Settimo potere

Watch this movie, and reflect that 30 years later, we are having a similar ethical debate on stem cell research, and the use of aborted faetuses to cure diseases.

Further reflect on recent cloning advances. What if you could clone a human, with no brain? (It is an unfortunate condition that occurs occationally in humans. The offspring die shortly after birth.) Would it be moral to use their bodies to extend your life?

To me, at least, "The Resurrection of Zachary Wheeler" belongs to a very selected group of 70s cult/science fiction movies. They are criminally obscure and practically forgotten, presumably due to the low-budget production values and lack of action and/or special effects, but at the same time they are unbelievably intelligent and downright terrifying due to the ahead-of-its-time themes and story lines. This film pretty much gave me the same overwhelming effect as when I first watched the 1979 gem "Parts: The Clonus Horror". Not coincidentally both films are very similar, dealing with early types of cloning methods, conspiracies to protect the elite classes and massive media cover-ups. Both titles are original, tense, disturbing and fascinating, but also inexplicably underrated. Oh, and they have something else in common: Michael Bay stole the innovative ideas of both films for his own fake Sci-Fi box office hit "The Island"!

The film predates Leslie Nielsen's typecasting period, which began with "Police Squad" and lasted for the rest of his life, so you might have to make a mental switch to take him serious as the stubborn but persistent research journalist. He, Harry Walsh, arrives at the scene of a tragic car accident and identifies a near-fatally injured victim as the young & upcoming senator Zachary Wheeler. Later in the hospital, however, all the staff denies that Wheeler got admitted and Walsh is rudely thrown off the premises. Despite pressure from his chief editor and government spokespersons, Walsh refuses to publicly recall his earlier reporting and gets fired. He privately continues to look for answers, though, and traces down Wheeler to a remote New Mexican medical facility where, in all secrecy, the upmost amazing scientific breakthroughs are being realized. Meanwhile, the recovering senator Wheeler also discovers the truth behind his miraculous rescue, and he's not as pleased as you'd think.

I deeply and humbly bow my head to the writers of progressive Sci-Fi like this! Can you believe this plot is nearly 50 years old? The plot already dealing with clones before the term "clones" was even properly integrated. They are referred to as "Somas" instead. Topics like stem cell treatment nowadays still lead to heavy moral discussion, but it featured here first. Moreover, "The Resurrection of Zachary Wheeler" is also a very competent action/thriller effort! Walsh's cat-and-mouse games with a duo of pursuing goons are amusing and certain sequences inside the facility definitely hold a shock-effect in store. Excellent performances from Bradford Dillman and Angie Dickinson as well. The utterly abrupt non-ending initially feels frustrating, but it also underlines the soberness, realism and intellect of the script. Rich, influential and powerful people always win.

Zachary Wheeler (Bradford Dillman), a state senator with great potential, gets into a horrific traffic accident in the opening minutes of this film. It doesn't seem that he will make it, and Harry Walsh (Leslie Nielsen), a reporter who arrives on the scene, accompanies him to Bethesda, where Harry witnesses the senator being whisked away to parts unknown. A cover-up is engineered regarding the senators' whereabouts, and Harry is right to smell a rat. He doggedly pursues his story, despite some risk to life and limb, while a revived Senator Wheeler discovers the incredible medical breakthrough that prolonged his life.

"The Resurrection of Zachary Wheeler" is telling a tried-and-true Dr. Frankenstein-type story (scripted by Jay Simms and Tom Rolf), complete with the expected indignant reaction as the senator can't believe the gall of these doctors. The plot is rather reminiscent of the more well-known "Parts: The Clonus Horror", except that RoZW predates "Parts" by several years. It leads to some effectively creepy moments, and the yarn concocted by Simms & Rolf is utterly absorbing and interesting. The eventual resolution is not very satisfying, but up until then the film is quite fun, with plenty of ___location shooting in New Mexico, and a quick-thinking, likeable protagonist in the form of Walsh. You have to respect this guy for being so tenacious.

The whole cast is great. Dillman and Angie Dickinson, as one of the clinic doctors, strike up a warm relationship, James Daly is authoritative as the not-that-good doctor who's pioneered this revolutionary surgery, and Robert J. Wilke is an appropriately cold-blooded antagonist determined to keep the operations a secret. Other familiar faces like Jack Carter, Don Haggerty, William Bryant, Tristram Coffin, Byron Morrow, Harry Holcombe, and Tyler McVey also turn up.

Mildly flashy opening credits do give this the feeling of a classic B picture from decades past, which is fitting, since this was clearly done on a somewhat limited budget. But the moral / ethical questions posed here are still extremely relevant 47 years later.

The sole theatrical directing effort for Bob Wynn, who mostly worked in TV.

Eight out of 10.

I was shocked as to how good this film is

Such that I cannot believe no decent writer or director has done an update.

With all the effects available today I can see an update as a great success

In the meantime a good watch and Nielsen running around in all seriousness pre Airplane.. Priceless

This is a surprisingly suspenseful and thought-provoking sci-fi movie. Even more topical and relevant today, as cloning and organ transplantation become more mature. To what lengths will we go, what will we pay, to be cured of our worst degenerative diseases and to live almost forever? How much power would an organisation have, that could give us such health and near-immortality?