I vendicatori

It was hard for me to believe this film was made in 1941 because it deals with the operation of Siamese Twins and a doctor named Enrico Paoli, (H.B.Warner) who is able to perform surgery and separate these twin boys and give them a life. However, Dr. Enrico worries about the soul of these twins and hopes that one is not without one. There are times in this film when I think I am seeing a Boris Karloff film with all kinds of experiments bringing people back from the dead and mixing all kinds of steamy chemicals glowing in the dark. The star of this picture is Douglas Fairbanks Jr., (Lucien Franchi/Mario Franchi) who stars in both roles as the twin boys and gives an outstanding performance. Akim Tamrioff, (Colona) plays a ruthless person who controls Corsica where this film takes place and is responsible for the deaths of Lucien and Mario father and mother. This is a film which is way ahead of its time and is very entertaining with Douglas Fairbanks Jr., doing all the sword swinging like his father years ago. Great Film.

Douglas Fairbanks, Jr. and Douglas Fairbanks, Jr. are "The Corsican Brothers" in this 1941 film also starring Ruth Warrick, H.B. Warner, Akim Tamiroff, Henry Wilcoxin and Gloria Holden. Based on the Dumas novel, it's the story of Siamese twins born to the Franchi family (incorrectly pronounced frahnchee instead of frahnkey throughout the movie) just as the Baron Colonna arrives to wipe out the family and take over Corsica. He believes the twins perished in the fire that destroyed their home and the rest of their family; however, the doctor who delivered them (Warner) escapes with them. He is able to separate them, and it is decided that for their own safety, he will raise one, Lucien, and the other boy, Mario, will be raised in Paris. Lucien, however, is the empathic twin, experiencing all of his brother's emotions before he even learns he has one. They meet when they are 21 and vow to get revenge on Baron Colonna (Tamiroff).

This is a very good movie, but the beginning scenes at Colonna's house contain some of the worst acting ever put on film. Apparently the guests at Colonna's house were extras found wandering the set that day and were given lines. Pretty appalling.

Fortunately, the rest of the film isn't like that. It's fast-moving, exciting, and brilliantly acted by Douglas Fairbanks, Jr. who should today be regarded as a much bigger star. Unfortunately, unlike his father, he was working at a time when there was just too much competition, and, like Brian Aherne, he just didn't get to appear in enough of the films remembered today. Handsome, athletic, with magnificent acting technique, Fairbanks creates two completely different characters in Mario and Lucien and has, of course, genetic ability with a sword. Whenever one reads about swordfights, the Tyrone Power-Basil Rathbone swordfight at the end of "The Mark of Zorro" is said to be the best. It's dear to my heart also, but Fairbanks and Tamiroff do a bang-up swordfight in this film. Tamiroff is a real buffoon as the villain - it's a great characterization - he doesn't seem to know he's an idiot. Ruth Warrick, Phoebe Tyler of "All My Children" is lovely as Isabelle, the object of Mario, Lucien and the Baron's affections.

Very enjoyable, if a little awkwardly filmed with dated effects.

Alexander Dumas liked stories about separated twins so this time we find it is brothers "Mario" and "Lucien" (Douglas Fairbanks Jr.) who are born conjoined. The doctor manages to separate them but before they can do much more, violence at the hands of the cunning "Baron Colonna" (Akim Tamiroff) robs them of their parents and the boys are split up. "Mario" ends up being well brought up and used to the finer things in life whilst "Lucien" becomes a highwayman but both have a sensation that they are not alone! When they do finally meet, they begin to understand just how connected their spirits actually are and how easily they can feel each other's pain - and they both determine to avenge their murdered parents. As a team they are chalk and cheese, and so must learn to trust each other - and that's not made any easier as both of them fall for the "Countess Isabelle" (Ruth Warrick) who is also the object of the desires of their scheming nemesis. With love triangles all over the places and a solid dose of familial vengeance here, too, this is an ideal vehicle for Fairbanks to shine. Somehow, though, he just doesn't. The photography that puts them both in the same shot regularly is natural but his reconciliation of the two differing characters doesn't quite come off. Even at it's most swashbuckling, there's just a paucity of flare. Not for the first time in his career, it's really Tamiroff who steals the show with an effort that could easily have inspired the nasty from the "Zorro" adventures from the late 1950s. The production looks great though and when there is action, it mixes the swordplay with a little humour and delivers a perfectly watchable adventure film that though it does disappoint, that's maybe just because I had higher expectations of this actor in his element. It's still worth watching.

This film is about a set of conjoined twins who are separated shortly after their entire wealthy family is wiped out by a rival clan in Corsica. Because the clan wants ALL of this family dead, the boys are raised separately to protect their identity. One is raised in luxury in Paris, the other as a bandit in the Corsican countryside. Later, upon reaching their 21st birthdays, they are reunited (though Douglas Fairbanks, Jr. looked about 30). Together, they vow to exact revenge for their dead parents and spend most of the rest of the film wiping out the evil clan until the ultimate showdown with the #1 evil-doer, Akim Tamiroff.

While I usually love swashbuckling adventure films, this one never really caught my attention. Part of it could have been the silliness of the notion that once separated, these twins had a sort of psychic bond--where even if they are hundreds of miles apart, they can feel what the other is experiencing. Part of it might be the script. I never read the Dumas novel so I don't know if it's his fault or the script writers--but the film offered few thrills and the one twin was so selfish and unlikable, I had a hard time caring about him. I don't blame the cast, as in other later adventure films, Fairbanks, Jr. did an excellent job.

Regardless, this film is basically a nice looking time passer and not much more. For a funnier and totally ridiculous version of the Dumas story, try watching START THE REVOLUTION WITHOUT ME. This comedy completely jumbles several Dumas stories into an incomprehensible but hilarious film that is a must-see for weird movie buffs.

Vendetta, the vicious tribal feuding which ravages the great families of Corsica. The Baron Calonne has ended the Franzi dynasty and made himself supreme.

Or so he thinks..... unbeknownst to him, infant twin sons of the noble line of Franzi did not perish in the inferno he visited on their family. One, was taken to Paris and raised as an aristocrat, the other lived in the Corsican woods as a bandit.

What might have been a predictable revenge saga is given an enterprising twist by the device of making the twins Siamese at birth. Surgically separated as their family is massacred and their home destroyed, they are parted and raised along different paths. Mario grows up to be a cultured and wealthy Parisian, Lucien however is raised in the Corsican woods by outlaws, and it is Lucien who retains a "sixth sense" link with his twin. He feels the pain of his brother and also the pleasure. When Mario fell in love with and fought a duel for a beautiful Countess, Lucien was present in spirit.

The paths of the brothers reconverge at their 21st birthday where they are reunited by the doctor who saved them and told of their destiny.......

Douglas Fairbanks Jr is excellent in the roles of Lucien and Mario. The special effects are limited to crude superimpositions and backprojections but he overcomes their lack of effect by the simple expedient of acting. Lucien is shorter, darker and cunning. Mario is tall, suave and clever. The countess who plays their love interest and who will eventually come between them is not so impressive. A soft focus stereotype in silly skirts simpering through the forest like an umbrella on legs.

The scene is completed by the villain, the evil Baron. What a character ! Short, greasy, and swarthy, complete with twirly moustache he is a worthy adversary for the heroic twins. If trains had been invented, the countess would surely have ended her days tied to some tracks.

The swordplay is frantic, buckles are swashed, the plot is satisfying and Fairbanks is a star twice over. If you can overlook the (awful) technical shortcomings and you like your heroes handsome but flawed and your baddies to twirl their moustaches and get their come-uppances, watch the Corsican Brothers.