chemistry and an entertaining supporting cast ranging from renowned acting heavyweights to young comedic talent, all doing a fine job.
The plot makes little sense - but who cares, it's just the framework for some silly comedy and the film rushes by with such pace and energy that you never have time to stop and think about how the trio got themselves into such ridiculous situations.
It's not a great film, it's certainly not going to win any critical awards, but it's so much better than most people will expect it to be and succeeds admirably at being good entertainment.
A home run from Amazon Prime and a stark reminder that when the casting is right, even the silliest concept can be an absolute hit.
3 Misfits. 5 mobsters. 100 minutes of chaos, or 3 Wannabe actors. 4 criminal escapades and 1 hilarious heist?
3 Amateurs. 7 bad guys and endless laughs?
Directed by Tom Kingsley and co-written by Colin Trevorrow. Deep Cover is a buddy crime comedy that fuses absurd improv energy with a sharp, surprisingly structured story. The premise? A London improv teacher and her two misfit students get recruited by a rogue cop to infiltrate the mob. And somehow, it Works, and really well.
And what a cast! Just perfect. Bonnie's got the smarts. Roach's got the fists. The Squire's got... a lunchbox and anxiety.
Bryce Dallas Howard (Argylle - Elly Conway) gives an extraordinary performance as Kat, the fast-talking, improv coach whose life hasn't exactly gone as planned. Caught between professional obscurity and existential drift, she's suddenly in a position but handles it with enough charm and wit to sell coke back to the guys who made it.
Orlando Bloom is another revelation. As Marlon, a hilariously intense method actor whose only real claim to fame is playing the Pizza Knight in TV commercials, Bloom's performance is a delicious send-up of theatrical self-importance. He approaches every ludicrous situation with the gravitas of Macbeth in a Wetherspoons. One of his improv backstories involves running away from home at five because "his inner child needed space." Nick Mohammed (Ted Lasso) as the timid and awkward Hugh, rounds out the trio. He's the office worker who took improv classes just to survive small talk at work, until he's accidentally deep in the London criminal underworld. Watching him nervously snort coke to "test the product" might be the funniest moment in British cinema this year.
Together, this trio doesn't just carry the movie, they elevate the movie. Their chemistry is awkwardly brilliant, and their commitment to staying "in character" while navigating real criminal threats brings both genuine tension and laugh-out-loud moments. There's no smugness, no irony overload, just three actors throwing themselves into absurdity with full sincerity.
And the supporting cast? Stacked. Sean Bean as the sketchy cop, Paddy Considine (Kevin Harrigan - Mobland) as an unhinged mob fixer, and Ian McShane (aka Winston - John Wick) growling his way through top-dog gangster role Metcalfe. Surrounding the silliness with actors known for hard-boiled grit was a masterstroke.
Tonally, Deep Cover walks a tricky line and somehow doesn't trip. It's goofy but never stupid, serious without losing its bounce. The pacing is tight, at just over 100 minutes, it never drags. It even throws in a couple of clever twists to keep you guessing. And perhaps best of all? It avoids the lazy crutches of modern comedy: no toilet humor, no sex jokes, no gratuitous swearing. It's smart, situational, and character-driven.
Even the score elevates the movie with tracks like "It's Not Unusual" (Tom Jones) and "We Are Your Friends" (Justice Vs Simian). Fits like a straitjacket.
And absolutely, the plot is ridiculous. But that's kind of the point. And what sets Deep Cover apart is its energy. Unlike so many streaming comedies that feel stitched together in post-production, this movie feels like everyone was in sync. The actors improvise like their lives depend on it. Deep Cover is a riotous, fast-paced, and weirdly wholesome crime comedy that finds its strength not in reinventing the genre, but in committing to the bit. Powered by a cast that knows exactly what they're doing and a script that walks the absurdity tightrope without slipping, this is a film that knows how to make you laugh, care, and forget to check your phone. Whether you're here for the improv chaos, the mob satire, or just to watch Orlando Bloom monologue his way through a hostage negotiation-this one's well worth 100 minutes of your time. A solid 8/10. Better not miss this one...
3 Misfits. 5 mobsters. 100 minutes of chaos, or 3 Wannabe actors. 4 criminal escapades and 1 hilarious heist?
3 Amateurs. 7 bad guys and endless laughs?
Directed by Tom Kingsley and co-written by Colin Trevorrow. Deep Cover is a buddy crime comedy that fuses absurd improv energy with a sharp, surprisingly structured story. The premise? A London improv teacher and her two misfit students get recruited by a rogue cop to infiltrate the mob. And somehow, it Works, and really well.
And what a cast! Just perfect. Bonnie's got the smarts. Roach's got the fists. The Squire's got... a lunchbox and anxiety.
Bryce Dallas Howard (Argylle - Elly Conway) gives an extraordinary performance as Kat, the fast-talking, improv coach whose life hasn't exactly gone as planned. Caught between professional obscurity and existential drift, she's suddenly in a position but handles it with enough charm and wit to sell coke back to the guys who made it.
Orlando Bloom is another revelation. As Marlon, a hilariously intense method actor whose only real claim to fame is playing the Pizza Knight in TV commercials, Bloom's performance is a delicious send-up of theatrical self-importance. He approaches every ludicrous situation with the gravitas of Macbeth in a Wetherspoons. One of his improv backstories involves running away from home at five because "his inner child needed space." Nick Mohammed (Ted Lasso) as the timid and awkward Hugh, rounds out the trio. He's the office worker who took improv classes just to survive small talk at work, until he's accidentally deep in the London criminal underworld. Watching him nervously snort coke to "test the product" might be the funniest moment in British cinema this year.
Together, this trio doesn't just carry the movie, they elevate the movie. Their chemistry is awkwardly brilliant, and their commitment to staying "in character" while navigating real criminal threats brings both genuine tension and laugh-out-loud moments. There's no smugness, no irony overload, just three actors throwing themselves into absurdity with full sincerity.
And the supporting cast? Stacked. Sean Bean as the sketchy cop, Paddy Considine (Kevin Harrigan - Mobland) as an unhinged mob fixer, and Ian McShane (aka Winston - John Wick) growling his way through top-dog gangster role Metcalfe. Surrounding the silliness with actors known for hard-boiled grit was a masterstroke.
Tonally, Deep Cover walks a tricky line and somehow doesn't trip. It's goofy but never stupid, serious without losing its bounce. The pacing is tight, at just over 100 minutes, it never drags. It even throws in a couple of clever twists to keep you guessing. And perhaps best of all? It avoids the lazy crutches of modern comedy: no toilet humor, no sex jokes, no gratuitous swearing. It's smart, situational, and character-driven.
Even the score elevates the movie with tracks like "It's Not Unusual" (Tom Jones) and "We Are Your Friends" (Justice Vs Simian). Fits like a straitjacket.
And absolutely, the plot is ridiculous. But that's kind of the point. And what sets Deep Cover apart is its energy. Unlike so many streaming comedies that feel stitched together in post-production, this movie feels like everyone was in sync. The actors improvise like their lives depend on it. Deep Cover is a riotous, fast-paced, and weirdly wholesome crime comedy that finds its strength not in reinventing the genre, but in committing to the bit. Powered by a cast that knows exactly what they're doing and a script that walks the absurdity tightrope without slipping, this is a film that knows how to make you laugh, care, and forget to check your phone. Whether you're here for the improv chaos, the mob satire, or just to watch Orlando Bloom monologue his way through a hostage negotiation-this one's well worth 100 minutes of your time. A solid 8/10. Better not miss this one...
You have to rate a movie for what it is, and for what it is (a silly good fun romp), this was fantastic. Laugh out loud funny at times with ridiculous yet highly likeable characters.
The plot is as over the top as the characters, who are as over the top as everything else here - and I'm all for it. Personal highlights were the high speed bicycle chase, the grenade scene, and "the nose" (when you know, you'll know).
So, where do films like this fit? Think of those movie nights where you wanted to watch something like Rush Hour, or 21 Jump St, and you have just found your next film.
Manage your expectations, then have a great time with this one.
The plot is as over the top as the characters, who are as over the top as everything else here - and I'm all for it. Personal highlights were the high speed bicycle chase, the grenade scene, and "the nose" (when you know, you'll know).
So, where do films like this fit? Think of those movie nights where you wanted to watch something like Rush Hour, or 21 Jump St, and you have just found your next film.
Manage your expectations, then have a great time with this one.
क्या आपको पता है
- ट्रिवियाThe film was announced in February 2024, with Tom Kingsley set to direct. It was based on an original story by Derek Connolly and Colin Trevorrow, and written by British comedy duo Ben Ashenden and Alexander Owen.
- गूफ़Billings was shot from the back; later his face is shown with an entry wound in the forehead. Billings was actually shot from the front. You can see the splatter on the plastic behind him. The shooter steps out from in front of him too.
- साउंडट्रैकBCC Gang
performed by Rack Feat Immune, Strat, Betaf Beats
written by Iraklis Marnezos / Georgios Bontiotis / Fotiadis Eustratios / Terents Bilai / Boris Sobolev
published by: Sony ATV
courtesy of: Barcode Entertainment / Stay Independent
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Deep Cover: Actores encubiertos
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 39 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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