I pascoli dell'odio

"Santa Fe Trail" takes place in the 1850s as the America moved toward Civil War. It's mainly about the activities of self-proclaimed slave abolitionist John Brown and his efforts to provoke a war between the North and South.

The film begins in 1854 at West Point where a number of historical figures who would play prominent roles in the Civil War, are about to graduate. Leading the pack are JEB Stuart (Errol Flynn) and George Armstrong Custer (Ronald Reagan). Robert E. Lee (Moroni Olsen) is the Commandant of West Point and Jefferson Davis (Erville Anders) is the Minister of War. John Brown (Raymond Massey) is conducting bloody raids all over Kansas and has placed an operative, Rader (Van Heflin) within West Point. Stuart and Custer meanwhile, foil Rader and are competing for the affections of Kit Carson Holliday (Olivia de Havilland) the daughter of railroad magnate Cyrus K. Holliday (Henry O'Neill) who hopes to extend the railroad to New Mexico along, you guessed it, the Santa Fe Trail.

There is some very good action sequences ably directed by Michael Curtiz. Future Cvil War adversaries fight side by side against Brown and his followers but are coming to realize that the issue of slavery will not die with Brown.

Raymond Massey steals the acting honors as Brown the slightly mad but dedicated revolutionary. Flynn, Reagan and DeHavilland form the usual love triangle that always seemed to be a staple of the Warner Bros. westerns of the period. Alan Hale and Guinn Williams are along to provide the comedy relief. Heflin in an early role, is also excellent as Rader who seems to have his own agenda.

Also in the cast mostly unbilled, are Alan Baxter, Joseph Sawyer and for "B" movie fans, Charles Middleton, Trevor Bardette, Lane Chandler, Lafe McKee and Roy Barcroft (if you blink you'll miss him).

There's plenty of action and romance to keep the die-hard western fan happy. One of the better Warner Bros. "A" westerns of the period.

When Santa Fe Trail was released in 1940 it was to general critical acclaim. Though it is in no way a classic like Gone With the Wind, it's view of the coming Civil War is not too dissimilar from the David O. Selznick film that also had Olivia DeHavilland as one of its stars. It was a popularly held view of the time, the abolitionists were well intentioned rabble rousers who brought on the Civil War and as Errol Flynn as J.E.B. Stuart says, the south will settle the slavery issue in its own time.

Back in the day even in A westerns like Santa Fe Trail, liberal use of the facts involving noted historical figures was taken. The fact that Stuart, Custer, Longstreet, Pickett, Sheridan, and Hood would all graduate West Point in the same class was really a minor bending of the rules. The following year with Errol Flynn as Custer in They Died With Their Boots On, they got Custer's graduation class right, but then compounded his life with more errors.

One interesting fact that no one mentions in this film is Henry O'Neill as the real life Cyrus K. Holliday (1826-1900) who considerably outlived just about everyone portrayed in the film. He's of critical importance in Kansas history as having built the Santa Fe railroad. His children neither went to West Point as William Lundigan, did graduating with all these Civil War heroes, nor did his daughter wind up marrying one.

Olivia DeHavilland playing her usual heroine, gets out of the crinoline for a bit as a Calamity Jane type daughter to Henry O'Neill. I have to say she showed quite a bit more spunk than her normal range of leading ladies at the time at Warner Brothers. She certainly Errol Flynn and Ronald Reagan as George A. Custer on their toes.

If people remember anything at all about Santa Fe Trail today it is Raymond Massey as the fanatical John Brown. Yet even there, Brown has his hypocritical moments when he's quite ready to let a barn full of recent runaway slaves burn down so he can kill Errol Flynn in it. It doesn't ring true with the character as defined by Massey, I fault the scriptwriters there. Massey repeated his John Brown character in the later Seven Men From Now. Other than Abraham Lincoln it is the role that actor is most identified with.

As an action western though, Santa Fe Trail can't be beat. The battle scene with the army breaking John Brown's siege at Harper's Ferry is well staged. You really do think you are at Harper's Ferry watching a newsreel.

Though it never was history and hasn't worn well in its interpretation, western fans will still like Santa Fe Trail.

This is really shocking to see that this sort of propoganda was still made in 1940. It's impossible to enjoy this film "historical accuracy aside," because it's so obviously pro-slavery. The fact is we are not talking about whether the Winchester repeating rifle was really invented by 1850. The abolitionists are painted as violent, crazy, murderous people, "the reason why Kansas is called Bloody Kansas." Anyone who knows anything about this tragic period knows that pro-slavery forces were first to engage in murder and pillage. John Brown was notable because he was the first free-stater who started murdering back, and he made a campaign of it. After that, wholesale murder was found on both sides. THAT is why they called it "Bloody Kansas." What we see in the movie, however, is only John Brown's violence, time after time. We also see simple-minded black folks who would have been better off if John Brown hadn't made them free and responsible for feeding themselves. You can try and enjoy the story for itself, but the ugly and badly slanted arguments against abolitionists (and by extension against any reform of Jim Crow Laws in the 1940s) make it appalling viewing.

This is based around the story of one Jeb Stuart, a Southern born gent who would go on to become one of the South's greatest cavalrymen during the American Civil War. We follow his romance with sweetheart Kit Carson Holliday, his friendship with George Armstrong Custer, and onto his battles with abolitionist John Brown.

Though it's mostly agreed these days that Santa Fe Trail has no great historical worth, it is however still a decent movie that boasts great drama, a sweet romance, and no little amount of action. Knowingly directed by the astute Michael Curtiz and featuring the acting of Errol Flynn (dashing as Stuart), Olivia de Havilland (gutsy as Carson), Ronald Reagan (solid as Custer), and Raymond Massey (acting overdrive as Brown), the picture certainly holds up well on the technical front.

However, the relatively low rating on internet movie sites is of much interest to me, for being as I'm British I have no sort of conflict of interest with the actual story. Patriotic fervour booms out from the screen, but this appears to be at odds with the John Brown arc, the character's ambitions are nearly accepted as noble, creating a sort of odd coupling. I could of course be way off, but I wonder if the story doesn't sit well with some of our American friends?. Still the picture is never less than enjoyable, the great music from Max Steiner adds to the occasion and the finale is high reward for the viewers patience. 6.5/10

It's 1854. West Point is run by respected commandant Col. Robert E. Lee. Cadet Carl Rader brings in pamphlets from abolitionist John Brown leading to a fight among the cadets. Rader is dishonorably discharged by Lee after a fight with Jeb Stuart (Errol Flynn). Stuart and others are happy to be stationed in the toughest outpost. Stuart and Custer (Ronald Reagan) are sent to Fort Leavenworth in the Kansas Territory. On the train there, they're taken with 'Kit Carson' Holliday (Olivia de Havilland). Oliver Brown tries to smuggle Negroes out and is confronted. He escapes by shooting one of the bounty hunters. Everyone agrees that bloody Kansas needs to rid itself of the villainous abolitionist John Brown (Raymond Massey), father of Oliver.

This is a Bizarro world of yore where slavery is no big deal, abolitionists are villains, and people should simply let things be. The movie is definitely made in another era and serves as a time capsule for 1940 as much as for 1854. The rooting interest is against John Brown and the abolitionist, and for everybody especially slave-owing Stuart and flamboyant Custer in fighting against the revolutionaries. It's well made with plenty of action. The rooting interest is horribly tone-deaf in the modern sense. It is fascinating to see the old popular culture that is so different.