Una pazza giornata di vacanza

Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.

Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.

Before all the slapstick, before re-writing "Home Alone" umpteen times and before selling his soul to "Disney Pictures Inc.", John Hughes was believed to be THE scribe for teen angst.

He wrote eloquently of it in "Sixteen Candles", "The Breakfast Club" and "Pretty in Pink". And with "Ferris Bueller's Day Off", he creates a person and a time in life that just about anyone who's ever been a teenager can relate to.

Who hasn't known someone like Ferris Bueller (Broderick)? Someone who always has a plan, someone who made loafing off an art form, someone who could fall in a barrel of you-know-what and come out smelling like a rose?

All he wants to do is take a day off from school and enjoy the day in Chicago - simple enough, but he must also try and convince his best friend Cameron (Ruck) and his best girl (Sara) to join him and, in the process, learn to enjoy what life has to offer.

Naturally, there is a tyrannical school dean (Jones) who is determined to catch Ferris in the act of hookey and Ferris' own sister (Grey, pre-nose job) who has it in for her brother, the "trouser-snake".

There are funny situations throughout the movie, and the characters are ones that grow on you, especially Ruck's worry-wart portrayal of Cameron Frye, constantly fretting about his dystalic, cursing his father and nearly drowning in a pool, all in the name of friendship.

Sara has less to do, but she plays the object of desire well, and Ferris' passion for her is understandable. At least he thinks about the right things, like what their lives would be like after high school.

All the way from beginning to end, this movie is a great trip in search of fun, relaxation, not taking life too seriously and how to sing Wayne Newton songs in the middle of a parade.

You want to catch vintage John Hughes and classic '80s teendom at its best? Seize this "Day"!

Ten stars for "Ferris Bueller's Day Off".

Presenting "the 1980's", the golden era of teen flicks. This is another outstanding classic.

What makes the whole idea absolutely hilarious is that this isn't at all something teenagers would do when taking a breather from school. Fine dining, art exhibits and parades, really? Or how would I know, perhaps the jazz was different back in the 80's.

The humour here is very subtle but effective all the same. It's hidden in the facial expressions, gestures and tone of voice. I particularly enjoyed the famous 'staring at a canvas' scene which I found both highly entertaining and profound at the same time.

Modern-day film and television industry could take a lot from this one. It shouldn't be all about the bawdy comebacks and toilet jokes. Humour is most effective when it's undetected.

But on a more serious note, there are actually important themes that are discussed here whether it's defying your parents, discovering your abilities or keeping your friends close but enemies even closer.

With both its lighter and more serious facets I know a comedy when I see one. And this is pure comedy gold.

On my IMDb "Top 10 Greatest Comedy Films" list.

No other "Coming Of Age" teen film since has been able to knock Ferris Bueller off its post-American Graffiti "COA" throne. Like the 1961 Ferrari GT 250 SWB California portrayed in this film (more than one used in production, and all were well-made knock-offs as no one was going to risk knocking around an ultra-rare $25M collectable), there is simply no substitute (George Lucas' American Graffiti' still reins as the all-time #1 COA film, but that came 10 years earlier, and is in a class by itself, although this film is also deserving of being considered an "important and significant film").

This was John Hughes' 4th directed movie, during his most prodigious period from 1984 to 1990, that also included 'The Breakfast Club' and 'Home Alone'.

Hughes tried to portray teens realistically and gave them relevance in his films - he was empathetic to the challenges of adolescence, and consciously avoided Hollywood's often shallow characterizations of the teen high school years.

The Library of Congress selected the film in 2014 to be preserved in the National Film Registry, honoring FBDO for its cultural significance.

I have an ongoing discussion with my friends and family about what movie defines your generation, and for me, this is it! Ferris' commentary throughout the movie is hilarious and irreverent, giving a voice to those on the borderline between Generations X and Y. It's Office Space, the teenage years! This movie is witty and fast-paced, not relying on the bathroom humor and physical comedy that most teenage and college comedies do these days. Yes it is dated, but that's part of what makes it great. I love it!