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Lucille Ball and Bob Hope are two icons of classic cinema, and I must admit, I was completely unaware that they shared the screen in a film together. Upon watching, it became clear why this collaboration might have slipped under the radar. Much of the humor that was once celebrated in 1950 now feels outdated and inappropriate, particularly the racial jokes that would have elicited hearty laughter back in the day but are now considered offensive. Lucille's beauty shines through, and it's a pity she didn't receive more substantial roles in films. When she did, they often leaned heavily into slapstick, much like this one. It's striking how poorly this film has aged over time.

Bob Hope was at the height of his comedy career and reputation when he did FANCY PANTS. Unlike some of the other movies he made in the forties and fifties he actually had a female partner here who matched him as a comedian. Here it was Lucille Ball. Ball and Hope actually proved to be a good pairing.

FANCY PANTS is based on RUGGLES OF RED GAP. Instead of Hope being a genuine butler/valet he is an actor who is playing a butler/valet. Renamed "Humphrey" or Arthur Tyler, Hope is a dreadful actor. His company is performing a ramshackle mystery where he is the villain. The best part of this is Eric Blore as the head of the family, critically wounded in an assassination attempt by "Humphrey" the butler, who shouts out an incomprehensible and accusingly nasty string of words at "Humphrey" ending with the words "DEMNED LYING SCOUNDREL!!" Hope, frightened at being exposed, looks at the other angry cast members and says "He's lying!!".

The cast is hired by a fortune hunter using them to pretend to be his aristocratic family to impress the Flouds and marry their daughter. But the Flouds are not impressed except with "Humphrey" because he tried to overcompensate with his work as a butler when he kept stepping on the "performances" of the others. As a result, Mrs. Floud (Lea Penman) purposely trips him so that he is fired by the fortune hunter (and so Mrs. Floud can hire him).

Despite the suspicions of Mr. Floud (Jack Kirkwood) and daughter Agatha (Ball), Humphrey accompanies the family back to their western estate in the Arizona territory. The territory is looking forward to becoming a new state. Anything that would speed this is encouraged.

It turns out that President Theodore Roosevelt is visiting the territory. The townspeople are excited as it might assist them in pushing for statehood. But there is a misunderstanding: word that Agatha had been pursued by an English lord spread around, and when Humphrey showed up it was assumed he was the Earl of Burnley. The Flouds find they can't disavow this mistake and are forced to treat Humphrey as a potential son-in-law. To add to the natural anger of the Flouds at this error and it's attending problems of stomaching a now arrogant Humphrey, there is the danger from Cart Belknap (Bruce Cabot) a neighbor who has had a kind of understanding with Agatha about eventually marrying her. Everything comes to a head when the President (John Alexander) shows up. For a change Humphrey manages to portray his role perfectly - too perfectly. He boasts too much about his riding abilities, and ends up involved in a fox hunt with the President and the townspeople. To complicate matters, Belknap is double checking "the Earl" and is physically threatening him.

The changes in the script improve it, as the original movie had tedious stretches when nothing was happening to Ruggles and the other characters. There is more unity of actions and Hope's cowardly conniver is quite funny. For example, when he arrives in the west he gets lost and separated from his stagecoach. Suddenly Humphrey refuses to be realistic. Walking through several full puddles and ponds, he convinces himself they are all mirages. There is also a moment when, still believing Humphrey is the perfect butler, Agatha insists he help her fix her hair. Not knowing what to do Humphrey teases her hair upward into a "hive" style, and puts a bird in a cage into the center of it.

The film's structure is smoother even though it does not include the "Gettysburg Address" speech. The cast is quite good especially Hope and Ball, Blore (briefly), Cabot, and John Alexander reprising (this time "legitimately") his "Teddy Roosevelt" from ARSENIC AND OLD LACE.

Fancy Pants is directed by George Marshall and adapted from the Harry Leon Wilson story by Edmund L. Hartmann & Robert O'Brien. It stars Bob Hope, Lucille Ball, Bruce Cabot, Jack Kirkwood and Lea Penman. A Technicolor production, it's scored by Van Cleave and cinematography is by Charles Lang. Plot is a reworking of Ruggles of Red Gap, which was made into a successful film in 1935, directed by Leo McCarey and starring Charles Laughton. This take finds Bob Hope as a low grade American stage actor who gets hired by a Western family in the hope that his refined manner will rub off on the more rough and tumble members of the family. Finds start to spiral out of control when the town mistake him for a noble lord, bringing the attention of one president Teddy Roosevelt, who plans a visit to the family home. Not only that, but Hope has to contend with town bully Bruce Cabot, who is convinced that Hope is trying to steal his girl, Lucille Ball.

Bright and bubbly comedy musical fare, played purely for laughs and given a good quality production. Hope and Ball featured together in a total of five film's, their chemistry a winning formula, even if the material wasn't always that beneficial to their respective comedy leanings. Fancy Pants is one of the better ones, but it's bookended by indifference. The start is laborious, and not really setting the standard for what is to come, but once we land in the Wild West it not only lets Hope shine, but also it brings into play Kirkwood and Cabot (excellent). Then it's a case of letting Hope ponce about as a noble butler/Lord, while Ball and Kirkwood plot to have his nuisance self sent packing back to England. It's during this meaty middle section that we get some genuine laugh out loud moments, briskly constructed by Marshall and scripted as sharp as a razor. We even have time for a couple of tunes, with the quite wonderful "Home Cookin" the stand out. Sadly the ending lacks impact and comes all too quickly, which is doubly disappointing since the big build up was great fun.

A good but not great Bob Hope film as a whole, but when it's good it's very good and therefore easily recommended to the comedy classic fan. 6.5/10

Fancy Pants is a musical comedy remake of Ruggles of Red Gap in which Charles Laughton had one of his best roles in the 1935 version that was directed by Leo McCarey. To say that Bob Hope's interpretation of the English butler who went west is different from Laughton's is the difference from porterhouse steak to hog's livers to use one of old Ski nose's favorite expressions.

Not that Fancy Pants is bad, in fact it's very funny and definitely the best of the four films that Bob Hope made with Lucille Ball. Ruggles of Red Gap was funny, but it was also whimsical and dramatic in spots and it was about a shy and proper English butler who adjusts to the new environment in America he finds himself and in the process makes some real friends.

To begin with Hope isn't a butler, he's an actor and a clod of an actor who has the knack for spilling all kinds of liquid on fellow player Norma Varden. The whole company is hired by a guy who was posing as titled nobility to woo wealthy American Lucille Ball.

Unlike a lot of Hope's leading ladies, Lucy gets her innings, especially playing this Calamity Jane type. She and mother Lea Penman are touring the continent and Penman decides Hope is just the guy to put a little refinement into their home and incidentally make them the envy of their small New Mexico town.

One thing leads to another and Hope winds up having to pose as nobility himself when the townspeople are misinformed and President Theodore Roosevelt comes to town for a visit. That doesn't sit well with Bruce Cabot who has designs on Lucy.

John Alexander who was 'Theodore Roosevelt' in Arsenic and Old Lace gets a chance to play him for real in Fancy Pants. His scenes with 'Earl' Hope are classic. I also liked Eric Blore who played the unintelligible 'Earl' in Hope's repertoire company.

Though director George Marshall and stars Hope and Ball go for belly laughs rather than some wry chuckles, Fancy Pants holds up very well after almost 60 years. But if you are looking for Hope to try and out do Mr. Laughton, than don't bother with it.

The opening credits state "starring Mr. Robert Hope and Miss Lucille Ball"... hope actually interrupts, and says a few words to the audience. Seems to be a period piece, a warped story on the history of new mexico. This was a ten years before critic's choice and facts of life, which they also made together. And just before I love lucy! Keep an eye out for the awesome eric blore, from all the fred astaire films. Also norma varden, mrs. Piggy, from gentlemen prefer blondes. Even ida moore, the mascot from desk set. The story is just silly, complicated, and disjointed, but it's all about the jokes along the way. Hope pretends to be a butler to help a hilbilly family appear upper class. Hijinx ensue! It's all interesting, mostly for the great comediens involved. Some fun special effects for 1950, the hairdo humphrey gives miss agatha, and the tower of pisa in the picture hanging on the wall. Miss agatha even sings a couple songs, which are clearly dubbed. Directed by george marshall; he had started in short, silent films. And kept right on directing until until 1972, ending up in television series. Fun for the fans of bob hope and lucy !