La preda umana

Viewed most of the films that Richard Widmark starred in, however, I finally discovered this film being shown on TV in the wee hours of the morning and found this to be a great film Classic. Richard Widmark, (Mike Latimer) and Jane Greer gave an outstanding performance together, sometimes fighting like cats and dogs and struggling to get away from Trevor Howard, (Browne) who plays a very wicked character who will stop at nothing to get just what he desires in life. This entire cast of actors all gave an outstanding performance, but Widmark and Greer really put their heart and soul into this picture. Jane Greer experience a spinal injury during the making of this film, and years later she became very ill and needed surgery, which corrected her problem. It was during a scene in this picture where Jane goes through swampy water which contains many dangerous viruses.

Thrilling suspense in this jungle adventure with fantastic stars Widmark and Greer. some good dialogue, but the story doesn't really convince; it's just a vehicle for the situational suspense and romance. Widmark is a Hemingway-style author and Greer a journalist who finds him in hiding and tricks him into revealing his confidence (which, disappointingly, involves nothing more than a cliched love drama).

Nice direction, very effective photography in sharp color. Greer was never lovelier and, except in the incomparable Robert Mitchum, never found a better leading man. It's a shame that Hollywood allowed Mr. Howard Hughes to throw her into a ditch (figuratively, of course), because this lady had real talent.

Richard Widmark, a Hemingway type writer who craves the solitude of J.D. Salinger, is found in an obscure Mexican village by Jane Greer. Jane's a reporter for a tattletale magazine, but Widmark doesn't find this out till they've started kanoodling. He offers to fly her back to Mexico City.

While enroute they go off course and crash in the jungle. They come upon an Englishman and a Dutch archaeologist, so they say. In reality it's a diplomat who was a member of the pro-Nazi Cliveden set and who defected during World War II. The Dutchman with him is really a former Wehrmacht high officer and his brother-in-law.

Trevor Howard and Peter Van Eyck don't want word of their secret to get out so Widmark and Greer have to die. Now starts the chase through the jungle like The Most Dangerous Game.

Of course this is a remake of that film, but the characters are a bit more complex. Widmark's an alcoholic writer who craves his privacy as much as Howard and Van Eyck do. Greer's a reporter who's gone after Widmark's story and now has an even bigger one potentially.

In the original film it was more of a morality play. Joel McCrea and Leslie Banks were certainly classical hero and villain respectively and Fay Wray was not the independent woman that Greer is.

Still this is a good remake helped a lot by the outdoor locations instead of RKO's backlot jungle.

I tuned into this one on TCM and heard Robert Osborne refer to it as a remake of THE MOST DANGEROUS GAME--BUT in my opinion, only in vague outline. Like GAME, it ends with a chase through the jungle with the bloodhounds on their trail and leads to their final escape. But there are several novel twists and turns along the way and the suspense is in high gear once the chase begins.

Jane Greer appeared in so many B&W film noirs of the '40s that it's surprising to see her in technicolor. She looks great and has good chemistry with Richard Widmark's adventurous writer. Both of them appear to be having a tough time physically as they trudge through swampy waters and slash their way through thick jungle. Trevor Howard is the villain of the piece, not quite as menacing as Charles Laughton in the original.

Gripping suspense yarn will keep you glued to your seat as you wonder how it all turns out. Give it a chance, as it starts slowly before the plot thickens.

What initially looks as if it is going to be a character study of a washed-up Hemngway-type novelist wallowing in self-pity and local liquor in some tiny south American village suddenly changes tack to become a sort of remake of The Most Dangerous Game and, in truth, the first half of the plot was probably more interesting for me. Once Trevor Howard and Peter van Eyck are introduced as a Nazi sympathiser and war criminal hiding out in the jungle into which Widmark and Jane Greer crash land, the film pretty much forgets any ideas of delving into how Latimer can overcome the writer's block that is driving him towards self destruction and concentrates instead on a straightforward cat-and-mouse chase formula. That's not to say the second half of the film isn't enjoyable – it is: it just isn't as interesting as the first 40 minutes.

The film benefits greatly from ___location shooting, and all four principal characters give reasonable performances. Widmark is as reliable as ever, while Howard portrays Browne – the antithesis of all those stiff-upper-lipped WWII types he so often played – in exactly the same manner in which he played all those stiff-upper lip WWII types, and it works quite well. There's no hint of innate character deficiencies in the characterisations of the Nazi's either, no sneering disdain for anything non-German, no mad dreams of a resurgence of the Nazi dream. Howard and van Eyck are just a pair of criminals on the run, as desperate to escape their jungle prison as they are to evade capture.