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7,3/10
1184
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhaling ship captain Bering Joy takes his grandson Jed on a whaling trip to teach him core life values while First Mate Dan Lunceford is tasked with tutoring Jed.Whaling ship captain Bering Joy takes his grandson Jed on a whaling trip to teach him core life values while First Mate Dan Lunceford is tasked with tutoring Jed.Whaling ship captain Bering Joy takes his grandson Jed on a whaling trip to teach him core life values while First Mate Dan Lunceford is tasked with tutoring Jed.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie totali
Harry Morgan
- Britton
- (as Henry Morgan)
Ruth Donnelly
- New Bedford Neighbor
- (scene tagliate)
Hubert E. Flanagan
- Capt. Rumley
- (scene tagliate)
Connie Marshall
- New Bedford Neighbor
- (scene tagliate)
Dorothy Adams
- Miss Hopkins
- (non citato nei titoli originali)
Robert Adler
- Crew Member
- (non citato nei titoli originali)
Harry Carter
- Crew Member
- (non citato nei titoli originali)
Eddie Das
- Crew Member
- (non citato nei titoli originali)
Recensioni in evidenza
This film, not Captains Courageous, is the best boy becomes a young man film ever made. Tracy was great, in the latter, but Dean Stockwell blows away Freddy Bartholomew in the former. Barrymore is also better in this film. Although I thoroughly enjoyed Captains, this film is a full level above it. It is more authentic, and the scenes pursuing the whale are electric. I learned about whaling from Melville in his classic Moby Dick, but seeing the process makes it all the more impressive, despite its barbaric and politically incorrect status today. Let's not condemn a film because it is not PC today, otherwise we would lose a good one third of all films ever made before the enlightened 21st century. A must see for all young boys.
Down to the Sea in Ships is a grand sea adventure in the tradition of Captains Courageous, Moby Dick, and Treasure Island, full of great actors playing interesting characters, with decent special effects for it's time, and an intelligent, sometimes profound, script. Lionel Barrymore plays Captain Joy, the Master of a whaling ship about to be retired. He wants his young grandson (Dean Stockwell) to carry on the family tradition and eventually become master of the ship. But the boy lacks the appropriate education and seems unable to learn. On his last voyage, Joy appoints the new first mate, Lunceford (Richard Widmark) - also his tentative replacement - to the job of educating his grandson. It takes Lunceford a while to win the boy's confidence, and when he finally does, the old Captain seems to become jealous. Then when a boat is lost in the fog with the boy aboard, Lunceford launches a second rescue boat against regulations, and the Captain must discipline him. This dilemma between duty and personal devotion develops a tense situation between the three of them, with dramatic impact that makes Down to the Sea In Ships one of the most poignant films of it's kind, fully in league with those mentioned above. I don't want to giving away any more of the plot, but rest assured that the tension carries through suspense-fully to a perilous climax. The great supporting cast includes Gene Lockhart, Cecil Kelloway, Harry Morgan, Harry Davenport, and Jay C. Flippen.
Aside from the theme of strong values held on to, the movie also offers rare real-life footage of bluenose schooners sailing the open sea, something none of us will ever see as these ships have all but disappeared (the Canadian government sails a reproduction as part of its sea and seamanship instruction. This alone made the movie worthwhile. Add solid performances by Widmark and Barrymore and the rest of the cast - and the able direction of Hathaway - and you have a very good film.
I know it's not the most winning title in the world, but wow: what a picture! I think it's safe to say it's a pretty obscure film - I know I'd never heard of it, and I think that it might have even slipped into the public ___domain. It has not much more than a stub on Wikipedia in spite of the high pedigree: released by 20th Century Fox, starring Lionel Barrymore, Dean Stockwell and Richard Widmark and directed by Henry Hathaway.
I figured I'd hang around for the first few minutes and then turn it off, but I found myself utterly hooked and on the edge of my seat by the really exciting and tense finale. It is just an excellent, compelling, really well-made (in spite of the obvious studio confines which tend to show up in all sea pictures of the era- rear projections and such) picture with unexpected acting honors going to Lionel Barrymore, an actor I've always been somewhat iffy on- I think some of his early work (esp. A Free Soul ) can be really hammy, but as he aged into a genuine old man (he played old way before his time) an endearing quality works its way into his performances- and I think the one he gave in this film was the best I've seen from him thus far.
I don't know if the film was a box office disappointment, but seriously: Barrymore deserved an Oscar nomination for Best Actor, especially since there were some really weak entries in the race that year, and frankly, I preferred Ships to most of the films nominated for Best Picture that year. It could not have been an easy picture to make, write, or act- but everyone pulls it off. I found it very touching and, quite frankly, I liked it better than Captain's Courageous (a film to which it does bear undeniable similarities.)
I figured I'd hang around for the first few minutes and then turn it off, but I found myself utterly hooked and on the edge of my seat by the really exciting and tense finale. It is just an excellent, compelling, really well-made (in spite of the obvious studio confines which tend to show up in all sea pictures of the era- rear projections and such) picture with unexpected acting honors going to Lionel Barrymore, an actor I've always been somewhat iffy on- I think some of his early work (esp. A Free Soul ) can be really hammy, but as he aged into a genuine old man (he played old way before his time) an endearing quality works its way into his performances- and I think the one he gave in this film was the best I've seen from him thus far.
I don't know if the film was a box office disappointment, but seriously: Barrymore deserved an Oscar nomination for Best Actor, especially since there were some really weak entries in the race that year, and frankly, I preferred Ships to most of the films nominated for Best Picture that year. It could not have been an easy picture to make, write, or act- but everyone pulls it off. I found it very touching and, quite frankly, I liked it better than Captain's Courageous (a film to which it does bear undeniable similarities.)
It's unusual to see a film with as impressive a cast of supporting actors. Helping Richard Widmark and Dean Stockwell tell this story are the likes of Lionel Barrymore, Cecil Kellaway, Gene Lockhart, Harry Davenport, Jay C. Flippen and other fine supporting actors. Now this was NOT an easy task, as some of the folks were on loan from MGM--and it's obvious that Twentieth Century-Fox put a lot of care and effort into making this seafaring film. Also, be aware that despite the same titles, this 1949 film has no relation to the 1922 Mary Pickford movie.
"Down to the Sea in Ships" is a story about an aging grandfather (Barrymore) and his young grandson (Stockwell). The old man raised the boy at sea, as he's a whaling sea captain in the 19th century. He is conflicted--part of him wants to put the boy ashore to get an education and part of his looks down on formalized learning, as he never went to school and is a master sailor. Eventually, to solve the problem, he takes on a First Mate who is highly educated (Richard Widmark)--with his plan being that the Mate teach the boy on his off hours. However, there is a problem--the Captain and Mate are BOTH very strong-willed men who think they are right--or at least they won't allow themselves to admit that they are not right. The Captain behaves as if education is of limited value--though WHY did he arrange for this tutor? And, the Mate is convinced that the Captain is an idiot! Not surprisingly, both change their opinions as this sweeping saga progresses.
Most of the film was shot in a sound stage. Yet, surprisingly, the footage is usually excellent and is integrated very well with actual footage. It makes for a very impressive looking film and director Henry Hathaway did an admirable job. Also admirable is the acting and script. Together, they make for a terrific film with lots of great messages about life, maturity and what it is to be a man. Quite impressive and enjoyable.
By the way, there are two things I'd like to point out. Despite what they said in the film, the Mississippi River is NOT the longest river in the world (just the US). Also, watch Harry Morgan--he forever seems to be getting squished in the movie! Poor Harry!
"Down to the Sea in Ships" is a story about an aging grandfather (Barrymore) and his young grandson (Stockwell). The old man raised the boy at sea, as he's a whaling sea captain in the 19th century. He is conflicted--part of him wants to put the boy ashore to get an education and part of his looks down on formalized learning, as he never went to school and is a master sailor. Eventually, to solve the problem, he takes on a First Mate who is highly educated (Richard Widmark)--with his plan being that the Mate teach the boy on his off hours. However, there is a problem--the Captain and Mate are BOTH very strong-willed men who think they are right--or at least they won't allow themselves to admit that they are not right. The Captain behaves as if education is of limited value--though WHY did he arrange for this tutor? And, the Mate is convinced that the Captain is an idiot! Not surprisingly, both change their opinions as this sweeping saga progresses.
Most of the film was shot in a sound stage. Yet, surprisingly, the footage is usually excellent and is integrated very well with actual footage. It makes for a very impressive looking film and director Henry Hathaway did an admirable job. Also admirable is the acting and script. Together, they make for a terrific film with lots of great messages about life, maturity and what it is to be a man. Quite impressive and enjoyable.
By the way, there are two things I'd like to point out. Despite what they said in the film, the Mississippi River is NOT the longest river in the world (just the US). Also, watch Harry Morgan--he forever seems to be getting squished in the movie! Poor Harry!
Lo sapevi?
- QuizShips' cooks were often nicknamed "Slush" or Slushy". The term comes from the fact that they had to feed the crew with salt pork or salt beef. The meat would be put into a pot and boiled and the grease that came to the surface was called "slush" and was skimmed off and saved. The sailors often smeared it on ships' biscuit in place of butter. Any excess at the end of the voyage was sold to soap makers or candle makers and the proceeds were used to buy things for the ship, hence the term "Slush Fund".
- BlooperWhen their ship strikes an iceberg looming out of the fog bank Widmark grabs a rope and goes overboard to examine the damage. This is absurd when there are a dozen able-body sailors who could go below deck and safely report any hull damage. Furthermore the life expectancy in ice-laden sea water would be a matter of minutes - Widmark and a couple of other sailors are splashing around (getting crushed between the ship and the berg) like they're in a warm bathtub.
- Curiosità sui creditiOpening credits prologue: NEW BEDFORD 1887
- ConnessioniFeatured in Los pájaros de Baden-Baden (1975)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Capitanes del mar
- Luoghi delle riprese
- Seal Beach, California, Stati Uniti(harpoon boats scenes)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Naviganti coraggiosi (1949) officially released in India in English?
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