IMDb रेटिंग
7.8/10
1.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंCarl and Akram recreate the fateful ferry journey on their way to the isle of Mhor, a frustrated Rose makes her case for joining the department.Carl and Akram recreate the fateful ferry journey on their way to the isle of Mhor, a frustrated Rose makes her case for joining the department.Carl and Akram recreate the fateful ferry journey on their way to the isle of Mhor, a frustrated Rose makes her case for joining the department.
फ़ोटो
फ़ीचर्ड समीक्षाएं
I may have misjudged Rose, because at first glance, she gave off a bit of that "girl boss" energy - striding in with a smirk, ready to outpace the men while they hung back, brooding and baffled. But now I see she's troubled but enthusiastic. Driven. Eager to contribute. And honestly, Dept. Q could use a little shake-up, and if she happens to move things along while Carl is busy communing with the wallpaper, so be it.
We're treated to a scenic but ultimately unhelpful trip to Merritt's father, who generously offers absolutely nothing. Carl, however, emerges from it with a flash of inspiration about the ferry.
One slightly baffling narrative choice: every single person the team questions is unreasonably hostile. Every. One. It's like they're all competing for "Least Cooperative Civilian." You'd think someone might be glad the case is being revisited, but no. Merritt wasn't just a victim; she was also widely disliked, and so are the detectives trying to help.
We're treated to a scenic but ultimately unhelpful trip to Merritt's father, who generously offers absolutely nothing. Carl, however, emerges from it with a flash of inspiration about the ferry.
One slightly baffling narrative choice: every single person the team questions is unreasonably hostile. Every. One. It's like they're all competing for "Least Cooperative Civilian." You'd think someone might be glad the case is being revisited, but no. Merritt wasn't just a victim; she was also widely disliked, and so are the detectives trying to help.
After the somewhat subdued second installment, "Dept. Q" Episode 3 continues to navigate the same murky waters, perhaps a little too comfortably.
While it's clear the show is committed to its deliberate pacing and bleak atmosphere, this chapter struggles to inject enough fresh urgency to truly elevate the narrative.
Matthew Goode's portrayal of Carl Mørck remains consistently compelling; his internal torment and cynicism are still the show's most potent emotional anchors. Goode truly inhabits the weary detective, making Mørck's every sigh feel earned.
The evolving dynamic between Mørck and Akram Salim (Alexej Manvelov) continues to be a highlight. Manvelov's nuanced performance brings quiet depth to Akram, whose subtle actions often speak louder than words, providing glimpses into a past that hints at far more than we've been shown.
The episode does push the cold case forward, uncovering more layers of Merritt Lynggaard's complicated history and the forces at play. However, the direction, while maintaining the signature visual style, doesn't always manage to prevent the methodical investigation from feeling, at times, a bit like treading water. For a segment of the audience, the lack of significant plot accelerations or surprising twists might lead to a sense of déjà vu rather than mounting tension.
It's an episode that further solidifies the series' grim, introspective mood, but it might not win over those who were hoping for a much-needed jolt of energy.
I'm sticking with it for now, but I have started questioning why this needs 9 episodes of 45 min, when the original movie was 1.5 hours?
While it's clear the show is committed to its deliberate pacing and bleak atmosphere, this chapter struggles to inject enough fresh urgency to truly elevate the narrative.
Matthew Goode's portrayal of Carl Mørck remains consistently compelling; his internal torment and cynicism are still the show's most potent emotional anchors. Goode truly inhabits the weary detective, making Mørck's every sigh feel earned.
The evolving dynamic between Mørck and Akram Salim (Alexej Manvelov) continues to be a highlight. Manvelov's nuanced performance brings quiet depth to Akram, whose subtle actions often speak louder than words, providing glimpses into a past that hints at far more than we've been shown.
The episode does push the cold case forward, uncovering more layers of Merritt Lynggaard's complicated history and the forces at play. However, the direction, while maintaining the signature visual style, doesn't always manage to prevent the methodical investigation from feeling, at times, a bit like treading water. For a segment of the audience, the lack of significant plot accelerations or surprising twists might lead to a sense of déjà vu rather than mounting tension.
It's an episode that further solidifies the series' grim, introspective mood, but it might not win over those who were hoping for a much-needed jolt of energy.
I'm sticking with it for now, but I have started questioning why this needs 9 episodes of 45 min, when the original movie was 1.5 hours?
क्या आपको पता है
- ट्रिवियासभी एंट्री में स्पॉइलर हैं
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि54 मिनट
- रंग
- ध्वनि मिश्रण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
