VALUTAZIONE IMDb
6,4/10
22.221
LA TUA VALUTAZIONE
Un ex cacciatore di taglie aiuta a malincuore un ricco proprietario terriero e i suoi scagnozzi a rintracciare un leader rivoluzionario Messicano.Un ex cacciatore di taglie aiuta a malincuore un ricco proprietario terriero e i suoi scagnozzi a rintracciare un leader rivoluzionario Messicano.Un ex cacciatore di taglie aiuta a malincuore un ricco proprietario terriero e i suoi scagnozzi a rintracciare un leader rivoluzionario Messicano.
- Regia
- Sceneggiatura
- Star
Joaquín Martínez
- Manolo
- (as Joaquin Martinez)
Recensioni in evidenza
Excellent and certainly underrated Clint Eastwood western, this time directed by John Sturges and designed very much to cash in on the Spaghetti Westerns Eastwood made with Sergio Leone; you only have to look at the credits to see the wealth of talent involved including a screenplay by none other than Elmore Leonard. Clint is the titular "Joe Kidd" who finds himself in the middle of a war between cold-blooded landowner Robert Duvall and a group of Mexicans lead by John Saxon. There's nothing very original about the plot but it gallops through its less than niney minutes running time and makes for a very entertaining Saturday Afternoon Matinee movie. It's also well cast throughout and boasts some beautiful ___location photography by the great Bruce Surtees.
Everything about "Joe Kidd" suggests quality of the highest order. Here you've got Clint Eastwood co-starring with Robert Duvall (in one of his first post-"Godfather" roles), to say nothing of an excellent supporting cast that includes John Saxon, in a western directed by John Sturges whose name I will always utter with reverence because he gave us "The Great Escape." And it's based on an Elmore Leonard novel. Prepare to be impressed.
"Joe Kidd" opens well with Clint Eastwood all duded up in the most splendid threads he ever wore in a movie. In no time at all, though, it all goes rapidly downhill, becoming as memorable as a Hopalong Cassidy B-flick. Everyone involved acknowledged it was a disappointment, but why? Patrick McGilligan's recent bio of Eastwood (which is close to a hatchet job) suggests Sturges had succumbed to alcohol by then and simply wasn't up to the job, but star and co-producer Eastwood, humble in the presence of a man who directed so many fine films, was reluctant to usurp the reins. The movie's inferior reputation may now be in its favor. Having read so many bad reviews of the film, Eastwood fans who haven't seen it yet may have such low expectations that it may seem better than it is. If so, enjoy.
"Joe Kidd" opens well with Clint Eastwood all duded up in the most splendid threads he ever wore in a movie. In no time at all, though, it all goes rapidly downhill, becoming as memorable as a Hopalong Cassidy B-flick. Everyone involved acknowledged it was a disappointment, but why? Patrick McGilligan's recent bio of Eastwood (which is close to a hatchet job) suggests Sturges had succumbed to alcohol by then and simply wasn't up to the job, but star and co-producer Eastwood, humble in the presence of a man who directed so many fine films, was reluctant to usurp the reins. The movie's inferior reputation may now be in its favor. Having read so many bad reviews of the film, Eastwood fans who haven't seen it yet may have such low expectations that it may seem better than it is. If so, enjoy.
This may not be one of the best western to feature Clint Eastwood, but it's still a decent western. Yeah, the plot maybe a bit standard but still the movie does have it's moments few times. The triumphant soundtrack is also a plus. on the negative side the story is pretty standard and the movie just isn't all that character driven either. It just lacked certain elements that made some of Clint's other western films great. The part that I liked was how it's difficult to choose a side for a while. Sometimes the movie seemed to try a bit too hard to show how short tempered and badass the main protagonist is while also having some moral ethics. Although it can sometimes be cool to see the effects of his short temper. Some aspects of this film just seemed a bit forced and although it's a decent western not much really stood out. In fact it seemed more like a western TV show episode than a actual movie. Besides the fact that this movie has two great actors, Clint Eastwood and Robert Duvall.
6.4/10
6.4/10
Joe Kidd is discreditable ex-bounty hunter who's facing a couple days in jail, but a well-known big flier landowner Frank Harlan pays his fine hoping that he would join his group of hunters in tracking down the revolution leader Louis Chama. Who's upset about the treatment his people have received in the land reform policies and he goes into town to show he and his group mean business. But Kidd has nothing against him so he declines, but that all changes when he finds out Chama and his outlaws stole his horses and touched up his carers. So after that, Kidd decides to join in the hunt, only to discover that maybe he's on the wrong side.
How many times have we seen it, don't mess with Clint! After the highly significant cop thriller "Dirty Harry", he returned to the western foray with not-so forcible results. "Joe Kidd" is what you can call, one of Eastwood's lesser westerns, but I actually enjoyed it. Maybe that's because I knew very little about it and I wasn't expecting anything revolutionary, but I found this little slam-bang western to be an earnest vehicle for Eastwood, which has a capable supporting cast in Robert Duvall, Don Stroud and John Saxon and in the director's chair is John Sturges. With those names involved it could have been much more, but it's not all a waste.
I thought that it started off unusually and far from your typical Eastwood western. It's quite unpredictable and it's laced with a lot quick-witted humour, but when it gets into its groove with the journey part of the story. Then it falls into a systematic pattern. There's nothing overly dynamic about it, but since it's quite a short flick it goes by quick enough without any meandering sequences. We get an even amount of humorous wisecracks, sturdy action set pieces and a steam-rolling climax for the undemanding. The performances are extremely good as the main characters are very egotistical. Eastwood provides his causal persona in the lead role, although this character seems to have a little more spruce and morality in his actions than that cynical edge we come to love. Duvall is influentially striking as the snaky villain Frank Harlan. Saxon is a superb character actor and that translates into his minor performance of Louis Chama. Don Stroud, Paul Koslo and Stella Garcia were more than decent too.
The consciousness story by Elmore Leonard is rather weakly drawn-up with very little in the way development and little to pushy in it's unjustifiable moral high ground. Although I loved the ironic judge, jury and executioner symbolism that fate has in-stored for the main villain. Sturges' direction won't blow you away, but it was a competent display and he manages to incorporate the sublime backdrop of the High Sierras with on spot, open ___location photography. There are many well-placed angle shots and leeway in its execution. Another facet that was surprising was Lalo Schifrin's distinctively, pulsating score that's never over-powering, but it was always there.
You might forget all about this western after a day or two, but with these class people involved in this production, just expect some captivating, light entertainment. I found it satisfying enough, but Eastwood would go onto better things a year later with the cruel, spell-binding "High Plains Drifter".
How many times have we seen it, don't mess with Clint! After the highly significant cop thriller "Dirty Harry", he returned to the western foray with not-so forcible results. "Joe Kidd" is what you can call, one of Eastwood's lesser westerns, but I actually enjoyed it. Maybe that's because I knew very little about it and I wasn't expecting anything revolutionary, but I found this little slam-bang western to be an earnest vehicle for Eastwood, which has a capable supporting cast in Robert Duvall, Don Stroud and John Saxon and in the director's chair is John Sturges. With those names involved it could have been much more, but it's not all a waste.
I thought that it started off unusually and far from your typical Eastwood western. It's quite unpredictable and it's laced with a lot quick-witted humour, but when it gets into its groove with the journey part of the story. Then it falls into a systematic pattern. There's nothing overly dynamic about it, but since it's quite a short flick it goes by quick enough without any meandering sequences. We get an even amount of humorous wisecracks, sturdy action set pieces and a steam-rolling climax for the undemanding. The performances are extremely good as the main characters are very egotistical. Eastwood provides his causal persona in the lead role, although this character seems to have a little more spruce and morality in his actions than that cynical edge we come to love. Duvall is influentially striking as the snaky villain Frank Harlan. Saxon is a superb character actor and that translates into his minor performance of Louis Chama. Don Stroud, Paul Koslo and Stella Garcia were more than decent too.
The consciousness story by Elmore Leonard is rather weakly drawn-up with very little in the way development and little to pushy in it's unjustifiable moral high ground. Although I loved the ironic judge, jury and executioner symbolism that fate has in-stored for the main villain. Sturges' direction won't blow you away, but it was a competent display and he manages to incorporate the sublime backdrop of the High Sierras with on spot, open ___location photography. There are many well-placed angle shots and leeway in its execution. Another facet that was surprising was Lalo Schifrin's distinctively, pulsating score that's never over-powering, but it was always there.
You might forget all about this western after a day or two, but with these class people involved in this production, just expect some captivating, light entertainment. I found it satisfying enough, but Eastwood would go onto better things a year later with the cruel, spell-binding "High Plains Drifter".
Perhaps it's expectations regarding the talent assembled here that make one feel somewhat underwhelmed: the screenplay is by Elmore Leonard, the direction by John Sturges, and genre veteran Clint Eastwood is the star. Ultimately, the story never really catches fire, and there's not much in the film that's memorable - save for one amusing bit of business with a train. Overall, "Joe Kidd" lacks distinction, which is too bad. Eastwood is a typically low key and efficient hero, and he's backed up by a strong supporting cast. The film has the look of quality, with lovely scenery, sets & photography. Fans of the genre will find that this kills an hour and a half fairly easily.
Clint plays the title role, a former bounty hunter who's sprung from jail by a ruthless land baron, Frank Harlan (Robert Duvall). Harlan wants a man eliminated: Mexican revolutionary Luis Chama (John Saxon), who wants to dispute land ownership. Joe reluctantly saddles up with Harlans' associates, only to have a change of heart when he sees how cold blooded they are. He and Chama reach an understanding and begin to do battle with Harlan and company.
Duvall is a worthy antagonist, and he does a nice job of underplaying his role. Saxon has a commanding presence, and Stella Garcia is delightful as the feisty Helen Sanchez. Don Stroud, James Wainwright, and Paul Koslo are all great fun as Harlans' goons, especially Stroud as he gets increasingly flustered. It's also nice to see other familiar faces such as Gregory Walcott as the sheriff, Dick Van Patten as the hotel manager, Joaquin Martinez as Manolo, and Ron Soble as Ramon.
Bruce Surtees's cinematography is noteworthy, and Lalo Schifrin contributes an excellent score.
While this doesn't measure up to classic Clint Westerns, it's still reasonably engaging.
Seven out of 10.
Clint plays the title role, a former bounty hunter who's sprung from jail by a ruthless land baron, Frank Harlan (Robert Duvall). Harlan wants a man eliminated: Mexican revolutionary Luis Chama (John Saxon), who wants to dispute land ownership. Joe reluctantly saddles up with Harlans' associates, only to have a change of heart when he sees how cold blooded they are. He and Chama reach an understanding and begin to do battle with Harlan and company.
Duvall is a worthy antagonist, and he does a nice job of underplaying his role. Saxon has a commanding presence, and Stella Garcia is delightful as the feisty Helen Sanchez. Don Stroud, James Wainwright, and Paul Koslo are all great fun as Harlans' goons, especially Stroud as he gets increasingly flustered. It's also nice to see other familiar faces such as Gregory Walcott as the sheriff, Dick Van Patten as the hotel manager, Joaquin Martinez as Manolo, and Ron Soble as Ramon.
Bruce Surtees's cinematography is noteworthy, and Lalo Schifrin contributes an excellent score.
While this doesn't measure up to classic Clint Westerns, it's still reasonably engaging.
Seven out of 10.
Lo sapevi?
- QuizJohn Sturges had an alcohol abuse issue during filming and was supposedly often drunk on set, resulting in the assistant director taking over the camera on more than one occasion. Apparently Clint Eastwood was annoyed and disappointed with Sturges' lack of professionalism during the shoot and felt it compromised what could have been a great movie. These thoughts would be echoed by Michael Caine three years later during production of La notte dell'aquila (1976), where Caine felt the final film did not reflect the quality of Sturges earlier work due to him being constantly distracted.
- BlooperThe movie takes place in New Mexico, but saguaro cactus can be seen in the town (Sinola County) scenes. Saguaro cactus can be found only in the Sonoran Desert of northern Mexico and southern Arizona, with the thickest concentration around Tucson which is where those scenes were actually filmed (at Old Tucson).
- ConnessioniReferenced in Uno sceriffo a New York: The New Mexican Connection (1972)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 6.330.000 USD
- Lordo in tutto il mondo
- 6.330.000 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Proporzioni
- 2.35 : 1
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