Sombrero

Perhaps the most beautiful casting in classic cinema in almost a fantasy-like small Mexican town, this movie reads like short stories similar to a fairy tale (or folk tale) background. There's little subplots intertwining Cyd Charisse, Yvonne De Carlo, Pier Angeli, Ricardo Montalban and Vittorio Gassman. It's quite entertaining if not a bit odd with Cyd Charisse's climax dance on the mountain. She also danced with Ricardo Montalban in several movies (Mark of the Renegade, On An Island With You, The Kissing Bandit, and Fiesta) and they make a gorgeous pairing. Surprisingly and sadly after their success, the director/producers for this film didn't put them together for this film. Still it's a happy, charming tale. Objectively I rate it a 6 but due to the wonderful casting and Cyd dancing, it's a 7.

This movie is really hard to find since there's no DVD out there so you have to view it on an old videotape (that may be converted to DVD) or wait until TCM shows it (maybe once a year if at all).

This film is based on short stories by Josefina Niggli, whom I met when she was teaching at the Univeristy of North Carolina in Chapel Hill -- the plot outlined by the previous contributor is quite thorough, but does not mention the fine performance of Yvonne DeCarlo as Maria, of the River Road, and most especially does not mention the magnificent dance number performed by Cyd Charisse on a mountaintop in the rain -- unforgetable!!!

About 50 years ago, I saw a movie, made in Mexico, that was a satire on an american girl's idea of life in Mexico; The movie "Sombrero" was based on stories written by an american woman and whether intentional or not is very similar to that satire; However, It is a very enjoyable movie with a great cast; I had read the stories,but went to the movie because of the flamenco dancer,Jose Greco and because a very good friend and very brave matador named Hector Saucedo, did the bullfight scenes and I could never get enough of seeing his artistry; I saw the movie in 1953 in DesMoines,Iowa,accompanied by several hispanic friends whom I know enjoyed the movie as much as I did,but couldn't help making fun of the plot.Tragically, Hector was killed in a plane crash shortly after completion of the film. I rcommend the film for the opportunity to see a young Yvonne DeCarlo,Syd Charise,Ricardo Montalban, Jose Greco and Alfonso Bedoya (Of "I don't have to show you no stinking badges"fame.)I saw it on tv recently and awaited the bullfight scene after half a century,but was disapointed,because they only showed a few seconds of the sequence; Can anyone tell me where I can obtain a tape that shows his whole bullfigjht sequence?

This is a wonderful, enjoyable film with a retinue of fine actors having a lot of fun in an entertaining story set in Mexico. The tale is wonderfully Mexican with cock-fights, inter-village rivalry, tragedy and mystery: Pepe (Richardo Montalban-- Mr. Rourke of Fantasy Island) loves the Mayor's (Thomas Gomez) daughter, Eufemia (Pier Angeli) but needs some success to convince her father he's a worthy candidate for her hand. Vittorio Gassman is the local rich boy whose family want him to marry an appropriate girl from an appropriate family, Rick Jason is the third compañero in love with a gypsy girl (Cyd Charisse). Wonderful performances by the lovely Nina Foch as the set-aside sweetheart, the great Andaluzian Gypsy dancer, Jose Greco, the ever-lovely bubbly Thomas Gomez, plotting Kurt Kaszner and a bit part with one of my fav's, Alfonso Bedoya who doesn't say "We don' gotta chow you no stinkin' batches." Alas, no video for this fine, fun film, so you'll have to catch it on the late show. Check out especially, Ricardo Montalban, Rick Jason and Vittorio Gassman singing the lively, "¡Eufemia!" ¡Realmente macanudo!

Gave this a a 10 just because it was worth it to see how beautiful Mexico was. And let's face it, for Hollywood to film on ___location in Mexico the 50s is a rarity . The fact that Metro even bankrolled a movie set in Mexico is a wonder. Also this is probably the only film to my knowledge where Mexican actor Ricardo Montalban actually portrayed a Mexican instead of the what Hollywood considered the "acceptable" Latin lover, eg. an Argentinian polo player I.e. European.