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La baia dell'inferno

Titolo originale: Hell on Frisco Bay
  • 1955
  • Approved
  • 1h 39min
VALUTAZIONE IMDb
6,4/10
797
LA TUA VALUTAZIONE
Alan Ladd and Edward G. Robinson in La baia dell'inferno (1955)
Film NoirCrimeDramaThriller

Dopo cinque anni di prigione, l'ex poliziotto Steve Rollins viene rilasciato sulla parola e cerca i mafiosi di San Francisco che lo hanno accusato di omicidio colposo.Dopo cinque anni di prigione, l'ex poliziotto Steve Rollins viene rilasciato sulla parola e cerca i mafiosi di San Francisco che lo hanno accusato di omicidio colposo.Dopo cinque anni di prigione, l'ex poliziotto Steve Rollins viene rilasciato sulla parola e cerca i mafiosi di San Francisco che lo hanno accusato di omicidio colposo.

  • Regia
    • Frank Tuttle
  • Sceneggiatura
    • Sydney Boehm
    • Martin Rackin
    • William P. McGivern
  • Star
    • Alan Ladd
    • Edward G. Robinson
    • Joanne Dru
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    797
    LA TUA VALUTAZIONE
    • Regia
      • Frank Tuttle
    • Sceneggiatura
      • Sydney Boehm
      • Martin Rackin
      • William P. McGivern
    • Star
      • Alan Ladd
      • Edward G. Robinson
      • Joanne Dru
    • 21Recensioni degli utenti
    • 13Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto36

    Visualizza poster
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    Interpreti principali29

    Modifica
    Alan Ladd
    Alan Ladd
    • Steve Rollins
    Edward G. Robinson
    Edward G. Robinson
    • Victor Amato
    Joanne Dru
    Joanne Dru
    • Marcia Rollins
    William Demarest
    William Demarest
    • Dan Bianco
    Paul Stewart
    Paul Stewart
    • Joe Lye
    Perry Lopez
    Perry Lopez
    • Mario Amato
    Fay Wray
    Fay Wray
    • Kay Stanley
    Renata Vanni
    Renata Vanni
    • Anna Amato
    Nestor Paiva
    Nestor Paiva
    • Louis Fiaschetti
    Stanley Adams
    Stanley Adams
    • Hammy
    Willis Bouchey
    Willis Bouchey
    • Police Lt. Paul Neville
    Peter Hansen
    Peter Hansen
    • Detective Connors
    • (as Peter Hanson)
    Anthony Caruso
    Anthony Caruso
    • Sebastian Pasmonick
    Peter J. Votrian
    Peter J. Votrian
    • George Pasmonick
    • (as Peter Votrian)
    George J. Lewis
    George J. Lewis
    • Father Larocca
    Rod Taylor
    Rod Taylor
    • John Brodie Evans
    • (as Rodney Taylor)
    Tina Carver
    Tina Carver
    • Bessie Coster
    Paul Bradley
    Paul Bradley
    • Maitre d'
    • (non citato nei titoli originali)
    • Regia
      • Frank Tuttle
    • Sceneggiatura
      • Sydney Boehm
      • Martin Rackin
      • William P. McGivern
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti21

    6,4797
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    Recensioni in evidenza

    7planktonrules

    excellent later Ladd picture

    While most of the territory covered in this film has been covered before in countless movies, still this story of organized crime is very watchable and packed with great dialog and lots of action. In fact, this is very much a Film Noir piece, despite its having been filmed in color. Ladd is great as the angry guy seeking out justice (yes, I know it isn't very much of a stretch) and Edward G. Robinson turns in exactly the type of performance that made him famous (once again, not much of a stretch I know). And, overall, the film is very gritty, entertaining as well as great fun to watch. It does lose a couple points for the lack of originality, but considering how well it is put together, it certainly makes up for much of this.
    10akunert

    "Hell on the Docks" original title of "Hell on Frisco Bay"

    The original title for "Hell on Frisco Bay" was "Hell on the Docks." Apparently, either Warner Bros. or Alan Ladd, whose company, Jaguar, produced the film, thought the title wasn't colorful enough or specific enough about its ___location, so "Frisco Bay" was substituted just prior to the film's release. I have a few stills with the original title printed on them.

    This film, like others produced by Ladd in the 1950s, including Delmer Daves' Western, "Drum Beat," has not appeared on DVD because, according to a Warner Bros Archives Edition executive, the Ladd estate has not permitted its release.

    "Drum Beat" just appeared on Turner Classic Movies in its original CinemaScope format, but it was shorter than its published length of 111 minutes by at least four minutes. No US DVD release is imminent.
    7elo-equipamentos

    Why you were praying for on death row? Once more Robinson steal the show!!

    The quietly Alan Ladd this time played a bittered former Cop wrongly sentenced for a five years in prison by a murder that he actually wasn't guilty, back at San Francisco streets he tries hard clean his name and promising kill Victor Amato (Edward G. Robinson) a mobster that lead San Francisco's harbor on fishing boats's union, worst his wife had an affair meanwhile he stayed at prison, due it he refuses be back at house.

    Who stolen the picture quite sure is Robinson as usually, he often mocking his scar-face body-guard (Paul Stewart) by he had often praying on death row until Vic arranged he get out of there, also he used to taunt his love affair with a former movie-star (Fay Wray), oddly enough Vic is married with a true believer blessing woman (Renata Vanni) in fact even of Italian heritage Vic hates whatever persons tied by church.

    In other hand the wooden face Alan Ladd tracks down a hint aiming for bind Vic that was the mastermind of his misfortune, in the meantime he used to going to a nightclub where his beauty wife (Joanne Dru) works as singer (I see), nothing stunning or so, however let see it easily, aside the far-fetched outcome at San Francisco bay.

    Thanks for reading

    Resume:

    First watch: 2024 / How many: 1 / Source: DVD / Rating: 7.5.
    5Ale fish

    Robinson outshines a wooden Ladd and the wide open spaces.

    Edward G Robinson dismissed this one with a passing comment in his autobiography and it's not hard to see why. He exudes menace in the classic 'Little Caesar' manner and his interplay with the underrated Paul Stewart does have a touch of real quality. However, Cinemascope is not a process designed for urban thrillers and the wide open spaces rob the film of any sense of tension or claustrophobia. The greatest weakness, however, lies in Ladd's robotic performance. His boredom is evident throughout and the lacklustre supporting cast do little to help. In the end Robinson is left out on his own, gat in hand, the true professional giving it all he's got.
    searchanddestroy-1

    Alan Ladd vs Edward G Robinson

    I nearly forgot this crime film that I have in my library since forty years now, taped off from a French TV channel. It is a great powerful crime flick, pulled by two stars of the gangster film genre. Both were legends the previous decade(s) especially Edward G Robinson, who was a legend even before Alan Ladd. So this Warner film reunites them for the first and only time. That's a pretty good reason not to miss it. The plot is of course overused, predictable at the most, but adapted from a William McGivern's novel. And as an Alan Ladd's vehicle, only William Bendix is missing, he was a long time Alan Ladd's buddy on screen and maybe not only on screen.

    Trama

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    Lo sapevi?

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    • Quiz
      The interior police station set is the same one used for Gioventù bruciata (1955) which was released 2 months earlier.
    • Citazioni

      Joe Lye: Think the old man will be getting here pretty soon?

      Victor Amato: Why? You got something better to do?

      Joe Lye: I didn't say so.

      Victor Amato: That broken-down movie star waiting outside?

      Joe Lye: She's retired, not broken-down.

      Victor Amato: Sensitive about that tomato, ain't ya?

      Joe Lye: Oh, Kay's alright.

      Victor Amato: Good-looking?

      Joe Lye: So-so.

      Victor Amato: That where you were? Her apartment?

      Joe Lye: Yeah.

      Victor Amato: Doing what?

      Joe Lye: Having dinner.

      Victor Amato: For instance, like what?

      Joe Lye: What's the difference, Vic? Couple of Martinis and steak, if you have to know.

      Victor Amato: Martinis. Steaks. Fancy. Just like one of her old movies. Pretty soon, uh, you're liable to be hearing wedding bells.

      Joe Lye: Not me, Vic.

      Victor Amato: Good! Now, stay smart. Boy, you've got the life, Joe. Not like it was in the death house.

      Joe Lye: Please, Vic. Lay off.

      Victor Amato: Those guards told me how you used to pray every night. Get down on your knees like you were in church. Why'd you do it?

      Joe Lye: I don't know. The place softens you up.

      [he twitches]

      Victor Amato: Ought to get that face of yours fixed. Twitches all the time. Looks lousy.

      Joe Lye: I know, I know. Doc says I do it because I got things on my mind.

      Victor Amato: Thinks you're nuts!

      Joe Lye: [angrily] Cut it out, will ya, Vic?

      Victor Amato: You shouldn't have worried in the death house. Didn't you know I'd spring you?

      Joe Lye: Well, time was running out.

      Victor Amato: So you wasted it, praying to the wrong people. You just keep praying to Vic Amato. Things will keep working out.

    • Colonne sonore
      They Very Thought Of You
      (1934) (uncredited)

      Music and words Ray Noble

      Sung by Joanne Dru in the nightclub (dubbed by Bonnie Lou Williams)

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    Dettagli

    Modifica
    • Data di uscita
      • 19 ottobre 1956 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Italiano
    • Celebre anche come
      • Hell on Frisco Bay
    • Luoghi delle riprese
      • San Francisco, California, Stati Uniti(Fisherman's Wharf)
    • Aziende produttrici
      • Jaguar Productions
      • Ladd Enterprises
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 39 minuti
    • Proporzioni
      • 2.55 : 1

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