Una donna senza volto

I recently saw this on TCM and was surprised that I had never seen this before. Based on the novel by popular novelist/writer Evan Hunter who wrote such classics as The blackboard Jungle and the screenplay for The Birds this was adapted for the screen by Hunter and Dale Wasserman. this is the story of an amnesiac (James Garner) who wakes up on a Central Park park bench with no idea who he is. Dressed in a gray suit he discovers only two possible clues to his identity, a ring with the initials G.V. inscribed and a piece of paper with a telephone number on it. He has the name of Grace in his mind who he assumes must be his wife and so with the lack of a name of his own his creates one on the spur of the moment in Sam Buddwing and begins his search through Manhattan of himself and of Grace. His adventure brings him to several memorable characters in Angela Lansbury as the loose woman with a kind heart Gloria, Suzanne Pleshette as actress Fiddle Corwin, Katherine Ross as the pretty and studious Janet, Jack Gifford as restaurant owner Izzy Schwartz, Joe Mantell as the 1st cab driver, George Voskovec as a shabby old man who calls himself God and Jean Simmons as the high society blonde out on treasure hunt for a party. This film was nominated for two Academy Awards for Best Black and White Art direction and Best Black and White Costume. It has a gritty New York ___location feel and frequently uses hand-held cameras and is photographed by cinematographer Ellsworth Fredricks. Directed by Delbert Mann best known for directing such classics as Marty, Desire Under the elms and Separate Tables this is not one of his best but it's quirky and interesting and hold your interest thanks to great on screen performances by the fine cast. Garner is better served as an actor when he has some light comedic roles and he falls a little short in this straight dramatic role where he only smiles once briefly in the entire film. The ending falls short too but all in all it's a different film and I would give it a 7.5 out of 10.

James Garner is "Mr. Buddwing," a man who wakes up in Central Park and can't remember who he is in this 1966 film directed by Delbert Mann. Taking the name Buddwing off of a Budweiser truck and the wing of a plane, Garner has a train schedule for a Harlem line, a phone number, and a ring with a crack in it from "GV." Gradually things start to come back to him as he meets various women throughout the day, all of whom he thinks are named Grace. Through them, he relives different stages of his married life: Katharine Ross, a college student; Suzanne Pleshette, an actress; and Jean Simmons, as a drunken blond on a scavenger hunt. Angela Lansbury plays a blowsy woman whose phone number Buddwing finds in his pocket - or thinks he does.

The film is made in an interesting way - one minute, Garner will be talking to Pleshette, for instance, in the present, and then a second later, he's talking to Pleshette as Grace, at some time in the past. The film is like that all the way through, as Buddwing's memories come back. Despite its stylishness and the '60s New York City scenes, "Mr. Buddwing" moves somewhat slowly. Garner does a good job, portraying the man's confusion and frustration well. Both Pleshette and Simmons are excellent; Ross has the least showy role.

A dark movie, worth seeing.

Mister Buddwing, a curious made up name for the lead character, finds James Garner as a man who wakes up in Central Park without a clue as to who he is. All he has are a couple of scraps of paper with a phone number on one, an address on another and the name of Grace ringing through his clouded mind. From this he tries to build an identity. He's also given some reason to suspect he's an escaped mental patient.

He also runs into during the course of his day, three women, Suzanne Pleshette, Katharine Ross, and Jean Simmons all of whom as his fevered mind flashes back, play the elusive Grace at some point in his life. And they're three very different Graces. We do find out he was married to Grace.

Some of the issues involving amnesia were done better in Mirage which starred Gregory Peck and Diane Baker and in Garner's own film 36 Hours. In 36 Hours however Garner is made to think he's developed amnesia. Here it's the real deal, the hysterical kind after some kind of mental trauma.

Mirage is a much better film however, far more suspenseful. Mister Buddwing is interesting, but really does lack suspense as a whole. Jim Garner does his best with the Buddwing character, but you really don't develop a rooting interest in him.

Best in the film is Angela Lansbury who plays an Adelaide from Guys and Dolls type character, presumably after she finally married Nathan Detroit and settle down somewhat. She only has two scenes, but you really remember her. Especially now since the character is so different from Jessica Fletcher or Mame Dennis roles we know her far better for.

The role must have been thought of as a challenge for James Garner, but I think he was betrayed by a flawed story.

Other commentators are probably right to say that the plot is totally unlikely, poorly acted and perhaps badly directed. I am no film critic hence do not judge the film from a critical point of view.

Yes, I was aware, while watching the film on TV, that it was completely unlikely, that people just don't act in such a way. Yet I found it compelling, enjoyable, enthralling, haunting. I just had to watch it to the end, and this doesn't happen to me very often these days.

I see the film as an allegory of a man who has lost sight of himself after a personal traumatic drama and is in search of himself through various unlikely encounters, mostly intriguing women. I enjoyed the film as I would enjoy a haunting melody. I guess I see in it an allegory for my own condition.

I saw this movie on TNT after being intrigued by the lackluster comments from reviewers. I typically like James Garner movies. After seeing the movie, I saw it as a religious allegory. James Garner plays Everyman who was searching to answer the question "Who am I?" During the movie, I realized that he asks that question rather than the question "What is my name?" He is asking an ontological question.

Furthermore, there are two scenes where he refers to the deity. In the first scene, where he is youthfully impetuous, he refers to "all the gods of the earth and cosmos" or something. In the latter reference to deity, he soberly and humbly refers to "God." This reference occurs after an intervening scene of a flashback where he tells his young wife that he loves perfection that he finds in music. He then hears Bach's Requiem Mass; they enter a church and stand before an altar. This is an example of how knowledge of nature can lead to God. As the flashbacks bring back more of his life, Garner matures as finally realizes his current, wretched condition.

The final scene is quite touching. He finds life through grace. Of course, Grace is his wife's name but the scene allegorically refers to the "saving grace." The movie is not a typical amnesia movie. It is disjointed and the dialog stilted, but, like a classical painting, many scenes have meaning when viewed from a religious viewpoint. Perhaps seeing this viewpoint requires knowledge of Christian doctrine. I would've ordered it on DVD, but it doesn't seem to be available.