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1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world.

Many have challenged the studios. But none of them managed to win the battle. Not even Bette Davis, who was the Queen of Hollywood. And then, Olivia de Havilland came. After a first battle against Jack Warner to let her play the role of Melanie in Gone with the Wind, the actress will attack one of the biggest Hollywood machines: the Warner Studio. This episode will contribute greatly to the legend of the actress who started one of the most feminist process conducted so far in the film industry. Olivia de Havilland was the Hollywood Insoumise (insubordinate).

A young woman is confronted with the murderer of her sister. It is on her that the choice of her execution rests.

During the Second World War in the United States, cinema was extensively used as a propaganda vehicle. All the great filmmakers were involved: Capra, Ford, Huston, and Hollywood's new master of suspense, Alfred Hitchcock. After making several films advocating American entry into the war alongside the British, in direct violation of the Neutrality Act, Hitchcock took advantage of Zanuck's departure from 20th Century Fox to launch a major new propaganda project: Lifeboat. He asked John Steinbeck to write the basic story. This great American literary figure, author of The Grapes of Wrath, whose adaptation was one of Fox's biggest successes, was himself very committed to the war effort. When Lifeboat was released, success quickly turned to controversy. What if Hitchcock's film had completely missed the mark? What if, instead of providing anti-Nazi propaganda, the film actually defended the thesis that the German people were superior to the Allies and the union of democracies?