Il mistero del marito scomparso

While out late one night walking his dog, Frank Johnson finds himself in the unwanted situation of being a witness to a murder, the killer sees Frank and fires two shots but misses. The police arrive and inform Frank that as he can identify the killer he has to be taken in protective custody, as the man killed was also a witness in a case against a big mob boss and he will surely be the next target. However, fearful for his life Frank goes on the run. His wife Eleanor (Ann Sheridan) soon finds out that he husband is not the person she had been bored with, but an intelligent, talented and witty man that many people like for many reasons, believing her marriage was in permanent decline, she suddenly remembers why she loved him in the first place and sets out to find him with the help of a a very eager local reporter Danny Leggett (Dennis O'Keeffe) intent on a big story that might just save his own career. The search is made all the more frantic when Eleanor discovers Frank had been hiding a heart defect from her and that the police have ordered all pharmacies not to give out his required drug without their say so.

Woman on the Run completes my viewing of Antonius Block's Top 100 Noir list and its a good one to finish with, it starts quite slowly but ups the tension with each passing minute,as the police and the killer also join the chase. O'Keeffe and Sheridan are both excellent in their respective roles and for such a low budget film, there is some very fine camera-work, in particular the scenes in the amusement park at the finish. The only thing that irked me just a little was the identity of the killer was given away too soon, albeit a nice twist, but then at a brisk 77 mins, I can't really have too much to complain about. I watched the Alpha Video disc and being a fan of Foster's work I would certainly be interested in seeing a better print of this film.

Norman Foster did a fine job of directing Ann Sheridan and Dennis O'Keefe in "Woman on the Run," a 1950 film, somewhat low budget. Sheridan by this time was around 34 years old, and the cutoff for women in those days was 30. Soon she would be turning to television.

In the story, Frank Johnson (Ross Elliott) is out walking his dog Rembrandt when he witnesses a gangland hit. He goes on the run as the police desperately look for him, since he's their sole witness.

They question his wife Eleanor (Sheridan) who has no idea where he is, and, since the marriage is on the rocks, she thinks he wants to get away from her as well. The police, headed by an Inspector Ferris (Robert Keith), starts following her, and she is bothered by a newspaperman, Danny (O'Keefe). She throws her hat in with him and the two work together to find Frank.

Frank has left Eleanor some clues, and it's in those clues that Eleanor realizes one thing - Frank loves her, and if she can find him, she will try to make the marriage work.

Very good noir, with the earthy Sheridan in fine form, with her dry delivery. O'Keefe was always a solid leading man, and he does a good job here. Always nice to see Victor Sen Yung, and you will recognize many television people who are in the film.

Eleanor and Danny go all over San Francisco, which is fun to see in its post-war state. And the roller-coaster scenes are fabulous and tense.

Good movie; see it if you can.

Shown for theatrically for the first time in 40 years at the 2003 San Francisco Noir Festival, this rediscovered gem has some of

the classic elements that make the genre so appealing; here an innocent bystander to a murder is on the run with a wife who is

desperately trying to find him before the cops or the killer can get to him.

A wisecracking Ann Sheridan careens around San Francisco with reporter Dennis OÕKeefe who may or may not be an ally.

One of the delights of this film is that the city is portrayed realistically with picturesque 1950 settings in North Beach,

Chinatown, Telegraph Hill and the long gone Playland at the Beach.

One interesting bit of trivia: Norman Foster later ditched the noir formula and became a successful director of Disney hits such as Zorro and Davy Crockett and eventually went on to direct episodes of the Batman and Green Hornet television series..

I knew it. I knew if I keep watching films from my Film Noir gift box I would come up with some good titles. This is one of them. Solid performances by Ann Sheridan and the dependable Dennis O'Keefe, and written and directed by Norman Foster. The pacing is good and I even went along with the plot contrivance which serves as the climax of the picture. Annie was coming to the end of her glamour period in Hollywood films and she turns in a hard-boiled performance as a wife in search of her missing husband. Always thought Dennis O'Keefe was meant for better things than B programmers but he gets a good role here in an 'almost A' picture. Our current rating of 7.6 may be a little gaudy, but it's a good addition to my Film Noir collection.

Nice, isn't it, to come across a good movie when you weren't expecting one?

Considering that this film is in the public ___domain AND I've never heard of it, I naturally assumed it would be a pretty crappy example of Film Noir. However, I was very pleasantly surprised and recommend you give this film a try. It's very well written and gives Ann Sheridan perhaps her best film role as a very noir-like 'dame'! In addition to her lovely performance, you have ubiquitous Robert Keith (a face you'll recognize but a name you will not) and Dennis O'Keefe.

The film begins with some ordinary guy walking his dog late at night. He just happens to be in the wrong place at the wrong time, as he accidentally sees a witness against a mobster in an upcoming court case being murdered...and the guy with the dog clearly sees the killer. However, this guy is no hero and as soon as he gets a chance, he escapes from police custody as he does NOT want to be a witness--figuring that he'll be killed if he does give evidence in court. Here is where it gets interesting: when the cops locate this missing witnesses wife, she is less than helpful but also seems to care little for the guy. Sheridan is wonderful as the snappy-talking wife--and there is much more to it--much more. But I really don't want to go further, as it would compromise your enjoying the film.

The bottom line is that the film is wonderfully written, gritty and very exciting film. In addition, the film works well well because it is well-acted and directed. It is not a famous noir film but is among the best--and amazingly enough, all you need to do is follow the link on IMDb to download it for free.