VALUTAZIONE IMDb
5,8/10
2390
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA babysitter is terrorized by the child's father, escaped from an asylum.A babysitter is terrorized by the child's father, escaped from an asylum.A babysitter is terrorized by the child's father, escaped from an asylum.
- Regia
- Sceneggiatura
- Star
Maurice Kaufmann
- Inspector
- (as Maurice Kaufman)
Lewis Alexander
- Man in Restaurant
- (non citato nei titoli originali)
Aileen Lewis
- Woman in Restaurant
- (non citato nei titoli originali)
Frank Maher
- Plainclothes Policeman With Revolver
- (non citato nei titoli originali)
Brook Williams
- Victim on Television
- (filmato d'archivio)
- (non citato nei titoli originali)
Recensioni in evidenza
Looking for a dark, moody, even solemn movie? Give this one a turn. Fright is a thriller that relies more on sheer spookiness than out-and-out action.
Young Amanda is left alone to baby sit at a house in rural England. In the dead of night everything seems to put her on edge; noises outside the windows, a light bulb goes out, the creaking of the old house. Amanda tries to tell herself she is only being a chicken about it all, but what if there really is someone outside? What would she do-- if there was a knock at the door or a pale face peering through the window? That's just what she'll find out.
The title of this film turns out to be quite fitting as Fright grows from spooky atmosphere to intense suspense and finally a dramatic conclusion that's almost saddening. Collinson's direction is splendidly tight and builds to tremendous tension. Kudos go to a great cast, a haunting theme song, and to writer Tudor Gates for being the first to come up with the babysitter vs. madman thriller.
A dark film if there ever was one, Fright is a powerful and atmospheric thriller that should please anyone seeking some good chills without gory violence.
*** out of ****
Young Amanda is left alone to baby sit at a house in rural England. In the dead of night everything seems to put her on edge; noises outside the windows, a light bulb goes out, the creaking of the old house. Amanda tries to tell herself she is only being a chicken about it all, but what if there really is someone outside? What would she do-- if there was a knock at the door or a pale face peering through the window? That's just what she'll find out.
The title of this film turns out to be quite fitting as Fright grows from spooky atmosphere to intense suspense and finally a dramatic conclusion that's almost saddening. Collinson's direction is splendidly tight and builds to tremendous tension. Kudos go to a great cast, a haunting theme song, and to writer Tudor Gates for being the first to come up with the babysitter vs. madman thriller.
A dark film if there ever was one, Fright is a powerful and atmospheric thriller that should please anyone seeking some good chills without gory violence.
*** out of ****
Fright (1971)
** (out of 4)
British thriller has teenager Amanda (Susan George) showing up for a babysitting job when she soon finds herself being terrorized by the kid's father shows up after escaping from a mental hospital. The father plans on murdering his ex-wife but plans change after he notices that the babysitter reminds him of her. FRIGHT has a few tense moments early on but after a pretty good start the film sadly falls apart pretty quickly. I thought the first thirty-minutes of the film were rather well-directed and features a couple tense sequences and it's really too bad the rest of the film didn't live up to the title. Director Peter Collison really does a nice job at building up the tension early on and I especially liked the way that he used sound effects to build up not only the atmosphere but also some creepy moments. One perfect example deals with some dripping water but the highlight of the film is one of the first stalking scenes we witness as the babysitter's boyfriend is outside and being followed. This scene is without question the best of the movie and is almost strong enough to make the entire film worth sitting through. The problem with the final hour is that not too much happens. The entire thing is extremely slow paced and like many British films, the dialogue is just way too much and it pretty much takes over the picture and not a single thing said is interesting. Even worse is how the film keeps flashing back and forth between what's going on inside the house and what the kid's mother and stepfather are doing in town. Yet another problem is simply how stupid the babysitter gets once more of the action takes place inside the house. Fans of George will no doubt want to see her here as she's as cute as ever and turns in a decent performance. Honor Blackman and Ian Bannen are good in their supporting roles as well. FRIGHT manages to have a couple good sequences but sadly there just aren't enough to keep the film entertaining throughout.
** (out of 4)
British thriller has teenager Amanda (Susan George) showing up for a babysitting job when she soon finds herself being terrorized by the kid's father shows up after escaping from a mental hospital. The father plans on murdering his ex-wife but plans change after he notices that the babysitter reminds him of her. FRIGHT has a few tense moments early on but after a pretty good start the film sadly falls apart pretty quickly. I thought the first thirty-minutes of the film were rather well-directed and features a couple tense sequences and it's really too bad the rest of the film didn't live up to the title. Director Peter Collison really does a nice job at building up the tension early on and I especially liked the way that he used sound effects to build up not only the atmosphere but also some creepy moments. One perfect example deals with some dripping water but the highlight of the film is one of the first stalking scenes we witness as the babysitter's boyfriend is outside and being followed. This scene is without question the best of the movie and is almost strong enough to make the entire film worth sitting through. The problem with the final hour is that not too much happens. The entire thing is extremely slow paced and like many British films, the dialogue is just way too much and it pretty much takes over the picture and not a single thing said is interesting. Even worse is how the film keeps flashing back and forth between what's going on inside the house and what the kid's mother and stepfather are doing in town. Yet another problem is simply how stupid the babysitter gets once more of the action takes place inside the house. Fans of George will no doubt want to see her here as she's as cute as ever and turns in a decent performance. Honor Blackman and Ian Bannen are good in their supporting roles as well. FRIGHT manages to have a couple good sequences but sadly there just aren't enough to keep the film entertaining throughout.
Enjoyed this British film with Susan George, (Amanda), "The Strange Affair", who plays the role of a young gal attending college and taking on a babysitting job way out in the country and walking all by herself after getting off a bus. The house where Amanda is to babysit is very old and their is a little boy she is to take care of while his mom and dad go out to dine. Amanda has a visit from her boyfriend who attempts to make love to her and starts to almost get to first base when the telephone starts to ring. Susan George gives a great performance through out the entire picture and it truly shows the great talent she had during her early years of stardom. If you like Susan George when she was young, pretty and sexy, this is the film for you. Enjoy.
I remember seeing this cult British flick many years ago and remember how it sent genuine chills up my spine..... Susan George gives a brilliant performance as the young, tormented babysitter in this very atmospheric chiller. Ably supported by stalwart British actors (George Cole, Dennis waterman & the ever fabulous Honor Blackman. Some of the dialogue is rather "hammy" and check out the hilarious "dancing" in the nightclub - LOL. Apart from these small points this is a very well crafted little thriller. This film is now available on region 1 DVD and is well worth investing in if you love cult horror movies. Turn out the lights, lock the door and sit back and prepare for "FRIGHT" !!!!You won't be disappointed !!!
This is a fairly interesting picture with lots of British faces and a gorgeous young Susan George playing the babysitter. Ian Bannen's acting doesn't bear close inspection at the best of times, but here his characterisation seems appropriate. This is a seventies film so flares are much in evidence and Dennis Waterman has some wicked side burns. Also check out the amusing restaurant scene where diners in velvet dinner-wear are grooving and shimmering to a guy playing a jazzy number on a Hammond organ. Overall though, an interesting yarn.
Lo sapevi?
- QuizAmong horror fans this film is considered the first film to come up with the popular horror convention of a lone babysitter terrorized by a psychotic murderer.
- BlooperAt the house it is always dark (night-time) but when Helen and Jim rush from the pub to the house there is daylight.
- Citazioni
Inspector: How do you spell that word, "psychotic"?
Dr. Cordell: You may have to spell it M-U-R-D-E-R, murder, if you don't get someone over there quickly!
- ConnessioniFeatured in Grindhouse Universe (2008)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Violenza a una Baby Sitter (Allucinante Notte di una Baby Sitter)
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 169.246 USD
- Tempo di esecuzione1 ora 27 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1
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By what name was L'allucinante notte di una baby sitter (1971) officially released in India in English?
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