Diamanti

I wasn't actually expecting much from this movie, not knowing the storyline, but from the minute it started , and with the way it started, I thought "wow" this is going to be good. It was great! An original way of representing the lives and emotions of a group of women, all different from each other but tied together by empathy and love. The movie is touching, stands for what women can accomplish and for what women are capable of giving and most of all the greatness that can be done when they stand up for what they believe in. The directors sensitivity is shown the whole way. The score is perfectly matching the intense stories and many of the dialogues are so intense. I loved it.

Far from being boring, it's passionate and creative.the film celebrates the art of costume design and actresses of the past with a hint of revival of the Il Bello delle Donne.and a wonderful soundtrack that enriches the narrative. The creation of the costumes in the atelier becomes fascinating and the creative process intertwines with the stories of these women from humble backgrounds but with precious work. A celebration of femininity and its power, the film is filled with laughter and lighthearted moments, while paying homage to the history of ancient tailoring. The Wonderful Diamonds, a captivating ensemble, support and uplift each other, creating a heartwarming narrative without excessive drama. Each character contributes a unique piece to this stunning mosaic. The protagonist's story, bittersweet and profound, adds depth to the film."

"Diamonds" vividly captures the frenetic energy of a theatrical costume workshop and the women who bring it to life in 1970s Rome. Ferzan Özpetek uses the metaphor of crafting costumes to tailor a deeply feminine narrative for his ensemble cast - a story of mutual understanding, complicity, unwavering support, and fierce determination. It's a world of solidarity and tireless creativity, where male figures revolve on the periphery, relegated to mere sidekicks or caricatures for once.

From the opening scene, Özpetek makes his intentions clear: this is a film that celebrates women. The story begins with a compelling moment - the actresses reading the script for the first time - and seamlessly transitions into the narrative, where the director's own perspective emerges. He portrays himself as a child, secretly smuggled into the atelier by one of the seamstresses, capturing the awe and wonder of that hidden, vibrant world. This is Özpetek at his finest: tender, nostalgic, and resolutely focused on the brilliance of women.

Although the film is set in the late 1970s and early 1980s, its themes remain strikingly relevant today. Its only flaw, if any, lies in the audience it's directed toward: sadly, many young Italian women today seem to aspire only to becoming objects of desire or to achieving success by compromising their dignity (exactly like Americans started to do 10 years ago). That aside, the film is truly remarkable-beautifully directed, with a compelling narrative, and every actress delivers a performance that feels tailor-made for her role. A powerful and moving film! Congratulations for another great movie Ferzan Özpetek!

Really nothing to add to the title of the review. I wanted so bad to go out form the cinema after 30 mins, I didn't just hoping the movie would get better at some time.

Spoiler: it doesn't.

It's just total garbage pretending to be something interesting.

Save yourself time and money, it would be better to spend 2h watching the wall.

There's literally nothing interesting in the movie - just a sequence of "powerful" sentences which don't add anything and mean nothing at all.

A self defined praise to women turned into a grotesque and meaningless sequence of scenes with nothing to say.

Please please please save your time for something else.