Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
Indietro
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
  • Domande frequenti
IMDbPro
Fog (1980)

Recensioni di Metacritic

Fog

55

Metascore

11 recensioni · Fornito da Metacritic.com
  • 80
    EmpireWill Lawrence
    EmpireWill Lawrence
    Ghoulish, tense and utterly fantastical, John Carpenter's tale of shipwrecked spectres squelching their way through a fluorescent fog to wreak vengeance on a seaside town is a classic campfire yarn.
  • 80
    Time Out London
    Time Out London
    Expanding enormously on the fantasy elements of his earlier films, Carpenter has turned in a full-scale thriller of the supernatural, as a sinister fog bank comes rolling in off the sea to take revenge on the smug little town of Antonio Bay.
  • 70
    Variety
    Variety
    John Carpenter is anything but subtle in his approach to shocker material. Story exposition and setting are well-established before the opening titles are over, and The Fog proceeds to layer one fright atop another.
  • 70
    The A.V. ClubNoel Murray
    The A.V. ClubNoel Murray
    Removed from its context as the highly anticipated follow-up to a horror classic, The Fog lingers as a crafty and loving assemblage of pulp gimmicks, played out in a ___location that rivals Hitchcock locales for pure eye-vacation appeal.
  • 70
    The New York TimesJ. Hoberman
    The New York TimesJ. Hoberman
    The Fog is more spooky yarn than streamlined scream machine; it’s the sort of crowd pleaser best enjoyed with an audience.
  • 50
    Chicago Sun-TimesRoger Ebert
    Chicago Sun-TimesRoger Ebert
    The Fog is encouraging because it contains another demonstration of Carpenter's considerable directing talents. He picked the wrong story, I think, but he directs it with a flourish. This isn't a great movie but it does show great promise from Carpenter.
  • 50
    NewsweekDavid Ansen
    NewsweekDavid Ansen
    The Fog needs more suggestive magic to sustain its farfetched premise. There's no doubt that Carpenter has talent to spare, but he's misjudged his gifts this time. The Fog ought to come on little cat feet, but its tread is heavy and literal. The harder it tries, the sillier it gets. [03 March 1980, p.68]
  • 50
    The New York TimesVincent Canby
    The New York TimesVincent Canby
    The Fog is constructed of random diversions. There are too many story lines, which necessitate so much cross-cutting that no one sequence can ever build to a decent climax. The movie looks quite pretty but prettiness of this sort is beside the point in such a film.
  • 40
    TV Guide Magazine
    TV Guide Magazine
    The film's real problem is Carpenter's diffuse narrative, which introduces far too many characters--forcing the director consistently to cut away to each story strand, thus destroying much of the suspense. What does work, however, is Carpenter's unmatched visual style and the marvelous photography of Dean Cundey.
  • 40
    Washington PostGary Arnold
    Washington PostGary Arnold
    An acceptable scene-setter, Carpenter reveals glaring inadequacies as a storyteller. [15 Feb 1980, p.C3]
  • Visualizza tutte le 11 recensioni su Metacritic.com
  • Vedi tutte le recensioni esterne per Fog

Altro da questo titolo

Altre pagine da esplorare

Visti di recente

Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
Scarica l'app IMDb
Accedi per avere maggiore accessoAccedi per avere maggiore accesso
Segui IMDb sui social
Scarica l'app IMDb
Per Android e iOS
Scarica l'app IMDb
  • Aiuto
  • Indice del sito
  • IMDbPro
  • Box Office Mojo
  • Prendi in licenza i dati di IMDb
  • Sala stampa
  • Pubblicità
  • Lavoro
  • Condizioni d'uso
  • Informativa sulla privacy
  • Your Ads Privacy Choices
IMDb, una società Amazon

© 1990-2025 by IMDb.com, Inc.