I quattro figli di Katie Elder

John Wayne was THE man when it came to starring in Westerns. He could carry a film with little more than a grunt, but you often got more from The Duke than you would expect when they gave him decent supporting players or an antagonist to spar with. Here he's both saddled as his brothers with Dean Martin, Earl Holliman, and Michael Anderson Jnr, and James Gregory, George Kennedy, and as the piece's villains a young Dennis Hopper. Unfortunately, it's not one of the better westerns of Wayne, but here is enough to warrant you time.

Her four sons are attending the funeral of Katie Elder in Clearwater, Texas, all four of them harboring regrets that they'd let down their mother. Wayne, the eldest, is a famous gunfighter, Martin is a professional gambler, Holliman is a store owner, and the youngest Bud is still in school. Their return home is not popular, and things turn sour pretty fast when certain things happen that make the brothers ask questions. They murdered their father, lost their ranch and land in a card game, and their mother died with little to their name. Some stinks, and John Elder from Wayne will find out exactly what has happened.

George Kennedy's got that gleeful grin from a baddie down here to a tea, and he's not disappointing here during his short screen stint. Unfortunately, Hopper is underused and James Gregory hams it up as well as the real villain pulling all the strings that the brothers were framed to kill the local sheriff. There are shootouts, there are unexpected deaths, and as they did in Rio Bravo back in 1959, Wayne and Martin make for a good team. The script isn't great, there's no interest in love for any of them, and Martha Hyer's small role is nothing more than a token female part that brings very little to the proceedings.It's a shame, this is one of those movies that I haven't seen for more than thirty years and seemed to remember having more action and certainly more Wayne dialogue. Unfortunately not, and director Henry Hathaway made much better movies than this one, scrubbing off the very long list of Wayne Westerns is just another.

Other than El Dorado and The Shootist, this is probably the last great John Wayne film. Apart from these, he made a long string of pretty forgettable films late in his career. They aren't so much bad, but they have nothing new to add and seem to be more "by-the-numbers" films than anything else.

The only reason I don't score it higher is because of ridiculous casting. The 4 sons of Katie are probably close to 40 years apart by age--plus, the 4 look NOTHING like each other. I think Woody Strode would have been almost as convincing as one of John Wayne's brothers as the 3 they chose.

So what was so worth watching? Well, the acting is great. Wayne and Martin is a good pairing and the plot of sons seeking revenge is quite compelling. Although not exactly "high brow", I also like the scene between Wayne and the blacksmith--now THAT'S the way to get some answers when the guy doesn't want to talk!

I just saw this movie some 30 years after my first viewing of the film--and surprisingly I found it to be a lot more entertaining than my first recollections of the film.

It's a traditional Hollywood western: good wins over evil, the hero gets the girl, and law is maintained. It has no complications. Even the Mexicans are shown squatting at the funeral far apart from the others only getting up to bury the body. That was how most Westerns were made...So what's good about the film?

Elmer Bernstein's music is as good as his music in 'The Magnificent Seven', if not better. The range of actors: a believable John Wayne, an entertaining Dean Martin with "third-eye" act, a menacing George Kennedy, a "likable" Strother Martin in a brief role as the winner of the third eye, and a fine performance by young Dennis Hopper makes the film above average viewing.

The real hero of the movie is "Katie Elder" dead when the film begins, respected as the film unfolds, and never seen on screen. Everyone seems to remember her with awe. She is epitomized by the empty rocking chair (final shot) and a Bible she leaves behind.

Henry Hathaway's westerns will not be reflective ones as are later Westerns such as "Will Penny", "Tell Them Willie Boy is Here" or "Monte Walsh"--his movies tend to affirm the status quo of typical Hollywood westerns with a heart (good Christian values, strong connection with nature and animals--horses in this movie--as he did in "How the West was Won") and no mind (insensitive to Mexicans and Red Indians). The Christian values in the film are fuzzy, e.g., fool some poor gullible guys at a bar and emerge a hero, or sell a blind horse to gain money and remembered for it at your funeral, etc. This film of Hathaway, ably supported by Bernstein's music and Lucien Ballard's camera, is a great movie for an audience that wants to see a traditional western unfold--and but not be asked to think beyond what is shown.

John, Tom, Matt and Bud, these are the Elder boys, who upon meeting up at the funeral of their recently deceased mother, find that their father may have been murdered over a card game. The boys must cast off sibling rivalries and find out just what has been happening in their childhood town of Clearwater, Texas.

Unfairly given harsh treatment upon its release by the critics and beset with behind the scenes problems, The Sons Of Katie Elder actually holds up rather well in this day and age. All the required traits are in the film to make it an oater of some worth, a splendid cast with as much macho beef as you can shake a stick at, a top Elmer Bernstein score, the wonderful use of the Casa Blanca ___location and a revenge driven plot of some note. So why is it hard to actually sell this picture to the staunch Western crowd? Well coming as it did in 1965 it certainly has something of a modern sheen to it, an uneasy bed fellow with the wild west theme of the picture. The casting of the brothers just about works, but Michael Anderson Jr (Bud) and Earl Holliman (Matt) do seem to be overawed by the presence of John Wayne (John) and Dean Martin (Tom), meaning as a foursome it never quite gets to being a tight acting unit. The length of the picture may also be an issue to some? Long periods of inaction work to me personally because the characters (family unit) are gaining much needed depth, but for those wanting guns a toting at frequent intervals are not exactly catered for.

Yet what action there is surely more than makes it worth the viewers patience? From the Duke swinging a nice piece of hickory to a wonderful riverside shootout, Henry Hathaway's Western is not found wanting for memorable sequences, in fact if you ask me then the mere sight of the Duke blasting away with a six shooter in each hand is a truly blood pumping joy, and don't get me started on a delightful Dean Martin scene as he raffles his glass eye! So all in all it's not without its itches, but as 60s Westerns go, The Sons Of Katie Elder is a hugely enjoyable picture to enjoy by the fireside on a Sunday afternoon. 7/10

The first scene I think of when I think of this film is the sight of John Wayne belting George Kennedy in the mouth with a 2 by four.It hurts my jaw just to look at it,or even think about it.He deserved it,by the way,as John Wayne once again takes on the bad guys,this time with the help of three brothers,played by Dean Martin,Earl Holliman,and Michael Anderson,Jr.They are not perfect,themselves,mind you,but they feel they, as well as their late parents,were done wrong and set out to make things right again.As for Katie Elder,we never get to meet her,as the film begins with her funeral,but we are told so much about her,that by the end of the film we have painted a pretty vivid picture of her in our minds.This movie is very adventurous,as most Duke films are,sad at times and even takes the time to be comical in places.The film also makes me sad for the Duke personally,because,as some of you may know,that on a break from filming this movie,Duke discovered he was sick with cancer for the first time.This movie is indeed a must have for any John Wayne fan.