Greystoke - La leggenda di Tarzan, il signore delle scimmie
L'erede scomparso di una rispettata famiglia scozzese cresciuto nelle giungle africane dagli animali torna finalmente nella sua tenuta solo per rendersi conto che la differenza tra i due mon... Leggi tuttoL'erede scomparso di una rispettata famiglia scozzese cresciuto nelle giungle africane dagli animali torna finalmente nella sua tenuta solo per rendersi conto che la differenza tra i due mondi è davvero significativa.L'erede scomparso di una rispettata famiglia scozzese cresciuto nelle giungle africane dagli animali torna finalmente nella sua tenuta solo per rendersi conto che la differenza tra i due mondi è davvero significativa.
- Regia
- Sceneggiatura
- Star
- Candidato a 3 Oscar
- 3 vittorie e 18 candidature totali
- Tarzan aged 5
- (as Daniel Potts)
Recensioni in evidenza
This two-and-a-half hour epic from director Hugh Hudson starts before the titular character's birth. His parents, nobles from England, get shipwrecked along the African coast, and while they survive long enough to build a treehouse, write a diary, and have a child, the die shortly after the baby's birth. Coincidentally, a female ape has just lost her baby, and when she sees the abandoned human infant, her mothering instincts kick in. All the deaths are pretty violent and graphic, so you'll want to stick to the cartoon for the kiddies, but it is a very interesting backstory to see the transition from a proper English castle to the wilderness.
All the actors who play Tarzan, Danny Potts, Eric Langlois, and finally Christopher Lambert, are pitch-perfect in their performances. I don't know how they managed to get through their scenes without laughing, but perhaps they got all their giggles out during rehearsal. All three have an enormous amount of physical acting to do, from vine-swinging to tree climbing to lifting, throwing, and fighting. All three have to pretend they're hairless apes, imitating the use of their limbs, their posture, the different tones and noises of their language, and their facial expressions. Accomplishing all that, without laughing and without making the audience laugh, is quite a feat. Christopher Lambert has to add in an entire transformation to his performance of learning how to speak and act like a civilized person, which, to his character, is a completely different species.
Ian Holm, a Belgian zoologist, also gets shipwrecked in the same wilderness, and while he nearly dies, he meets up with Christopher Lambert, who saves his life. In turn, he teaches him the ways of being a human. The greatest flaw of the movie is Chris's lack of a beard after living his entire life in the jungle. When Ian teaches him his first word, "razor," then shaves him, there's nothing to shave! Besides that, the rest of the movie is very good. Ian's performance is so convincing, if I'd never seen him before, I would have thought his French accent was real! Ironically, if you keep your eyes open, you'll get to see David Suchet, famous for his portrayal of Belgian detective Hercule Poirot, in a couple of scenes with Ian in the first half of the movie.
Andie MacDowell made her film debut in Greystoke as Jane, but all her lines were tragically dubbed over by Glenn Close, so it'll seem a little jarring to watch the famously Southern Andie speaking in a British accent. Even though the first portion of the film is very close to the original novel, the plot differs during the second half. Christophe returns to England to meet Andie, rather than meeting her while she's on safari in the jungle, as in the classic "Me Tarzan, you Jane" scene. In the novel, Jane is supposed to be a Southern American, but the director felt that dialect wouldn't fit with the rest of the movie. Andie may not sound like herself, but she certainly looks like herself. She's positively gorgeous, and she gets to wear some beautiful gowns!
All in all, this is a very good movie. You might need your Kleenexes, because parts of it are pretty sad from an animal lover's perspective and a sociologist's perspective. You'll be treated to beautiful scenery, both indoor and outdoor, wonderful performances, and Ralph Richardson's final film. Check this out if you like the Tarzan story and want to see a lush, dramatic adaptation.
DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. There are a few aerial camera swirls in the jungle and it will make you sick. In other words, "Don't Look, Mom!"
Kiddy Warning: Obviously, you have control over your own children. However, due to violence, nudity, and upsetting scenes involving animals and children, I wouldn't let my kids watch it.
Gone was the fighting crocodiles and baddies and the epic 'call' (if I could spell it I would!) in the forest, replacing it was an, essentially, mentally affected child/boy/man who was left in the forest to scavenge an existence.
They then traumatise the boy/man more by taking him out of the only environment he is familiar with to become an amusement for the upper class.
Its presented as a tale of woe and wonder and romance.
This movie has a soul.
The development and exploration of John/Tarzan's character is well thought out and the performance was really believable. Ian Holm is fantastic in the film as his friend and the journey they make together should have been explored more. Going into the film i expected to see a film where Tarzan defends his animal friends from evil humans in the jungle, but I got a very grounded and simple film about a man trying to adapt into a life he naturally wasn't raised for. The duality and having to choose between the two lives is an interesting concept, but it leaves it unresolved in my opinion.
There are some very dramatic and sad moments here too. The bond between the apes and the man is felt more than the bond between humans sometimes. The apes have their cheesy moments, but there's also really strong and emotional moments too. The detail in the costumes switches around a bit. The best compliment to the ape costumes I can give is that the eyes where done so well that I actually thought those were real ape ayes.
There are even some scenes that deal with the human beings desire to kill and rip apart other animals, like dissecting, hunting and chaining them up. Seeing those things from Tarzan's perspective was a bit haunting and heartbreaking and you feel the conflict.
Some great performances, great first half, gritty & grounded moments are all strong points, but it loses steam in the second half and drags on a bit for too long and leaves you feeling unresolved. The film also lacked more tension and intensity towards the end which would have picked the whole thing up and made up for the calmer moments. I like calmer films, but it really builds up to something exciting to happen, and it never does.
Still, it's probably the best adaptation of Tarzan I've seen and the one who truly makes you feel the tragedy of this truly sad and haunting tale. It ain't as light as you might expect.
'Christophe' sticks to his French accent for most of this film, which is a relief as he concentrates on his acting and, for the most part, gets it spot on. His reversion to ape behaviour in moments of emotional stress is funny and touching. Ralph Richardson's potrayal of the Sixth Earl is full of humour and subtlety, only to be expected from a master of the art. Ian Holm, again, a masterful performance. They put Andie MacDowell to shame.
The first half is mainly in the jungle and is fascinating to watch. A huge amount of research about ape behaviour is put to entertaining use. It comes to a close when some amusingly nasty English explorers and a disdainful Belgian appear in the jungle. The second half, when Johnny (Lambert) is introduced to Victorian society touches on what it means to be 'civilized'. He meets his grandfather and is expected to take his place in society but then discovers what society is like.
A great adaptation and an entertaining film.
Lo sapevi?
- QuizWhen this movie premiered in East Germany, the sentence "The wall comes all around the estate to keep them out, and keep us in" caused a roar in the audience. It was omitted in subsequent screenings.
- BlooperTarzan's hair gets shorter as he gets older, before he ever finds the knife to cut it with. As an adult, his hairstyle changes frequently in the jungle.
- Citazioni
[a tribe of cannibals are on the riverbank]
Sir Evelyn Blount: What are they saying D'Arnot?
Capitaine Phillippe D'Arnot: Dinner is serving. No! Arrived, dinner has arrived is a slightly better translation.
Sir Evelyn Blount: I don't think that's frightfully funny D'Arnot!
- Versioni alternativeIn a 2016 Hollywood Reporter article that interviewed director Hugh Hudson about his work on "Greystoke" ("The Secrets Behind That Other Tarzan Movie-The One That Earned a Dog a Screenwriting Oscar Nomination," by Stephen Galloway, July 01, 2016), Hudson is quoted saying, "What was complicated was to bring the film down to two hours and 20 minutes. We had an original cut of three hours, and it was at its best at two hours and 40 minutes, where you had a little bit longer [with Tarzan] growing up in the jungle and it was a bit more violent. The world of an ape is a violent world. And the studio was very nervous about that." http://www.hollywoodreporter.com/features/greystoke-inside-story-1984-tarzan-908081 Unfortunately, there are no known intact copies of the director's favored two hour, 40 minute cut anywhere to be found.
- ConnessioniFeatured in The 57th Annual Academy Awards (1985)
I più visti
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Greystoke
- Luoghi delle riprese
- Blenheim Palace, Woodstock, Oxfordshire, Inghilterra, Regno Unito(Greystoke Mansion)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 45.858.563 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.517.732 USD
- 1 apr 1984
- Lordo in tutto il mondo
- 45.858.563 USD
- Tempo di esecuzione2 ore 23 minuti
- Colore
- Proporzioni
- 2.39 : 1
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