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Edith 'Little Edie' Bouvier Beale in Grey Gardens (1975)

Recensioni di Metacritic

Grey Gardens

83

Metascore

16 recensioni · Fornito da Metacritic.com
  • 100
    Chicago Sun-TimesRoger Ebert
    Chicago Sun-TimesRoger Ebert
    Grey Gardens, one of the most haunting documentaries in a long time, preserves their strange existence, and we're pleased that it does. It expands our notions of the possibilities. It's about two classic eccentrics, two people who refuse to live the way they're supposed to, but by the film's end we see that they live fully, in ways of their own choosing.
  • 100
    The DissolveNathan Rabin
    The DissolveNathan Rabin
    Part of the reason Grey Gardens—named for the dilapidated East Hamptons mansion Little Edie shares with her mother, Edith “Big Edie” Bouvier Beale—is so deep and endlessly rewatchable is that the Beales’ pleasure in being seen is matched by the Maysles’ joy in watching. These exhibitionists found the perfect voyeurs, and vice versa.
  • 100
    Slant MagazineEric Henderson
    Slant MagazineEric Henderson
    Grey Gardens remains one of the greatest and possibly only disaster movies that clearly benefits from not having seen the moments of reaping.
  • 100
    Philadelphia InquirerMolly Eichel
    Philadelphia InquirerMolly Eichel
    Classic.
  • 100
    CineVueChristopher Machell
    CineVueChristopher Machell
    The film’s final shot of Little Edie dancing alone on the filthy floorboards of her rotten hallway is as poignant an image as can be imagined. Simultaneously humorous, pathetic, and triumphant, it is the unconscious statement of a person railing against the world, lost in the maze of her own past and the uncertainty of her future, at once hopelessly deluded and consciously defiant.
  • 83
    Entertainment Weekly
    Entertainment Weekly
    It’s almost impossible to look away.
  • 80
    The New YorkerRichard Brody
    The New YorkerRichard Brody
    Rarely have high spirits and theatrical energy seemed like such a tragic waste; an era and its myths seem to be dying on-screen in real time.
  • 70
    The New York Times
    The New York Times
    There is no doubt about the artistr and devotion that the Maysles have used in recording the life in Grey Gardens." There is no reason to doubt them when they say they love and admire the Beales. But the moviegoer will still feel like an exploiter. To watch Grey Gardens is to take part in a kind of carnival of attention with two willing but vulnerable people who had established themselves, for better or worse, in the habit of not being looked at. And what happens when the carnival moves on?
  • 50
    LarsenOnFilmJosh Larsen
    LarsenOnFilmJosh Larsen
    There is something unseemly in its choice to document the Beales at all. It’s not exactly that mother and daughter are being unwittingly exploited (though one wonders what a psychologist would make of their mental states). It’s that Edith and Edie – who both pursued show-business careers at different points in their lives – are such eager subjects, so willing to let the camera roll with little thought to what, aside from their immediate selves, it might be capturing. If Grey Gardens doesn’t exactly exploit that, the documentary certainly takes dubious advantage.
  • 40
    Time Out
    Time Out
    A film that is voyeuristic in the extreme, extending no warmth to the bizarre mother and daughter as they battle out their lives together, but choosing instead to film them in the most offensive of ways.
  • Visualizza tutte le 16 recensioni su Metacritic.com
  • Vedi tutte le recensioni esterne per Grey Gardens

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