José

Jose is the only child who is still living at home with his mother, with both having to start a commute before dawn to their respective jobs. Jose's sexual release is with men in a hotel that rents rooms by the hour. When offered chances for a long-term relationship, Jose has a battle between love and loyalty to his mother.

I saw this film at the Inside Out LGBT film festival, with a Q+A with the co-writer. The director and writers spent time in Central America interviewing subjects, and this is a composite of their research. Unfortunately, references to Guatemalan culture and history could be lost to foreigners. Rather crucial to the story is the frequency mothers may hang on to their youngest children to avoid being alone (there is a reference to Jose's sisters). Other references are to a civil war and an earthquake, both of which killer a great number of people, but may be extraneous to the main theme of choices in life.

The film is shot in a raw, gritty style, but that suits the environment the characters live in.

Winner of the Queer Lion Award at Venice Film Festival, director Li Cheng's sophomore feature is a modest, highly touching and perceptive drama about financial struggle and sexual identity, highlighted by the conflicts imposed by a intolerable society in Latin-American countries. First-time actor Enrique Salanic gives a compelling, utterly convincing performance as the protagonist, a young man living with his mother in a small town in Guatemala. They both work hard in tough jobs, trying to make ends meet, avoiding corruption and crime as decent citizens. José maintains a secret love affair with another young fellow, who dreams of leaving the country for a better chance of surviving and to experience freedom for their choices. Conflicts surge among them, as José is strongly attached to his mother, a co-dependent relationship open for any sacrifices. Cheng examines crucial topics on behavior and acceptance with simplicity and honesty. He also conceives a striking look at poverty and hopelessness, while depicting the pleasures and risks of a Latin gay coming of age experience.

I recently saw "Jose" at "Censurados" film festival in Lima, Peru - they specialize in featuring international films that are facing difficulty reaching some audiences / some countries because of censorship: due to government, industry, and/or social barriers. So I think it's an especially important film be seen and debated, I say let the public decide for themselves. My main observation/interpretation of the film is this: at the beginning of the film, Jose is disconnected from his Mayan cultural heritage (what academics call "erasure", due to colonialism and neo-colonialism). As he faces multiple problems he goes searching and re-connects with Mayan knowledge and spiritual space at a place called "Quirgua", and then he sets out on life again with renewed determination and inspiration - though life won't be easy (that message would be dishonest)

The movie "Jose" is yet another real-life example of what happens in the lives of gay men. Young, Middle Age, or Old, it never stops. Everyone wants love, but there are so many parts of life that pull us in a multitude of directions that keeps us from obtaining love. Jose and Luis have a chance at love, but the self-expectation of being obligated to remain close to loved ones is such a pull on our hearts and mind. When we finally find that particular person that brings happiness, tears, and concern for their lives as much as our own, we must take that leap and fully embrace it. A deep dive into everyday life in Central America, this award-winning movie will undoubtedly become a favorite if you enjoy an actual life situation involving love, and heartbreak.

I watched this at home on a TV set. I sometimes wonder what time it is during a film or how much longer we have to go. Not this one though. It really held my attention.

The story follows the protagonist through work, his love life, his relationship with his mum and other family members. Things happen, such as a theft of equipment from the mother and a phone from the lover, that are not followed up in this film of fleeting episodes. It doesn't matter - there is no "plot" as such, just events that unfold linearly but not necessarily consequentially.

It's a sad film overall. We take things for granted in the west about openness and acceptance, but these are not options in Jose's world.

The actors and settings are totally realistic. The moments of physical love, despite the occasionally sordid nature of the locations are happy and joyful. The grind and monotony of daily life kicks back in though.

The way the film ended was unexpected, but when I thought about it, I realised that this, or a similar ending, was unavoidable.

I really liked this film and would recommend it.