Stream

"Stream" (2024) by Michael Leavey, follows many early 2000s film's exploring cyber bullying, cyber stalking, dark web, etc. At one point one could even say it follows a particular Halloween sequel with elements of live broadcast situation or "Reality TV", a dated idea as seen in "Halloween Resurrection" (2002). Others from early 2000s internet-based horror genre from "Feardotcom" and "Friend Request". And not so recent films exploring on/offline violence/stalking: "Megan is Missing" and "Ratter".

Nonetheless "gorehounds" (to refer a dated term) will feel satisfied with a lot of practical gore, provided by "Terrifier" special effects person: Damian Leone. So far - many are talking about the infamous scene of "Noughts and Crosses" game.

It's jam-packed with 80s/80s cult and horror iconic actors: Dee Wallace ("Cujo" and "Howling"), Tony Todd ("Candyman"), Terry Alexander ("Day of the Dead"), Danielle Harris ("Halloween 5"), Felissa Rose ("Sleepaway Camp"), etc. Most of them have small, or comedic cameo roles but shine during their onscreen moment.

Jeffrey Combs from the "Reanimator" franchise is amongst the film's main cast. The story surrounds a remote hotel which becomes a battleground, fight for survival, all online bets placed on the table. Combs character here is full of camp behaviour much like his past "Reanimator" character. One the most surprising cameo is by the famed "Rocky Horror Picture Show" Tim Curry!

If you should support indie cinema on the Big Screen - see film at its current special theater release. I will assumed most viewers will be from horror/cult genre communities, this film won't disappoint with its ultra violence. There's talk about "Stream" sequels to be discussed.

This film is not complete - it does lack needed exposition in its 2-hour long story, would have helped with understanding the terror felt via bad acting from other cast members. Maybe future "Stream" productions can help with the huge gaps with this first one.

I liked Stream, it has more story than your typical slasher but that's ok, it's a nice change of pace that paid off in the end but can be a little tighter which would've helped more overall at the start. The best parts for sure are the who's who of horror alum, it made for a fun exciting watch of seeing who would come next and pop up. Had a great time on that front, also the practical gore was insane (obv Damien Leone) and it had a nice mix of scary and funny moments which made a rollercoaster or emotions. The killers masks were sick and the concept is really unique and can go anywhere. Some of the dialogue could've been better but the acting was good, especially from all the leads. I think the filmmakers are just touching the surface is what this franchise will be and I'm here for it. They laid a good foundation and I hope to see a sequel or prequel soon. This was made with a target slasher/horror audience in mind and it was accomplished.

Originally I didn't feel the need to write a review for this pretty run of the mill bad horror movie. But then I saw that this movie had suspiciously good reviews and felt compelled to counteract them.

This movie doesn't have much to offer aside from the many cameos from horror movie icons such as Tony Todd, Jeffrey Combs, David Howard Thornton, Felissa Rose, Bill Moseley, Danielle Harris, Tim Curry, and probably others that I'm forgetting. The gore is also pretty good if you like gorey movies.

The acting from the nameless actors is subpar, the script and plot is boring and stupid. A movie this bad needs to have a 90 minute runtime, stretching this to 120 minutes is an unforgivably arrogant move. Everything about this movie is so generic, nothing really stands out. Don't bother wasting your time with this one. Plot holes galore!

I went into Stream without knowing anything about it. Having seen it, I feel like it's a mixed bag, with its strengths being awesome and its weaknesses dragging it down.

Stream falls into a horror subgenre with which I don't have much experience. But it seems like this movie was made for one purpose: carnage candy. It will surely delight fans of exploitation films. My jaw dropped several times at these shocking scenes.

Everything else to do with the horror elements are done well. The masks look great and there are some good jump scares and suspenseful moments. And the music is beastly.

As for the negatives, the best kills happen in the first half. My jaw rarely dropped in the second half. And anything not to do with the horror elements is poor. I try to give a little leeway for such a low budget independent film, especially when it comes to the acting talent available to them. But every conversation is overly long and awkward.

It's like they should cut here, but they continue for an additional 10 or 15 seconds. And this happens 70-80 times, multiple times within the same scene. I was bored and distracted, waiting for something fun to happen.

If that was cleaned up, and a few unnecessary scenes were deleted, Stream could have been a breezy 90-100 minutes. Instead, it's 130 minutes without warranting that runtime.

I had a solid time with this movie, and any fans of this subgenre should check it out. Support independent films.

(1 viewing, opening Wednesday 8/21/2024)

As a die hard Terrifier and Fuzz on the Lens fan I think I set me expectations way too high. As I look at the numerous 10/10 scores on IMDB it's evident to me that many other fans like myself who have become near family with these filmmakers through social media are doing the kind thing by building this film up to help it. I get it. I am an indie filmmaker myself and understand that building bonds with your niche audience is imperative for any sustained success. But as an audience member I was not very entertained. Aside from Paul Wiley's score, David Howard Thornton's very reminiscent of Art the Clown performance, and Jeffrey Combs who carries much of this film, it felt like a chore to get through. This felt like a first draft of a script that needed more outside eyes on it. The dialogue was flat and characters one dimensional. The "game" I don't think even began til around 45 minutes into the film (or at least it felt that way) The entire runtime before that dragged and dragged. I can count two times that I began to nod off. You also get no real exposition as to why this game is being played, who the players are, or its audience. It would've benefited from some intercutting shots between the game and certain audience members watching and rooting for their favorite players to remind you that this is actually a "stream". What it does do is benefit from the great makeup fx work we've come to love and expect from Damien Leone. There are a few really nice kill scenes that give you big time Terrifier vibes. It just doesn't have enough.