Il giorno degli zombi

It's a scandal that such a brilliant film as "Day of the dead" has been overlooked for so long, and still pretty much continues to do so. In fact, being an avid horror movie consumer and favoring zombie movies especially, it is only now that I've been lucky enough to get a copy of this. I'm so glad about that! "Day of the dead" is, to my mind, not only the best of all Romero's zombie flicks, but also in the top three of all zombie movies ever made. It has every single asset that I consider desirable for a zombie film to be perfect: a claustrophobic environment with little realistic ways out, characters pushed to the limits, paranoia, darkness (literal darkness as well as an obscurity, a density of word, thought and mindset that clearly reflects the apocalyptic world that they now live in), powerlessness, lots of quality suspense, and gore. Many of those elements are missing in an awful lot of zombie movies.

"Day of the dead" is also ahead of its time (1985) in special and makeup effects and, beyond that, in the general pessimistic mood that is now sadly a reality. There is nothing funny, redeeming, thrilling about the new world dominated by zombies; the heroes of this show do not make a point of killing zombies as if it were some sort of hunting expedition with lots of adrenaline. They are simply the last humans standing, a group of scientists and military who happen to have survived so far (how, and why them, is never told), and trying to live another day in an underground facility (which is one of the best settings ever devised in a horror movie). Some kind of science project or experiment is also taking place, with a Dr Logan leading it (great character, that one), but this doesn't leave for much optimism. Basically, the gray, primary, claustrophobic setting, the rivalry between the military and the scientific communities, and the sickness and nightmares that ail the heroes let us know early on that we're in for a gloomy tale.

"Day of the dead" is also worth watching because it introduces elements that are completely original in the genre, and have still (to my knowledge) either not been used at all, or have been so only recently.

My score is a resounding 10/10!

While not quite up to the levels of Night or Dawn, Day Of The Dead still packs a story line that is just as relevant to day as it was in 1985, and boasts performances that are better than it should be. I really loved Lori Cardille here, and I'm surprised she didn't do much, much more than this.

It has one of the best openings in horror movie history (and Dr. Tongue is likely the most impressive zombie in any of these films), but it does drag just a little bit in the middle. The antagonists (of which there are more than one), aren't your typical mustache twirlers, and Romero gave them some depth and nuances that actually made most of their actions completely believable.

The climax more than makes up for the middle drag, and I love how Romero injected his undead with both horror and humor. A must for not only Romero fans, not only zombie fans, but horror fans in general.

As a zombie aficionado is it impossible to not have watched the Romero zombie movies, especially as they are such big milestones in the zombie genre. And also as they are the zombie movies that has the most heart put into it, no pun intended.

This 1985 movie, directed by George A. Romero, is the third of zombie movies in his lineage of zombie storytelling. And it continues with the usual bleak world overrun by the living dead. Society has collapsed and the world is in disarray, with small clusters of people struggling for survival. But it is not the threat of the living dead that proves the only danger is the new dying world.

Romero does a great job at telling the story he has in mind, and it is presented in a very enjoyable manner, which makes his movies quite entertaining and watchable.

The story in the 1985 movie "Day of the Dead" is about a group of soldiers and scientists who have barricaded themselves in an underground bunker facility. Here they try to survive the dying world around them. Some scientists are studying the living dead in order to understand more about them and to control them, a study which does not sit well with the armed military forces.

Granted that this movie is from 1985, so the special effects and zombie make-up is a bit outdated by today's standards. But it still works fine though, and the effects are still believable. But in the Romero movies it is not the special effects that drive the movie, it is the story and the characters; the special effects just help to progress the story and add a visual imagery to the dying world.

The acting in "Day of the Dead" was quite good, and there is a very memorable gallery of characters in the movie. And there was even a very memorable zombie known as Bub. And they had managed to cast some good talents to portray the various role and characters. I must admit that I was surprised to find out that special effects master Greg Nicotero was in the movie.

I assume that you are already familiar with this 1985 classic zombie movie if you are a fan of the zombie genre. If you are not, shame on you, then it is about due time that you get around to watching it. In fact, watch all the Romero zombie movies, as they are important to the zombie genre.

I have watched "Day of the Dead" several times, as I have with all of Romeros movies, and it can sustain multiple viewings, because the story is so well-written and executed on the screen.

"Day of the Dead" receives a seven out of ten stars from me. This is a good, wholesome zombie movie.

The third film in George A. Romero's immensely popular "Living Dead" trilogy is by far the bleakest and most complex film the director has ever worked on. "Day of the Dead" received a lot of negative press upon its release in 1985 - people picked apart unsavory characters, OVER-acting from a no-name cast, and outlandishly gory special effects that only Tom Savini himself could be proud of.

But none of this makes it a bad experience really, does it? I don't think so. For the reason that I usually detest zombie flicks, I have worked up a fondness for the works of Romero and over the last two weeks have separately watched each film in his trilogy.

"Night of the Living Dead" (1968) virtually defined a new genre of horror movie-making and basically set the standards for the many zombie flicks that would follow in its footsteps. Next up to bat was the most praised film in the trilogy - "Dawn of the Dead" (1978) - which was more of an action film than a horror movie and was nothing short of epic. Then came "Day" in 1985, which got the tongue-lashing that I described earlier.

However those that did like it, praised the Savini effects, its complex, plot-driven characters, and satire. While "Day" is certainly a step down from "Night" and "Dawn," "Day" is more of a claustrophobic horror movie and that allows it to stand on its own as a fitting end to Romero's trilogy. It's more in sync with the tension of "Night" than it is with the adrenalin-laced action, zombie-slaughterfest that was "Dawn."

A team of civilian scientists and a loose army unit clash with each other's motives after they have taken shelter at an underground military base from the hordes of living dead that storm the surface above. The civilian scientists aren't seeking to eradicate the zombies like the soldiers are hell-bent on doing, but are instead trying to get to the bottom of what is causing them to be what they are.

In doing so, they need live zombie specimens, which are held captive in a maze of dark underground tunnels where they're corralled like cattle. We later get what is one of the most profound and moving experiences in the entire trilogy with "Day," when we see one zombie, nicknamed "Bub" by one particularly eccentric scientist, who eventually learns what it means to be "alive," so to speak.

"Day of the Dead" obviously isn't a perfect movie, but is more or less a fitting conclusion to one of the most daring film trilogies in the horror genre. It may be best to not watch "Day" thinking it'll be anything like "Dawn" just because it has military men blasting away mercilessly at the living dead. Zombie slaughter is few and far between and much of the first hour of the film is clashing dialogue between the characters.

The darkest day in the world - "Day of the Dead."

9/10

"Day of the Dead" is a film that is an unfortunate sufferer of the "Alien 3 Syndrome". And, no, I don't classify those that are affected by the syndrome to be disappointing final entries in a trilogy. To suffer from "Alien 3 Syndrome", you must follow two exceptional films, and the entry that has preceded you must be so exciting and action-packed that when you dare take a grimmer, more deliberately paced approach to your material, you will become universally reviled, with many people failing to notice that you have more than your fair share of merits on your own. In fact, "Day of the Dead" has a LOT of merits - even more than the film that its syndrome is based on. While it doesn't quite approach the greatness of "Dawn of the Dead", it is still an intelligent, first-rate horror effort and stands as one of the best genre films of the 80s.

In this final entry of George Romero's "Living Dead" trilogy, the walking dead supposedly outnumber the humans by a ratio of 400,000 to 1. Twelve people who have devoted themselves to studying and wiping out the zombies hole up together in an underground missile silo, and for all we know, these could be the last twelve living humans on the face of the planet. Most of these people don't capture our sympathy like the foursome who holed up in the shopping mall in "Dawn". Half of them are gung-ho soldiers who seem to take great pleasure in threatening the scientific team, and Romero spends much of the first half focusing on the bickering and intense conflicts between these people. In fact, for over an hour, the hordes of living dead get very little screen time, as the story focuses on the tension between the characters, and the efforts of an off-the-wall scientist to train a captured zombie named Bub to act human. Compared to its predecessors, this long section of the film may seem slow and talky, but it is always interesting and, for the most part, effectively performed by its unknown cast. Besides, it all eventually leads up to a corker of finale when the zombies finally invade the compound, and most of the humans become showcases for the brilliance of Tom Savini, who outdoes even himself in the gore F/X department.

While most of this material is very grim, "Day" ironically has the most hopeful, upbeat conclusion in the trilogy - which, alas, is its only major shortcoming. The quick transition to the final scene is so abrupt and unexpected that the audience feels cheated, leaving the impression that the production ran out of money before the whole climax could be filmed. Indeed, Romero has often expressed his unhappiness about being underfunded for this project, which prevented him from creating a truly definitive final chapter for the trilogy. But while "Day of the Dead" may not quite be the ultimate finish to one of the greatest trilogies of all time, it is still a very satisfying conclusion (at least until Romero gets funding for his long-rumoured "Twilight of the Dead"). It may not be popular among everyone, due to many unfair comparisons to its superior predecessors, but on its own, it is about as good as horror films get.