VALUTAZIONE IMDb
5,4/10
36.878
LA TUA VALUTAZIONE
Dieci anni dopo una serie di rivoluzioni delle scimmie a livello globale ed una brutale guerra nucleare tra gli umani, Cesare deve proteggere i sopravvissuti di entrambe le specie da una str... Leggi tuttoDieci anni dopo una serie di rivoluzioni delle scimmie a livello globale ed una brutale guerra nucleare tra gli umani, Cesare deve proteggere i sopravvissuti di entrambe le specie da una strana sette umana ed una fazione armata di scimmie.Dieci anni dopo una serie di rivoluzioni delle scimmie a livello globale ed una brutale guerra nucleare tra gli umani, Cesare deve proteggere i sopravvissuti di entrambe le specie da una strana sette umana ed una fazione armata di scimmie.
- Regia
- Sceneggiatura
- Star
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- 2 candidature totali
Recensioni in evidenza
The Ape uprising has taken place so many years ago, and now in 2003 (by my figuring) Earth has went back to a primitive state in the new era of Apes and Humans living together, yet not equal.
Roddy McDowall reprises his role as Caesar in this one. He is more benevolent than in "Conquest..." in that he is mellowed out and Humans are not as evil as he visioned them in the last film. McDonald is his Human companion and voice of reason when the anti-Human sentiment comes to his mind. As in the end of "Conquest...", McDonald is the Human advocate for mercy for the Human race.
After the Ape uprising an offscrean nuclear war took place, demolishing the big cities of Humanity. Apes are now the superior race, yet rely on them to teach the Apes grammar and such. The Humans are subservient to the Apes, yet under Caesar's rule, they are given latitude when they inadvertently revert to the days of old (when the word "no" is uttered by a Human to an Ape, a grave misdeed in these times). A general by the name of Aldo seems to harbor visions of seizing control of the Ape civilization and directing it in a way much different than Caesar.
Caesar verbalizes his wish to have heard some words of wisdom from his long deceased parents, Cornelius and Zira. McDonald says it is so since the parents were under surveillance upon their coming to 1970's Earth, and that filmed records exist as to the revelations about the future of the Earth. Caesar immediately organizes a party of himself, Virgil, and McDonald to visit the Forbidden City (which is radioactive due to the fallout of the nuclear war) to learn about his parents. They go to the archives and find the records they were seeking. Yet meanwhile, there was a group of survivors that lived in the forbidden city that found out that Caesar was there. These humans were terribly disfigured due to the vast nuclear fallout. They recognize Caesar right away and want to gain vengeance for their fate. Caesar and his entourage flee from the Forbidden City once the Human Mutants go after them.
Anything past this will spoil the ending. This was decidedly the last of the POTA's films, and they left an open ending as to whether Humans and Simians can live together in peace.
Roddy McDowall reprises his role as Caesar in this one. He is more benevolent than in "Conquest..." in that he is mellowed out and Humans are not as evil as he visioned them in the last film. McDonald is his Human companion and voice of reason when the anti-Human sentiment comes to his mind. As in the end of "Conquest...", McDonald is the Human advocate for mercy for the Human race.
After the Ape uprising an offscrean nuclear war took place, demolishing the big cities of Humanity. Apes are now the superior race, yet rely on them to teach the Apes grammar and such. The Humans are subservient to the Apes, yet under Caesar's rule, they are given latitude when they inadvertently revert to the days of old (when the word "no" is uttered by a Human to an Ape, a grave misdeed in these times). A general by the name of Aldo seems to harbor visions of seizing control of the Ape civilization and directing it in a way much different than Caesar.
Caesar verbalizes his wish to have heard some words of wisdom from his long deceased parents, Cornelius and Zira. McDonald says it is so since the parents were under surveillance upon their coming to 1970's Earth, and that filmed records exist as to the revelations about the future of the Earth. Caesar immediately organizes a party of himself, Virgil, and McDonald to visit the Forbidden City (which is radioactive due to the fallout of the nuclear war) to learn about his parents. They go to the archives and find the records they were seeking. Yet meanwhile, there was a group of survivors that lived in the forbidden city that found out that Caesar was there. These humans were terribly disfigured due to the vast nuclear fallout. They recognize Caesar right away and want to gain vengeance for their fate. Caesar and his entourage flee from the Forbidden City once the Human Mutants go after them.
Anything past this will spoil the ending. This was decidedly the last of the POTA's films, and they left an open ending as to whether Humans and Simians can live together in peace.
One decade after a worldwide series of ape revolutions and a brutal nuclear war among humans, Caesar must protect survivors of both species from an insidious human cult and a militant ape faction alike.
Screenwriters John William Corrington and Joyce Hooper Corrington were brought in after the success of their film "The Omega Man", although prior to that neither one of them had written any science fiction films and, indeed, Joyce Carrington later admitted they had never seen any of the Apes films prior to being hired to write the script for "Battle".
Roger Ebert gave the film a negative review, stating, "Battle looks like the last gasp of a dying series, a movie made simply to wring the dollars out of any remaining ape fans." As usual, Ebert is spot on. This feels nothing like an "Apes" movie at all, and the continuity starts to get a little strange. Even ignoring the paradox of the time loop, there is no explanation of how the apes became able to speak and so forth. If Caesar had a mate and this was 500 years in the future it might make sense, but apes simply do not have the ability to speak!
Screenwriters John William Corrington and Joyce Hooper Corrington were brought in after the success of their film "The Omega Man", although prior to that neither one of them had written any science fiction films and, indeed, Joyce Carrington later admitted they had never seen any of the Apes films prior to being hired to write the script for "Battle".
Roger Ebert gave the film a negative review, stating, "Battle looks like the last gasp of a dying series, a movie made simply to wring the dollars out of any remaining ape fans." As usual, Ebert is spot on. This feels nothing like an "Apes" movie at all, and the continuity starts to get a little strange. Even ignoring the paradox of the time loop, there is no explanation of how the apes became able to speak and so forth. If Caesar had a mate and this was 500 years in the future it might make sense, but apes simply do not have the ability to speak!
A limp way for the original franchise to finish.
Its predecessor, 'Conquest of the Planet of the Apes', was a weak entry too but remained watchable, though 'Battle for the Planet of the Apes' kinda straddles the other side as it's uninteresting. I didn't dislike it and it is very short at around 82 minutes, which helps. Roddy McDowall is the pick of the cast, though even his performance feels weary at this point.
A 'strong' 2½* rating from me, if such a thing exists. It was the right time for them to end this (very good, all in all) series.
Its predecessor, 'Conquest of the Planet of the Apes', was a weak entry too but remained watchable, though 'Battle for the Planet of the Apes' kinda straddles the other side as it's uninteresting. I didn't dislike it and it is very short at around 82 minutes, which helps. Roddy McDowall is the pick of the cast, though even his performance feels weary at this point.
A 'strong' 2½* rating from me, if such a thing exists. It was the right time for them to end this (very good, all in all) series.
MORD39 RATING: **1/2 out of ****
For starters, it's true that this film is the least in the series. But it's still enjoyable and it's got values (something we could really use these days).
The missing scenes involving the nuclear missile were essential to the intelligence of the film; without them, it suffers. I'm basing my review on the full, uncut edition (as a major APES addict, I have it). If there is a real problem with BATTLE, it's mostly due to the lack of a great story and new blood. Each of the previous films gave us some kind of new direction to explore, whereas this fifth movie is more of a rehash.
I disagree about the casting of Paul Williams as Virgil. I mean, was that guy born to play an orangutan or what!? Similarily, I think Claude Akins as gorilla general Aldo was also an inspired piece of casting.
BATTLE FOR THE PLANET OF THE APES should be a film anyone can enjoy somewhat, and especially by someone claiming to be a fan of the series. Can anyone tell me what film series has an exceptional fifth chapter?
For starters, it's true that this film is the least in the series. But it's still enjoyable and it's got values (something we could really use these days).
The missing scenes involving the nuclear missile were essential to the intelligence of the film; without them, it suffers. I'm basing my review on the full, uncut edition (as a major APES addict, I have it). If there is a real problem with BATTLE, it's mostly due to the lack of a great story and new blood. Each of the previous films gave us some kind of new direction to explore, whereas this fifth movie is more of a rehash.
I disagree about the casting of Paul Williams as Virgil. I mean, was that guy born to play an orangutan or what!? Similarily, I think Claude Akins as gorilla general Aldo was also an inspired piece of casting.
BATTLE FOR THE PLANET OF THE APES should be a film anyone can enjoy somewhat, and especially by someone claiming to be a fan of the series. Can anyone tell me what film series has an exceptional fifth chapter?
So the final entry in the Planet of the Apes series takes liberties with the timeline and the plot wanders through other prior installments, but I feel the movie delivers a degree of pathos seldom seen in a sequel. The bookend scenes involving the Lawgiver, John Huston in heavy make up, speaking to a group of schoolchildren--apes and humans--tie up the saga nicely, leaving open the future for more sequels.(Tim Burton in his dreadful remake should have filled in the blanks instead of "reimagining" a different world of apes. Only my opinion.) Things I like include the character Mandemus, keeper of the armory(Caesar's conscience), the trek to the radioactive city, Caesar's viewing of his dead parents in the Hall of Records and the final ambiguous shot of the movie. The money allocated to Leonard Rosenman's impressive score was well spent. The pop singer Paul Williams display a deft touch for acting in his debut. Try and catch this screen gem on Fox Movie Channel and you will be treated to additional scenes involving the always looming doomsday bomb. And special praise to J.Lee Thompson for delivering more with less.
Lo sapevi?
- QuizMr. MacDonald (Hari Rhodes in 1999: Conquista della Terra (1972)) was also meant to return, but after Rhodes refused, the character was changed to his brother, and Austin Stoker was cast.
- BlooperCaesar's famous "Now, fight like apes!" line is marred by his ape lower-mouth appliance beginning to fall off, revealing his own human mouth inside. The director tried to hide this by blurring those frames of film at the lower end of the screen. What looks like dust on the camera was intentional.
- Curiosità sui creditiThe 20th Century-Fox logo does not appear on this film.
- Versioni alternativeCBS edited 14 minutes from this film for its 1975 network television premiere.
- ConnessioniFeatured in Behind the Planet of the Apes (1998)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Battle for the Planet of the Apes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.844.595 USD
- Lordo in tutto il mondo
- 8.844.595 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Proporzioni
- 2.39 : 1
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