Dracula cerca sangue di vergine e... morì di sete!!!

In this retelling of the story of Dracula, the world's most famous vampire (Udo Kier, in a breathtaking and charismatic role as the count) lives in rapid deterioration in Romania with his watcher, Anton. Dracula is nearing death due to the fact that he needs the blood of a virgin in order to survive as tainted blood makes him deeply ill. Dracula decides to travel to Italy after burying his sister because Anton tells him that there are many religious girls there who value their virginity and do not have sex until marriage. The plan makes sense, but problems arise when Dracula and Anton take shelter in the home of a religious family consisting of a greedy and thoughtless wife, a bitter husband, their four daughters, and their communist worker (played by the consistently memorable Joe Dallesandro). The plan is to pretend to be an aristocrat looking for a virgin bride, but issues arise when Dracula discovers that the daughters are not as innocent and as virginal as they are reputed to be, thanks to their worker, in this bizarre and extremely bloody vampire fable.

Excuse me for seeming rather melodramatic for saying this, but this has got to be one of the most depressing horror films I think I have ever seen. The idea of Dracula being a terrifying and intimidating demon of a human being is completely altered here. Dracula is no longer the great monster that legend states, but rather a frail and deteriorating creature who is weak and pitiful. Call me crazy, but to me this idea is truly heartbreaking. This is a very tragic, pessimistic, and cruel film, and watching it is like watching a weak old man slowly bleed to death in a creek after getting in a bicycle accident. It is basically the mental equivalent, and as a result I would highly suggest that folks who aren't privy to films about tragedies better steer clear of this. For everyone else, however, who is a 70s grindhouse horror fan, fans of erotic horror cinema, and fans of Euro-trash, there is a lot here to recommend. For starters, Udo Kier as Dracula. Oh my god can this man tug at the heartstrings. His performance as Dracula is as pitiful, feeble, and tortured as you can ever imagine. Say what you will about his theatrical line delivery, but I found myself tearing up just looking at the guy. The opening scene in which we watch him cover his old frame with make-up is one of my favorite opening scenes in horror. It is sad, it is tranquil, and it is classy all at once. Udo Kier has such gentle and expressive eyes that help give the character a sense of lost humanity that I found incredibly poignant.

Arno Juerging as Anton is also astounding. He allows his character to be somewhat charming and timid while still allowing him to show a vicious tendency. He's an unusually memorable aspect of the film that certainly helps to differentiate this picture from other films of it's nature. Joe Dallesandro is a lot funnier and has a lot more fun with his role here than in the past, but above all he just looks great on camera regardless of the quality of film stock. He has such a wonderful presence here, and his character is a lot more interesting and clever than you would expect from this type of role. Above all, however, he's a hero who you don't feel entirely comfortable rooting for. He's a main character whom the writer doesn't mind showing you his sleazy side. He's not an entirely likable protagonist, and I always appreciate when filmmakers have the balls to do that. It worked in 2009 with District 9, and it works just as brilliantly here. The musical score by Claudio Gizzi is one of the great haunting horror film scores of the 70s. This score, as well as his equally powerful score in Flesh For Frankenstein, are two of my favorite music scores of all time. It fits the sadness of the film like a glove.

This is one of my favorite vampire films and one of my favorite films of it's kind. It's not going to appeal to everyone, especially the easily offended, but it is a tremendous piece of horror filmmaking that I personally think deserves it's place in film history. Best of all, it is a vampire film that, like the 2008 Swedish film Let the Right One In as well as the 1996 actioner From Dusk Till Dawn, follows all the basic rules in vampire lore. This film also includes a cameo by Roman Polanski, and to this day I think it's one of the funniest and most intelligent cameo appearances of all time. What more can I really say? This is a cult classic of the highest caliber. It's beautifully shot, it's evenly paced, it's gory as hell, it's genuinely erotic, and it's not afraid to break your heart. If you are a fan of cult horror and you haven't seen this, you are seriously missing out.

This very free and rather deranged interpretation of Bram Stoker's legendary Dracula tale by Paul Morrissey is one of the best independent vampire stories I've seen so far. The sheer brilliance of this film completely lies in the characterization of the bloodsucking count. Dracula no longer is a vile and overruling monster here, but a sickly and almost pathetic weakling. He and his assistant (Renfield with brains!) flee from the Romanian castle to settle in rural Italy where families are believed to be particularly religious. This is essential to the count because he can only feed on virgins' blood. The count and his assistant are homed by a family with 4 four marriageable daughters, pretending to be wealthy. However, the girls aren't as 'pure' as they're supposed to be (these cuties like to screw around with the revolutionary servant boy) and the impure blood of the girls only causes to the count to get weaker. Despite of its filthy reputation, this film isn't that gory or nauseating. The finale is pretty blood-soaked but the film is overall more absurd and eccentric than it is gore. Blood for Dracula is an outstanding trash-film! The humor is black as the night itself and the substance is essential viewing for every cult cinema admirer. Udo Kier is terrific as the needy count while pretty boy and Morrissey regular Joe Dallesandro has the time of his life portraying the manly skirt-chaser. The budget of Blood for Dracula was low (almost non-existing), yet the set pieces and atmosphere-creating elements are great! The musical score in particular is beautiful and contains a few gripping piano compositions.

In conclusion, Blood for Dracula is outrageous fun and a must-see for everyone whose tired of the same old unsatisfying horror films. It might not fit for all audiences but I'm sure the more developed genre lovers will love seeing Udo Kier licking a virgin's blood of the floor. Equally recommended is the Morrissey variant on that other classic tale, Frankenstein. That film is even more extravagant and a whole lot nastier. You can either take that as a recommendation or a warning.

While I rate Paul Morrissey's 'Flesh For Frankenstein' just a little higher than this one, it is without a doubt a vampire trash classic, and highly recommended viewing. Morrissey once again teams the legendary Udo Kier ('The Story Of O', 'Suspiria') with Warhol superstar Joe Dallesandro, and the creepy Arno Juerging (Otto from '...Frankenstein'), and adds to the strong supporting cast Italian veteran Vittorio De Sica, and even a cameo from director Roman Polanski. '..Dracula' features a similar mixture of horror and camp to the earlier movie, but this time the emphasis is more on sex and decadence than gore and humour. Dallesandro's performance is below par as a Communist servant, but Kier once again excels in the title role, creating some genuine sympathy as the sickly, desperate Count who can't get enough "wer-gins" blood to sustain himself. 'Blood For Dracula' is essential viewing for all 1970s cult movie buffs.

A well done film and Warhol's best improvement at making a film than just showing people with skin and fornicating all the time as whenever I saw his flicks it drove me nuts as it was so damn twisted! Of course we have Joe Dallesandro who plays a character who works for a mansion and molests some of the women there but ends up being a hero in the end and his acting is starting to improve as he was so awful in his past work (Probably he was getting off of drugs at this time) and he moved on to acting in non-Warhol films afterwards and doing well for himself. Scream king Udo Kier is great as Dracula and got alot of fans from this film. A film worth checking out and done in Italy where the horror population really lies for films.

Not nearly as disgusting as its closely made forerunner Flesh for Frankenstein, Blood for Dracula has some nice, stylistic moments, excellent period piece settings and costumes, wild overacting from Udo Keir as Dracula(subdued though when compared with his performance as Dr. Frankenstein) and a non-performance by Joe Dallesandro, a sluggish pace at times and, of course, lots of gratuitous sex scenes. Dracula must go south for his health and find a virgin(for he can only drink the blood of a virgin girl). He chooses Italy and finds a family with three beautiful, unwed daughters all professing innocence of man. A swarthy gardener(Dallesandro) works there. Add two and two and you have the basic premise of the film. For me, and let me say that I get what camp is and what the filmmakers were trying - TRYING - to do, the best part of this film is easily the brief cameo of Roman Polanski as a man in the pub playing a game of do-what-I-do. Polanski has brilliant comic timing, and he reinforces my opinion that he was and could have been a very good actor. I am thankful he still directs though. As for Blood of Dracula, it will definitely take a bite out of your time.